Pricey but worth the cost of admission

Friend of the Devil hardcover: A Reckless Book
Image Comics
Creators: Ed Brubaker and Sean Phillips
Release date: April 2021

Welcome back for another great comics read recommendation. This time out I’m offering up the second hardcover original graphic novel to chronicle the adventures of Ethan Reckless, the latest invention of writer Ed Brubaker and artist Sean Phillips. This creative team has my full confidence; they’ve produced a couple comic series that, while not among my absolute favorite reads, were still solid tales. But they have also produced titles like Scene of the Crime, Criminal and Kill or Be Killed, some of the best comics, in my humble opinion.

The new Reckless series is a little different than these creators’ past offerings. Instead of being released in single-issue format, then later collected in trades, these are full, done-in-one hardcover OGNs, a new one released every few months. That means these books have a little more hefty price tag than most of the comics and trades I usually buy. But again, this creative team has earned my trust, and so far, the Reckless series has not disappointed.

Much of the action in the stories takes place in the 1970s and 1980s, and the action is very reminiscent of television private detective fare from that same era, but told with a definite modern sensibility. So far, both adventures have gone in some very dark directions. This latest volume is more than the surface missing persons case it appears to be as Ethan Reckless follows the trail through various cultists, neo-Nazis and worse. If you enjoy shows like “The Rockford Files” or “Mannix,” then you will like these tales. But also, if you just like a good story that is hard to put down until you’ve finished it, then this still might be just the read you’re looking for.

Something a little different — snippets from my pull list

I’m going to take brief looks at six titles on my current monthly pull list, all released during this past month of April. While these six titles do not comprise my entire pull list for April, they are the lion’s share of it. My more limited finances of late have taken a definite toll on what I’m willing to plunk down for today’s comics. But I’d rather save my money for books I’m enjoying reading. That makes sense, right?

Titans No. 36 (DC Comics) — This is the final issue of the Rebirth Titans title. While the book has failed to recapture the heights of the Wolfman/Perez era of the Titans characters, I was one of the people who enjoyed Dan Abnett’s take with the relaunch. His version of the characters read true to their respective personalities to me; the stories just weren’t all that riveting, especially as the title was held hostage more and more by the overall DC Universe. The new mission for the Titans in the wake of the team’s forced break-up and then the events of “No Justice” just didn’t seem as strong as focusing on the bond these people share with each other. Add to that the loss of several key characters other writers had plans for, and this title just seemed doomed several months ago.

Fantastic Four No. 9 (Marvel Comics) — I like a lot of Marvel characters, but I’m sure it comes as no shock to regular readers of this blog that I collect a lot more DC titles. But I decided to give the 2018 relaunch of Marvel’s first family a try based on past writings by Dan Slott. So far, he hasn’t disappointed. His first arc was a bit *meh* for me, dealing as it did with where the FF members have been for so long. But the long-anticipated wedding of Ben Grimm and Alicia Masters, quickly followed by the latest face-off between the FF and Dr. Doom, which concludes with this issue, were both great reads. These books prove once again that comics can be fun. More titles should follow this example.

Justice League Nos. 21 and 22 (DC Comics) — This is one of those titles that is killing others like Titans. Believe it or not, I like more issues than not of the sweeping epic Scott Snyder and James Tynion IV are weaving with Justice League since its relaunch in 2018 following “No Justice.” I do. But there have been a few clunkers in the past 22 issues. And the problem with having your sweeping epic take over so many titles and story lines and months of publishing time without a resolution is that at some point, it becomes easier to simply ignore the entire thing than to keep up with it. I haven’t reached that point yet, but I think about it more with each passing month. Comics are an ongoing medium meant to continue ever onward, but individual stories are not.

Star Trek: Year Five No. 1 (IDW Publishing) — I have liked a lot of what IDW has done with its Star Trek license, including the Year Four series they did several years ago. This is only the first issue, so it is pretty early to judge with much accuracy, but this series debut seems like a good one. There are references to previous episodes of the television series to please the die-hard fans. The characterizations seem pretty accurate, and the premise, at least so far, seems well laid out for any newbies. I have high hopes for this title.

Nightwing No. 59 (DC Comics) — The Rebirth Nightwing title has been hit-and-miss with me, and I dropped it some time back. While some of the stories were good, many of them seemed to be re-treading ground already covered in the title’s previous incarnations. The changes to the title character since his being shot in the pages of Tom King’s Batman did not inspire me to pick the title back up. What did was the promise of Dan Jurgens coming onboard as the writer. I like both Jurgens’ writing and his art. I’m buying the next few issues hoping he will bring back the character I enjoy — one of my top three favorite characters, in fact. This is only the first issue and there’s leftover baggage to be dealt with from the previous writers. This issue wasn’t great, but I’ll give Mr. Jurgens a few more to win me back to Nightwing.

Criminal No. 4 (Image Comics) — No surprise here for longtime readers of this blog, I’m sure. I love most everything this creative team — Ed Brubaker and Sean Phillips — has collaborated on from Velvet to Kill or Be Killed to Scene of the Crime to previous incarnations of this very title. This latest version of Criminal is more of the same, and I love it.

So those are some of the titles I’m currently buying. What are the rest of you buying? And have you thought about why lately? Sometimes reflecting on your buying habits from time to time can be a good thing.

Happy collecting! And come back in two weeks for some thoughts on a Batman comic from my youth!

Great characterization makes for a great narrative

Kill or be Killed Volume Four
Image Comics
Creators: Ed Brubaker, Sean Phillips and Elizabeth Breitweiser
Release date: August 2018

 I have come to trust this creative team. Ed Brubaker is a great writer with a number of my favorite stories under his belt from Captain America to Detective Comics to Gotham Central to Velvet. He and Sean Phillips have also proven themselves an adept duo with past collaborations such as Scene of the Crime, Criminal, Fatale and Fade Out. And Elizabeth Breitweiser has also been an important ingredient in many of the above successes, adding nuance and mood with her colors. So it is no wonder I enjoyed Kill or be Killed, an incredible series by this creative powerhouse team.

But I’ve always been more of a story guy even though I certainly like the mix of words and art that comics provide. And as good as Phillips’ art and Breitweiser’s colors are in this series — and they are valuable contributions to the whole — the writing is what clinched the deal with me when I got and read the first trade collection of this series.

I liken Kill or be Killed to “Ozark,” a Netflix original series that dropped its second season a few months ago. In a nutshell, “Ozark” is the story of an accountant and his family caught up in working for a Mexican drug cartel and trying to stay alive while doing some truly horrible things along the way. Jason Bateman plays the father, and Laura Linney plays his wife. Neither were perfect people before they got caught up laundering money for the cartel they come to work with. There is validity in saying there are no likable characters on the show. And yet you find yourself rooting for various characters to succeed in what they are trying to accomplish. They are so well written, it is possible to see yourself in them just enough to wonder, “What would I do in that situation?” or “Would I be able to commit murder or have someone killed to protect my family?”

That is how Brubaker writes Dylan Cross, the main character in Kill or be Killed. Readers’ introduction to Dylan — before we even know his name — is of him catching not one but two men by surprise and killing them with a shotgun. This is on the first page. The next two pages show the masked gunman proceeding to kill several more people in the same office, home, we don’t know where. There is very little dialog beyond the startled shouts of the men Dylan kills and caption boxes with Dylan’s narration, spoken directly to the reader. Obviously, the pictures are showing a violent person committing horrible acts of violence. But that narration draws the reader in, shows them a friend who has a story to tell, a story they want to continue reading despite the violence depicted.

I liken Brubaker’s writing skills, at least in this narrative, to Stephen King’s. King does not always follow the conventional rules of writing prose. His sentences are not perfect. His structure is sometimes lacking. But King creates characters readers want to know, want to learn about. He creates characters people want to read about. Ones they relate to. That is part of Brubaker’s skill as well. Dylan doesn’t always do the “right” thing or the “smart” thing. He isn’t even that sympathetic a character sometimes. But you still care what happens to him.

Dylan’s story — mixing elements of crime fiction and commentary on social ills, mental health issues, relationships and life — grabbed my imagination, and I had no hesitation in ordering the second, third and fourth volumes as they were solicited. I did not know the fourth volume was the final arc until a few weeks before it hit the stands. I avoided spoilers, but I saw an article that indicated the series had ended with issue No. 20, as planned, and that the forthcoming fourth trade would contain the final issues. That only added to my anticipation of reading the final chapters. That fact, combined with the long six-month delay between trades, made me decide to re-read the first three trades right before reading the final one. I wanted to refresh my memory of all the parts of the story as I read the ending, and the earlier portions were a quick but enjoyable read the second time around.

A lot of writers mess up the ending these days. Television programs leave loopholes for future story possibilities in the hopes they get renewed. Limited comic series merely lead into the next limited comic series. And I understand the profit motive behind that mentality. But it makes us afraid to end a story, to put a final period on something. That doesn’t happen here. Dylan’s story has an end. And it is a good, solid ending. One well worth reading.

Hope is a requirement

Captain America: Home of the Brave tpb (Collects issue Nos. 695-700)
Marvel Comics
Creators: Mark Waid, Chris Samnee, Matthew Wilson and Joe Caramagna
Release date: 2018

I read two of the single issues collected in this volume, and liked them enough, I said I would buy this trade. Don’t believe me? I wrote about it here.

I bought the trade and just recently, I had time to sit down and read it. It was full of surprises despite my having already read nearly one-third of the contents previously. In fact, it was so surprising, I might not have purchased this trade if I had known more about the contents beforehand. And that would have been sad, because had I not bought the trade, I would have missed out on a wonderful story.

But let’s back up. I took a break from Cap comics after Ed Brubaker’s phenomenal, multi-year run on the title. Brubaker’s run saw Bucky brought back from the dead, Cap killed and eventually resurrected and explored a lot of what the character of Captain America is and represents. I liked that run and its focus first on Cap as an espionage-style character, then later as more of a traditional superhero.

After Brubaker’s run, a number of other creators took the reins of the book and guided it in different directions. I felt I had read the definitive Cap — at least for my tastes — in Brubaker’s run, so I bailed on the title. I can’t speak to the strengths or weaknesses of those subsequent stories because I didn’t read them. But the most recent one prior to the issues collected here was certainly a bit controversial. In that lengthy story arc, an evil version of Cap was revealed as a sleeper agent for Hydra and helped bring the world “to the brink of destruction,” according to a brief introduction in this book, before being defeated by the original hero.

This book opens with the real Steve (Captain America) Rogers traveling the country, getting in touch with common folks and trying to rebuild his reputation. The issues I’d read previously included a done-in-one story along those lines from issue No. 696 and a confrontation with Kraven the Hunter in issue No. 697, which seemed to be kicking off a multi-issue arc when it was revealed that Kraven’s attack was orchestrated by another group. What I didn’t know when I read those two issues was that the group behind Kraven’s assault on Cap had faced the star-spangled hero twice before in the pages of issue No. 695, the first in this collection.

The group is a white supremacist, paramilitary organization called Rampart that tries to stage a coup of the United States, beginning in the small town of Burlington, Nebraska. Captain America thwarts that small-town takeover attempt shortly after the Avengers find and revive Cap from the ice-induced suspended animation that had held him captive since World War II. Cap begins his tour of America by returning to that small town, now renamed Captain America, Nebraska. It is the 10th anniversary of Cap’s defeat of Rampart, but that newly rebuilt terrorist group has also returned, seeking revenge.

Cap once again dispatches the Rampart goons with some help from the residents of the small town, and he leaves feeling somewhat re-invigorated. That is where we find him in issue No. 696, where he happens purely by chance upon a plot by the new Swordsman, the done-in-one tale I’d read previously. What Cap doesn’t consider is that none of the Rampart ringleaders are defeated or rounded up in the battle from the previous issue. Instead, they put in motion the plan with Kraven that is meant to end with them once again putting Captain America on ice, which is exactly what happens in issue No. 697.

When issue No. 698 begins, Cap is once again revived from suspended animation to find an America much changed and at the mercy of Rampart and its mysterious leader. Nuclear war has ravaged the population, leaving the few survivors weak or mutated. With the exception of issue No. 696, this entire trade is one big tale about Captain America facing off against this one group three times and ending up in a rather dystopian future that is quite bleak, to say the least.

I’m not a fan of dystopian future stories, as I believe I have discussed before, although there are always exceptions. I’m glad I didn’t know this tale would so heavily involve such a future before I bought it or I likely would have passed it up. Instead, though, I happened to read the two chapters that did not deal with the bleak future and found them quite enjoyable. I've read and enjoyed Mark Waid’s writing in other books; and I appreciate Chris Samnee’s clean, flowing art style; it isn’t too cartoony but still harkens back to a simpler time, with clean, simple lines. It also didn’t hurt that I knew from previous cover art that the Thing and the Hulk would also play a role in this story, and I like both of those characters.

So I did buy this trade, I did read it, and I was not disappointed. This team has crafted a stirring tale filled with heroism big and small, with tragedies befalling beloved characters and innocent masses, with examples of mindless depravity and noble sacrifice. And all of it hinges on a simple little concept, one critical to these kinds of four-color heroes, but especially to Captain America — hope. As Cap himself says in this tale near the finale, “Hope is not a plan. But you sure as hell can’t win without it.”

Well said, Cap, and well done, Messrs. Waid, Samnee, Wilson and Caramagna!

Pass The Popcorn; I'm Ready To Watch

Velvet 6
Image Comics
Ed Brubaker, writer
Steve Epting, artist

Another short post today. I've praised this series before, and it continues to be a solid read.

Ed Brubaker is crafting an intriguing story about a former spy who re-enters the game after one of her colleagues turns up dead. Complicating her search for answers, Velvet Pendleton quickly finds herself framed for the murder she is trying to investigate. And along the way, she is finding out that much of her life has revolved around lies she never suspected as untrue before. It is a story that I was quickly sucked into and am thoroughly enjoying.

Add to that Steve Epting's wonderful, cinematic art, and this series is like watching a favorite old action movie for the very first time.

In fact, my only real complaint about this title to date has been the lag between this issue and the previous one. This title seems to be following the Image trend of taking a break from the single issues during the month that a new trade comes out. If it gives the creative team a break, that's great; but I want my Velvet every month, if possible.

The Curious Case Of The Charlatan

Detective Comics Nos. 777-782 (2003)
DC Comics
Ed Brubaker, writer
Tommy Castillo and Wade Von Grawbadger, artists

This is an excellent Batman story for a number of reasons: it introduces a brand new villain; the plot of the story allows the creators and the readers to visit a number of familiar rogues along the way; it focuses on the detective nature of the hero, a facet of his personality and procedures that can easily be overlooked; and it grabs your interest and holds your attention throughout.

Ed Brubaker spent most of his time in Gotham City writing Batman, but he did do a brief stint writing Detective Comics in 2003. At the time, DC was trying to differentiate the two books by emphasizing superheroics in Batman and deductive reasoning in Detective Comics. Hence, this mystery titled "Dead Reckoning."

The plot stems from a tragedy eight years in the past, yet still during Batman's career. It's rare for writers to pin down past events so concretely in comic stories where the passage of time is so elastic, but this tale does just that. It's not impossible to still fit that timeline into the typical 10-year span of Batman's career, but it does seem a little tight to me. Eight years ago would put it pretty early in Batman's career, yet portions of the story dictate that these events can not have happened too early in the criminal career of Two-Face. That distinction serves to narrow the window of occurrence for these events, because Two-Face first worked with Batman as crusading Gotham district attorney Harvey Dent. They had a great working relationship -- one depicted at times as almost closer than that between Batman and police commissioner Jim Gordon -- until Harvey was assaulted by a criminal in court and transformed into the two-obsessed Two-Face. Two-Face must have pulled at least a few criminal capers pitting him against his former ally, Batman, for the Dark Knight to become familiar with Two-Face's habits, and that familiarity is important to this modern story.

As for the villain, Charlatan, he's a master of disguise and a truly tragic figure, at least at the beginning. His obsessions lead him down a rather dark path, and ultimately, his poor decisions lead to his own downfall, but a great deal happens to this man that leaves readers feeling some sympathy for him. I don't believe he has ever appeared in another Batman comic since this initial appearance, although he would make an excellent addition to the Gotham City rogues gallery.

It's no secret I enjoy Ed Brubaker's writing, and he is a large part of why I like this story so much. There are a few bits of this six-issue arc that could have been shortened a tad; maybe four issues could have been enough to tell this tale without it bogging down in a few scenes.

The art is great for this type of story. I'm not familiar with Tommy Castillo's other art credits, but here, his illustrations recall the look and feel of "Batman: The Animated Series." Not identical, but still quite similar. That makes for a nice touch as Batman and Charlatan make their way through various familiar Gotham faces such as Commissioner Gordon, Renee Montoya, Penguin, Scarecrow, Killer Moth, Catwoman, the Joker and Two-Face.

This story is good comics!

With A Pedigree Like This, It Has To Be Great

Velvet 1
Image Comics
Ed Brubaker, writer
Steve Epting, artist

I tend to be more of a story fan; be it comics or prose, if the writing is good, I'm in. I confess, I haven't read everything by Ed Brubaker, and I have read a few titles by him I haven't cared for as much as others. But for the most part, if he wrote it and I didn't buy it, it was because the subject matter didn't grab me more than anything else. Brubaker has had some fantastic runs on some titles I've really enjoyed, titles like Batman, Daredevil, Gotham Central, Scene of the Crime, and Criminal. His writing is full of rich characters he makes come alive with his talent for dialogue, and Brubaker has a knack for making his characters feel like real people. They don't always do what you want them to do, but you can believe that they would act as he portrays them.

Just because I tend to notice writing credits more doesn't mean I ignore art credits. There are a number of comics artists that I very much like and whose name on a project is a definite plus. As with Brubaker, I haven't read every single book Steve Epting has worked on, but I have enjoyed very much the ones I have read. I first became aware of Epting's name during his all-too-short collaboration with Dan Jurgens on Aquaman in 1999-2000. Epting's art next caught my eye when he moved to CrossGen and supplied the art for Crux and El Cazador. Epting just has a crisp, realistic art style I appreciate. His figures are dynamic, and his panel layout is clear and easy to follow.

These two creators came together in 2005 to relaunch Captain America for Marvel Comics. I like superhero comics, so I mean no disrespect when I say that their run on Captain America didn't feel like a superhero comic -- it felt superior. They took Cap's association with S.H.I.E.L.D. and made the title an espionage book. It wasn't straight-forward spy versus spy, but damn close. Both the writing and the art combined to give the book a cinematic feel. That mixed with the high adventure; the human drama of re-inroducing Cap's former partner, Bucky Barnes; the simple decision to have Steve Rogers appear without his Cap costume so much of the time alongside former S.H.I.E.L.D. agent and girlfriend Sharon Carter all worked to make this feel like a very real drama playing out on a worldwide scale.

More of the same is what I hoped for when I first heard of Velvet, the new Image title by this same creative team. And that is what we are getting, judging by this debut issue.

Velvet Templeton is the secretary/head assistant for the head of a secret British spy organization. Think Miss Moneypenny from the James Bond franchise. Only Velvet is so much more, as she so skillfully demonstrates when several of the organization's top agents are killed.

It seems that Velvet was herself the super-spy in previous decades before being assigned to a desk job. But just because she is currently riding a desk doesn't mean this lady can no longer cut it in the field. She begins by conducting her own investigation into the first murder, that of Jefferson Keller, Agent X-14. Before long, Velvet finds other dead agents and is framed for the murders. And all of this is in just the first issue!

Merry Christmas to everyone celebrating the holiday! See you again, Friday!!

These Are Their Stories

Gotham Central (2004-07)
DC Comics
Ed Brubaker and Greg Rucka, writers
Michael Lark, Stefano Gaudiano, and Kano, artists

If you've never checked it out, this 40-issue comic book run is one of the best written series out there. It is set, obviously, in Gotham City, but focuses on the detectives of the Gotham City Police Department's Major Crimes Unit rather than the costumed vigilantes who also populate that fictional city. The moody artwork and muted color palette add to the crime noir feel of this series, complementing the writing beautifully.

No purse-snatchings or jaywalkers will be found in these pages; remember, this is the Major Crimes Unit. Some of the crimes the detectives of the MCU investigate include the murder of a young girl walking home after a baby-sitting job; the deaths of two women, both employees in the accounting department of the same pharmaceuticals company; an apparent suicide leads detectives to reopen a cold case that involved the murder of an entire high school athletic team; and someone killing young men after dressing them up in costumes that resemble that of Robin, the Boy Wonder.

A couple of the cases force the MCU detectives to investigate other officers, too. A pair of crooked beat cops accidentally causes the death of a young homeless girl while trying to cover up their illegal activities. A crime scene investigator long suspected of being on the take causes problems with some ongoing investigations, but both MCU and internal affairs detectives have trouble making any charges stick. And in an early story, one of the MCU's own detectives is accused of a double homicide.

Of course, major crimes in Gotham are often going to involve some of the city's more colorful criminals. One homicide the detectives investigate looks like it might be the work of Catwoman. Poison Ivy is involved in the homeless girl case. In the very first issue, two detectives following a tip on an open kidnapping case run into more than they bargained for in a rundown apartment building. Firebug and the Mad Hatter also pop up in the course of other MCU cases.

The detectives of the MCU aren't just throw-away characters created solely for this series, either. Many of the detectives had a history in DC Comics before the debut of Gotham Central in 2004. Fan favorite character Renee Montoya, for example, was originally created for "Batman: The Animated Series" as a recurring uniformed police officer. She debuted in the comics at about the same time in Batman No. 475, cover dated March 1992, and was often paired with hard-boiled police detective Harvey Bullock, a longtime supporting cast member in the comics. After spending several years as a uniformed officer, Montoya was promoted to detective and continued to be a recurring character in the pages of Batman, Detective Comics and other Gotham City-based comics.

Another featured player in Gotham Central is Crispus Allen, who debuted in Detective Comics No. 742, cover dated March 2000. This was during the time immediately following the "No Man's Land" story arc in the Bat-books, a long series of arcs that left the Gotham City Police Department severely understaffed. This was also during a time when then-Detective Comics writer Greg Rucka shifted the focus of that book so that it emphasized the detective nature of Batman's character and the Dark Knight worked very closely with a number of the GCPD's finest. Detective Allen was a recurring character in Rucka's run of Detective Comics and would eventually become Montoya's partner.

Capt. Maggie Sawyer is another name comics fans might recognize from beyond Gotham Central. Margaret Sawyer made her debut in Action Comics No. 595, cover dated December 1987, early in the post-Crisis reboot of Superman. The character's back story is that she was originally from Star City and moved to Metropolis to head up the new Metropolis Police Department's Special Crimes Unit. Sawyer was a mainstay in the Superman titles during the rest of the late-1980s, the 1990s and into the early 2000s. The character was popular enough among Superman fans that she was included in the cast of "Superman: The Animated Series" and even appeared in some episodes of the live action "Smallville" television series. In 2002, Sawyer's character moved from Metropolis to Gotham City to lead the GCPD's Major Crimes Unit.

One notable Gotham City cop not featured prominently in Gotham Central is James W. Gordon, who most casual fans know as the police commissioner in Gotham. Gordon has retired or been forced from office in elections a number of times in the history of Batman stories, but he rarely stays away from the familiar job for long. The entire run of Gotham Central hit at a time when Gordon was no longer serving as commissioner. In his stead, a man named Michael Akins serves in that role, but Gordon is still a Gotham City citizen and makes a number of cameo appearances in the title for various reasons. After all, in a city known for its often-corrupt police force, most of the detectives in the Major Crimes Unit were handpicked by Gordon for their positions, a source of pride for many of them.

Several of the other recurring detectives in Gotham Central had appeared in other comics prior to this title's debut, many of them during Rucka's run as writer of Detective Comics. These other characters include detectives Marcus Driver, Tommy Burke, Josephine MacDonald, Romy Chandler and Nate Patton and Sgts. Vincent Del Arrazio and Jackson Davies.

Of course, Batman also makes appearances in the title during the course of its 40-issue run. Again, this IS Gotham City. But the majority of the issues don't include Batman at all, and the ones that do have a specific purpose for including him, and they rarely involve more than a panel here and there. Mostly that is by design, as the writers truly wanted this series to be about the cops in Gotham City and their lives, not another superhero book, although these characters exist in a world populated by superheroes. In fact, the name Batman never appeared in the title of the individual issues, although later collected editions often were named Batman: Gotham Central.

From a storytelling standpoint, the absence of Batman is explained by the timing of the series. During a large portion of Gotham Central's three-year run, Batman and the GCPD were on the outs with each other as a result of another Bat-centric crossover called "War Games" and its sequel, "War Crimes." Rest assured, though, this run can mostly be considered a self-contained read requiring very little knowledge of events in Batman or other DC Comics of the time. In the few instances where a previous comic story is relevant to understanding a Gotham Central tale, references are available in the specific issues or in the trade collections.

This Is What Graphic Storytelling Should Be

Scene of the Crime Deluxe Edition hardcover
Image Comics
Ed Brubaker, writer
Michael Lark and Sean Phillips, artists

You'll care about these characters -- they're that well written -- but don't get too attached because many of them won't make it through the stories alive.

I like a lot of what Ed Brubaker produces. He tends to bring out the best in the superheroes he writes, but he truly shines writing everyday people. One of the first series where I really took notice of his work in particular was DC Comics' Gotham Central. That series, with just a very few cameo exceptions, left out the superheroes in favor of focusing on the detectives in Batman's hometown, and Brubaker and co-writer Greg Rucka wrote those folks well.

From there, I signed on for Brubaker's Criminal run with Sean Phillips at Marvel Icon. Here the focus was on criminals, but in a world without superpowers. These are everyday lowlifes -- bank robbers, con artists and ne'er-do-wells. In this series, I found myself feeling sympathy for, and even cheering on, many of the hard-luck cases who filled the pages of Criminal.

All of that is what led me to this Scene of the Crime hardcover. The miniseries by this name is not Ed Brubaker's first comics work, but it is his first work for DC Comics, originally under the Vertigo imprint. The main mystery presented here, "A Little Piece of Goodnight," was intended to be the second case in an ongoing comic series, Brubaker explains in the text piece at the end of the volume. Instead, the editors chose to lead with this tale, and before it was concluded, the ongoing became a series of minis, then just the one story.

The only exception was a short story titled "God and Sinners: A Scene of the Crime Christmas Mystery" which was written for a Vertigo anthology book that printed a few months before Scene of the Crime No. 1 debuted. It is the only other story published to date featuring the main characters in the Scene of the Crime universe -- young private detective Jack Herriman; his uncle, Knut Herriman, a semi-retired, semi-famous crime-scene photographer; and Knut's girlfriend, Molly -- and it is also included in this volume.

The fact that these two stories are the only Scene of the Crime tales to see print so far is one of the many crimes detailed in this book. Jack not only gets to the bottom of the main mystery in "Goodnight," but readers are also treated to much of Jack's own back story and motivations, something Brubaker says he planned to reveal over the course of the ongoing series, little tidbits at a time. It is good that he knew the series wasn't going to be able to continue and could rework all of Jack's story into this single tale. Jack's personal story is every bit as interesting as the missing person case he is hired to solve and the larger plot his investigations uncover along the way.

Once again, Brubaker has crafted an incredible narrative that leaves me wanting more of the same. There is little one can say about a book to more highly recommend it than that. And this tale is also beautifully, grittily illustrated by Lark and Phillips, two frequent collaborators of Brubaker's.

Farewell Epic

Captain America 14-16
Marvel Comics
Ed Brubaker and Cullen Bunn, writers
Patch Zircher, Mike Deodato and Scott Eaton, artists

These three issues wrap up the "Shock to the System" arc and launch the "New World Orders" arc, but as with this entire relaunch of Captain America, the big bad throughout is Bravo, along with his wife, the new Hydra Queen. The first arc of this relaunch introduced readers to Bravo, a World War II-era ally of Cap's who was lost in an alternate dimension during a mission and listed as missing ever since. He's managed to find his way back now and Bravo is out for revenge against those who left him behind.

So far, through various story arcs and manipulations, Bravo has caused Cap to lose his super-human abilities for a time and has led to the deaths of a number of Cap's former allies. Along the way, Bravo has also allied himself with a number of Cap's former foes such as Machinesmith and Baron Zemo.

"New World Orders" looks like it could be the final arc before Brubaker's tenure on this title is over with issue No. 19. And Bravo has upped the game to pit all of America against Cap, turning public sentiment against him in the form of reality television attacks. This promises to be a huge endgame for this huge story.

I Can Admit When I'm Wrong

Winter Soldier 8-9
Marvel Comics
Ed Brubaker, writer
Michael Lark, artist

Previously, I criticized Brubaker for losing some of his energy for this book since it was already announced the book was ending.

Well, the book is NOT ending. Brubaker will be leaving after the next arc, but the title will continue on with another writer at the helm.

An even more serious error on my part, I was wrong about Brubaker's energy level. The first installment of this arc, "Broken Arrow," left me feeling like Brubaker was acting like a short-timer, but these final two installments have shown me the error of my pronouncement. This was a high-energy conclusion as Winter Soldier and the rest of S.H.I.E.L.D. try to track down a rouge former-sleeper agent who has kidnapped the Black Widow. The Widow is hardly a damsel in distress, but Leo Novokov, the architect behind this scheme against the Winter Soldier, has bigger plans for her than that. He manages to successfully brainwash her into attacking her former comrades.

My humblest apologies to Brubaker and crew for ever doubting them.

It Feels Like The Curtain Is Already Coming Down

Winter Soldier 5-6
Marvel Comics
Ed Brubaker, writer
Butch Guice and Michael Lark, artists

I talked about the first couple issues of this series here. That first issue especially made this seem like a great series continuing on the best from Brubaker's Captain America run. While the first arc, which continued through issue No. 5, was good, it wasn't quite as great as I'd hoped overall. The first arc revolves around some contemporary Marvel villains -- including the Red Ghost and his super gorillas -- reviving three Soviet sleeper agents trained during the Cold War by the Winter Soldier and using them to attack Victor von Doom. Naturally, S.H.I.E.L.D. pairs the Winter Soldier with the Black Widow to shut the scheme down.

As this first arc is winding down, we are reminded that there were three former Soviet sleeper agents, but only two are taking part in the Dr. Doom plot. Issue No. 6 answers the question of what happened to the third sleeper agent for both the readers and our heroes, while nicely setting up the next arc.

This title seems like it will end with issue No. 13, the conclusion of its third upcoming arc, and the departure of Brubaker from both Captain America and this book. As I said at the start of this post, the first arc wasn't bad -- it brought back some of the espionage elements that I very much enjoyed from the pages of Captain America and uses characters I enjoy reading about. But it is almost like Brubaker's enthusiasm for the title is already winding down. As great as his contributions to the legacy of these characters, maybe the time is right for Brubaker to be leaving these titles now.

Bittersweet Reading

Captain America (2011) 10
Marvel Comics
Ed Brubaker, writer
Alan Davis, artist

I have thoroughly enjoyed Ed Brubaker's run on this title. I came in late during the first Winter Soldier arc and had to seek out copies of the first few issues wherever I could find them. (Thankfully, I wasn't coming in too late to the party, and a local comic shop in my area, Hawg Head Comics, was able to get me set up with what I'd missed; thanks, Mike!)

Anyway, I've been with Brubaker since the beginnings of the rehabilitation of Bucky, the death and replacement of Cap, the return of Cap, the maskless Steve Rogers, the short period of time when Cap and Bucky shared the mantle, and now finally these wonderful arcs with rotating artists as the one, true Cap again wears the star-spangled uniform alone.

The bulk of Brubaker's run has also had more of an espionage feel to it that suits Captain America just as much as being a superhero because he is a soldier. Paired with Nick Fury, Sharon Carter and S.H.I.E.L.D., Cap's adventures should have more of a spy feel to them. Now with this most recent relaunch of the title, Brubaker has brought things full circle, making the Cap stories without Bucky, Fury and S.H.I.E.L.D. more straight superhero adventuring. Cap works well in both settings, especially with Brubaker at the helm.

This issue brings the most recent arc, Powerless, to a close as Cap, Sharon and the Falcon finally defeat the new Queen Hydra and Machinesmith, restoring Cap back to full power and overcoming the effects of the madbombs the villains were using on the populace. The ongoing plot running through all 10 issues of this relaunch so far involves a former World War II ally of Cap's turned villain named Bravo. Bravo is a time-displaced hero much like Cap, but rather than spending the intervening years in suspended animation as Cap did, Bravo was helplessly stuck in another dimension. He blames Cap for that situation and is back trying to wreak revenge on the Avenger.

All of this makes for thoroughly enjoyable reading, as I said before, so why "bittersweet?" Because I know that in less than 10 more issues, Brubaker's run will be coming to a close. I will miss this title once he is no longer at the helm, and each wonderful new issue brings that end that much closer.

It's Criminal ... With A Twist

Fatale 1-3
Image Comics
Ed Brubaker, writer
Sean Phillips, artist
***mature content warning***

This is the same creative team that produced Sleeper in 2003 and 2004 from DC Comics and the more recent Criminal stories from Marvel Icon. Like Criminal, this story focuses on a collection of ne'er-do-wells with nary a cape or superpower in sight. In fact, the story so far focuses on three distinct time periods' worth of folks -- the first in a contemporary framing sequence story, the second events from the 1950s which preceded the modern occurrences, and the third, and so far area where the least has been revealed, a fictional manuscript written by one of the players from the 1950s drama and discovered in the modern sequence of events.

So what sets Fatale apart from the other Criminal story arcs produced by this pair? The addition of a supernatural element to the story, not limited to but certainly focused on the character of Josephine, the titular femme fatale, who plays a role in all three settings so far.

The modern hero is Nicolas Lash, the godson of recently deceased crime noir author Dominic Raines. Lash meets Josephine at Raines' funeral, and in less than a day, Lash finds the previously hidden manuscript and has his life threatened multiple times, each time being saved by the mysterious Josephine, often in ways Lash cannot explain.

The flashback sequences to the 1950s focus on Raines' early life as a journalist, newlywed and soon-to-be father. Raines is trying to bring down a pair of corrupt police officers and enlists the help of one of those officer's girlfriend -- you guessed it -- Josephine. Raines becomes involved with Josephine romantically, though he isn't certain why, and though she is helping him to bring down the corrupt officers, one gets the sense it is more for her own benefit than for justice.

Mixed in with all of the noirish crime-drama, however, are a trio of enforcers who seem to appear out of thin air. They answer to a boss they refer to as "the bishop," who has oddly glowing red eyes, has promised one individual a cure for his life-threatening cancer, and seeks to control Josephine.

I opted to try this series based on the Criminal work by Brubaker and Phillips. I am intrigued enough to continue with this series even though it isn't quite the same flavor of story. The supernatural elements, at least so far, have been downplayed somewhat, and I'm enjoying the mystery of what exactly is going on.

Strolling Down Memory Lane

Captain America & Bucky 622-625
Marvel Comics
Ed Brubaker and Marc Andreyko, writers
Chris Samnee, artist

These are the final three issues of this arc looking back at the history of Bucky's partnership with Captain America and continuing through some revelations about his time as the Winter Soldier. This book continues the numbering from the previous Captain America series and is featuring rotating co-writers with Ed Brubaker and rotating artists for each arc.

This look back at Bucky's history isn't so much an everything-you-know-is-wrong retcon as comics are somewhat notorious for. Rather, Brubaker and Andreyko craft several solo stories narrated by the modern Bucky about his past relationships with Cap, the Invaders and Black Widow, among others, which serve to flesh out the character -- especially his current incarnation as created by Brubaker -- and add some welcome depth to Bucky's backstory. Nothing here contradicts what has come before, but rather adds to the mythology, building on what other creators have done.

That isn't a new idea; in fact, it's a convention that is quite popular now (and much appreciated by this longtime fan). Comics don't always get credit for building on what has gone before, but when done right, these kinds of stories give continuity a good name.

Well done, all!

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On a housekeeping note, I think the Tuesday/Friday schedule is working well enough that I want to add a third post each week. Sunday would seem to be the next natural day to add, so check back here this Sunday for another all-new post in addition to the ones on Tuesday and Friday. Hope to see you then!

Everything(in this miniseries)'s Archie

Criminal: The Last of the Innocent 1-4
Marvel Icon
Ed Brubaker, writer
Sean Phillips, artist
***mature content warning***

This is another series I picked up based on the strength of previous work by these same creators, and once again, I was not disappointed. I've enjoyed Brubaker's and Phillips's Criminal titles and hope they return to that world before long. As with previous outings from this series, the pair showcase a world in which few of the characters are "good" people, but I still find myself empathizing with the characters and rooting for them to triumph despite the often long odds against them. The particular twist in this four-issue story arc is that while the names of the characters are not at all familiar, it is not much of a stretch to see them living out very nearly the same lives in a little town called Riverdale.

Brubaker tells the story both in the present and with flashbacks to the characters' childhood days. To further the mental connection with another gang of high school characters, Phillips uses his usual gritty, realistic style for the contemporary sequences and a style similar to that found in Archie Comics for the flashback scenes. Kudos to this team as they knock another one out of the park.

Check back Tuesday for another review!

And A Blind Man Shall Lead ...

Let’s talk some Daredevil for a bit today. I’ve seen some Daredevil comics from the previous Bendis/Maleev run, and I’m familiar with the overall story line: Daredevil has been outed as Matt Murdock by a tabloid, and the feds are pursuing possible charges against him for that; at the same time, DD has defeated Kingpin and set himself up as the replacement. But I haven’t followed every issue of the title until Ed Brubaker took over the writing chores. I liked what Brubaker had done with Gotham Central at DC and, more recently, Captain America at Marvel.

So, I’ve read the individual issues of The Devil in Cell Block D starting with #82 to now. These issues were very good, as we’ve discussed in some previous posts. And they served to make me curious about what came immediately before. So I recently purchased, and just read (all in one afternoon), the previous three Daredevil trades to catch up a bit. In all honesty, only one of these trades, the most recent one, really serves as a prequel to how Matt Murdock ended up in jail. The other two trades could almost occur at any time in DD’s past, but they were damn good stories.

Daredevil tpb 11: Golden Age (Marvel Comics) — This is a historical tale about the Kingpin of Crime who came to power before Wilson Fisk. The small-time hood rose to the big-time after killing a costumed hero, then was later brought down by a novice Daredevil. The current part of the story is this hood, Alexander Bont, as he is finally released from prison and goes about exacting his revenge on the man who put him away. It’s a very nice story with a lot of parallels between past and present events.

Daredevil tpb 12: Decalogue (Marvel Comics) — This collection is a very dark, demonic little tale that takes place entirely during an evening support group meeting where residents of Hell’s Kitchen have gathered to talk and share their common Daredevil experiences in light of recent events. What becomes clear as different people share their tales is that all these various people are linked to a common event which has put the red-garbed vigilante on the trail of one of them.

Daredevil tpb 13: The Murdock Papers (Marvel Comics) — This last collection depicts the actual capture and arrest of Matt Murdock as the incarcerated Wilson Fisk tries to make a deal with federal authorities for his own release in exchange for handing Daredevil over to them. The tale brings in various DD alums such as Black Widow, Elektra, Luke Cage, Iron Fist and Bullseye, among others.

Daredevil 89 (Marvel Comics) — And then this is the current issue. At the end of the Cell Block D arc, Matt escaped from prison with the help of Frank Castle, the Punisher. Matt is now on the run from authorities and trying to track down the killers of his friend, Foggy Nelson, who DD doesn’t know isn’t really dead. This issue takes him to Monaco.

Uncle Sam and the Freedom Fighters 3 (DC Comics) — The new Black Condor debuts as do a whole new team of characters with political jargon names. Father Time is still after Sam and the Freedom Fighters who left S.H.A.D.E. to assist Sam — the new versions of Doll Man, Human Bomb, Phantom Lady and Ray. And Firebrand, although he wasn’t part of S.H.A.D.E. First up is Chief Justice, Spin Doctor, Propaganda and First Strike. When they don’t fare so well, Father Time himself shows up. I want to like this series and these characters, but I find myself not caring that much about them.

The Trials of Shazam! 2 (DC Comics) — This book is going downhill fast for me, and I don’t think it will survive for all 12 issues. I’m not sure I really understand Billy’s new role or why it took over a year for this new manifestation of his powers to show itself — after all, in story, this is a One Year Later tale and Billy’s been in charge at the Rock of Eternity for that entire year. About the only thing I do understand is that he can no longer be Captain Marvel like he was, and that Freddy Freeman now must prove himself worthy of assuming that mantle.

Action Comics 843 (DC Comics) — Another great story; another placement headache. Story lines with lots of characters interacting usually are. This concludes the story line where an intergalactic “auctioneer” snags a whole bunch of Earth’s heroes. Superman, Nightwing, the new Aquaman, Firestorm, Skyrocket, Bluejay, the Veteran and Livewire lead the charge to free the others and stop the acquisitions. Very nice work.

Civil War: Front Line 6 (Marvel Comics) — This title continues to thrill and bore me. The Embedded and Accused story lines are incredible. The Sleeper Cell story added late in the series is OK, but not up to the standards of the other two. And the final installment in each issue just strikes me as pretentious. I get the symbolisms. Don’t beat me over the head with it so much.

Batman 657 (DC Comics) — This is the third installment of Batman and Son. Bruce brings Damian home to Gotham where the boy proceeds to use his assassin’s training on his rivals for his father’s affections. By the end of the issue, Damian has done something off-panel with Alfred and left Tim injured and bleeding in the cave while adopting parts of Jason’s enshrined costume and pronouncing himself the new Robin. Could he be any more his mother’s son?

Secret Six 4 (DC Comics) — This issue proves once again that this comic is a good one, but not nearly as good as its predecessor, Villains United. I can’t quite put my finger on what, but something is missing.

Supergirl and the Legion of Super-Heroes 22 (DC Comics) — What to say about this title? I’ve tried Legion titles before, stay with them awhile, then lose interest. The concept of this latest incarnation sounded quite good. Then they added Supergirl and it seemed to flounder a bit. Then it got good again. This issue wasn’t bad, but it wasn’t great.

Captain America 22 (Marvel Comics) — With this issue, Cap’s own title catches up with the events in Civil War. Cap is in hiding, and S.H.I.E.L.D. has decided to use Agent 13, Sharon Carter, Cap’s liaison and girlfriend, to trap him. And Sharon is torn: she truly believes Cap is wrong and that superhero registration, as the current law of the land, should be upheld, yet she doesn’t want to betray her lover. And hey, one of the villains, according to the last page, is Dr. Faustus; I don’t follow that many Marvel Comics on a regular basis, but I don’t think he’s been seen in quite a while. Good stuff.

JSA Classified 17 (DC Comics) — This first part of two focuses on Hourman, the original and his son, as they are forced to work side-by-side with Bane. This story posits that the basis of Bane’s former drug-of-choice, Venom, is originally based on Rex Tyler’s formula for Miraclo, the source of Hourman’s power. I’m not certain, but I think that idea has been used before, but this isn’t a bad tale, so far.

Jack of Fables 3 (DC Vertigo) — This book is just as funny as the original Fables, but decidedly wickedly so.

Justice League of America 3 (DC Comics) — OK, this book is starting to worry me. I want to like it. I really do. But the story is starting to seem severely disjointed. The triumvirate of Superman, Batman and Wonder Woman are shown still voting on the roster for the latest incarnation of the League, but they’re rehashing the same candidates as before. They vote on Nightwing in this issue after Batman and Wonder Woman shared a humorous exchange about Dick in the last issue. The first issue made it seem like the team had been formed and the voting was mere flashback, but this issue makes it seem like the current mission of Arsenal, Black Canary and Green Lantern know nothing about a new League. And the pacing seems to indicate that 12 issues is going to be waaaaay too long for this arc.

Stan Lee Meets Spider-Man 1 (Marvel Comics) — I was a little disappointed in this comic. It was a tad humorous, and I’m not sure exactly what I was expecting, but this was just not quite as good as I’d hoped. I’ve also ordered the Thing comic in this series. Maybe I’ll like it better.

Next post, we’re back to the past as this was the last of my current comics from my last shipment and the next hasn’t yet arrived. Until then, happy collecting, kiddie cops.

The Way It Was ... At Least For The Next 20 Years

OK, so to recap just a bit, the last bunch of older comics we discussed finished out the Crisis On Infinite Earths and moved the surviving members of the Justice Society into limbo. Most heroes’ lives continued from that point, some with subtle changes, which would be explored in stories over the next decade or so. Some of those stories included flashbacks to the past, but included an in-story contemporary framing sequence. Those tales are placed whenever they would occur in my collection. But other stories, especially a number of miniseries established a new status quo for various heroes, and the events those tales relate are set firmly in the past. Following the Crisis in my “chronological” collection are a number of these tales.

Very little was revamped initially with the Justice Society, at least not in print. Initially, the characters were in limbo. But there have been a few more recent tales told of the old JSA without Superman and Batman. For example ...

JSA: Strange Adventures 1-6 (DC Comics, 2004) — This miniseries focuses on the writing efforts of Johnny Thunder as he tries to chronicle a bizarre tale of The Justice Society as a novel. The books are written by novelist Kevin J. Anderson and illustrated by Barry Kitson and Gary Erskine and make for a fun read.

Following that tale, we jump ahead quite a bit to pick up the Superman revamp by John Byrne, but only the first two issues, so far.

The Man of Steel 1-2 (DC Comics, 1986) — The first issue re-tells the final days of a newly-technological and sterile Krypton from which Jor-El sends his unborn son’s gestation chamber into space and on a course for earth. As there was no longer any Superboy in this new single-earth continuity, Clark Kent’s youth goes by pretty quickly and he debuts in Metropolis, meets Lois and gets dubbed Superman in the second issue.

Batman 404 (DC Comics, 1987) — Next we go to Gotham City. This issue has no current framing sequence and is the first chapter in the four-part Batman Year One by Frank Miller and David Mazzucchelli. Bruce Wayne returns to Gotham from several years’ worth of travel abroad to begin his war on crime. His first night out, disguised as a vagrant, does not go well. Injured, he returns to Wayne Manor where the bat crashes through the study window, inspiring Bruce to adopt a bat motif for his disguise.

Batman: Legends of the Dark Knight 1 (DC Comics, 1989) — Before moving on with the rest of Batman Year One or The Man of Steel, we detour for this first chapter of the five-part Shaman by Dennis O’Neil, Ed Hannigan and John Beatty. This story starts out with a flashback to two years ago while the young Bruce Wayne is still training under masters of various disciplines, this time an expert tracker in Alaska. The expert is killed, and so, seemingly, is the quarry, but Bruce is left literaly out in the cold with no gear. He is saved by an Eskimo shaman. From there, the story returns to modern times, which in this tale is a few days before and the next day after Bruce’s disasterous debut appearance. So the timing of these events coincides with the first issue of Batman Year One.

Batman 405-407 (DC Comics, 1987) — This is the rest of the Batman Year One story as the Batman debuts, befriends new Gotham cop Lt. James Gordon and saves Gordon’s son, cementing the pair’s working relationship. This is a somewhat darker, more grim Batman, foreshadowing the cynical person with trust issues he will become later.

Batman: Legends of the Dark Knight 2-5 (DC Comics, 1989-90) — Dialog in the second issue of this tale established that the events here take place about six months after those in the first issue. The storyline explores the concept of masks and identities, and provides some excellent insights into the mind of the Darknight Detective.

Batman and the Monster Men 1-6 (DC Comics, 2006) — Next comes this re-telling of the first Hugo Strange story by Matt Wagner. One of the conceits of this re-telling is that it bridges the gap between Batman battling mostly gangsters and common criminals to the more bizarre costumed and demented adversaries he comes to be identified with. The story ends with mention of someone called the Joker.

Batman: The Man Who Laughs (DC Comics, 2005) — explores the first confrontation between Batman and this Joker character. In fact, the first time Batman sees the maniacal killer, he assumes the man is literally just a harmless clown. This great story is by Ed Brubaker and Doug Mahnke.

Catwoman 1-4 (DC Comics, 1989) — This story, by Mindy Newell, J.J. Birch and Michael Bair, once again returns to the night of Bruce Wayne’s disasterous debut without the bat costume. That night he briefly meets a prostitute named Selina Kyle and stops her pimp from beating her up. This story fleshes out Selina’s new backstory and shows how that encounter with Bruce, and later Batman, inspire her to create Catwoman.

The Man of Steel 3 (DC Comics, 1986) — Now that Batman is firmly established in the world, we return to the Superman revamp where the two heroes meet for the first time. John Byrne puts several fun moments into this series, and some of them are found in this particular issue, including the closing scene. Superman has come to Gotham to investigate this rough vigilante operating there. Superman quickly finds Batman with every intention of stopping him from going forward with his “one-man war on crime.” Batman threatens to kill an innocent somewhere in the city if Superman acts against him using an explosive device Superman could never find in time. At the end of the adventure, Batman starts to leave when Superman reminds him of the earlier threat.
Batman: Here you go, Superman. I had it tucked inside my utility belt all the time.
Superman: You ...??? You mean, it was your own life you were risking? Why?!?
Batman: Because I knew my plan was the only way I could stop you, Superman. I also knew that with your great powers, you’d probably be able to tell if I were lying.
Superman (leaving): Well, I still won’t say I fully approve of your methods, Batman ...... and I’m going to be keeping an eye on you, to make certain you don’t blow it for the rest of us ... but ... good luck.
As Superman departs, Batman thinks to himself, “A remarkable man, all things considered. Who knows? In a different reality, I might have called him “friend.”

Green Lantern: Emerald Dawn 1-6 (DC Comics, 1989-90) — Superman and Batman aren’t the only heroes in the world, of course. Others start to be seen fighting crime and battling super-villains. This re-telling of Green Lantern Hal Jordan’s origin ads flaws to the hero, setting up the change the character would take in Emerald Twilight later. This tale is by James Owsley, M.D. Bright and Romeo Tanghal. It even features the Guardians and other GLs toward the end.

Legends of the DC Universe 1-3 (DC Comics, 1998) — This three-issue story focuses on a story from early in Superman’s career and features a villain better known to golden age fans, the Ultra-Humanite.

Batman: Legends of the Dark Knight 16-20 (DC Comics, 1991) — This story is important for a number of reasons, first of which, it’s a darn good tale by Dennis O’Neil and Trevor von Eeden. Batman catches a kidnapper who has abducted a small girl. He forces the kidnapper to tell him where the little girl is being held, but by the time Batman gets there, the little girl has drowned. Bruce tortures himself with guilt over not being strong-enough to reach the girl in time, and gives in to the temptation to take a man-made steroid to enhance his abilities. Unbeknownst to Batman, the drug is highly addictive, and also renders him susceptible to suggestion. Once he realizes his mistake, Batman must fight his way through withdrawal to defeat the villains. The drug he took is an early form of Venom, the chemical Bane will later pump directly into his own brain to enhance his own strength.

The Man of Steel 4 (DC Comics, 1986) — This isn’t necessarily the first meeting between Superman and Lex Luthor, but it is the one where Superman learns the businessman’s true intentions and motivations.

Hey, I think that’s far enough for today. We’ll move closer to the current events next time.

We’re Absolutely Flying Through August

Hey, Kiddie Cops, it’s time for some more comic book reviews from the month of August. We’re already halfway through the month, and I’ve been reading at a better than normal pace, so we’re almost through the entire month already.

Martian Manhunter 1 (DC Comics) — Another limited series, this one with some strikes against it right off the bat. First off, I don’t much care for the new costume design. From what we’ve seen of the character in the past, the costume doesn’t make much sense, so there better be a darn good in-story reason for it. Second, I didn’t much care for the creative team of Lieberman and Barrionuevo on Gotham Knights; actually, the art was fine,but the story rang off for me. However, I’m curious about where this discovery of other green martians on earth is going.

52 Weeks Fifteen and Sixteen (DC Comics) — Still liking this series, especially the arcs involving Black Adam and Isis and Montoya and the Question. It was nice to see a glimpse of the stranded space heroes again, too. No sign of Ralph Dibny, though, so apparently they’re going to make us sweat his fate out a bit.

Manhunter 25 (DC Comics) — I’ve mentioned that the last arc of this book was a little disappointing. This new story seems to be starting off nicely, but I wonder how this story is going to mesh with what is happening in the relaunched Wonder Woman title. Speaking of which ...

Wonder Woman 2 (DC Comics) — Very interested in where this story is going, but what is up with Wonder Girl? Cassie was devastated by Conner’s death and Diana disappearing, but what is up with her joining a resurrection cult, blowing off the other Titans and being a complete jerk when Diana resurfaces. She was hurt, sure, but endangering Donna and other civilians to get back at Diana? What’s up with that.

Checkmate 5 (DC Comics) — I’m glad I waited this title out. It’s getting better and better.

Nightwing 123 (DC Comics) — This first One Year Later arc wasn’t bad, but I find myself just waiting for Marv Wolfman’s run to begin.

Donald Duck and Friends 343 (Gemstone) — I like Donald. I just do. But there’s no escaping the fact that the best stories in these books are the reprinted classic Carl Barks stories.

JSA Classified 14-16 (DC Comics) — This story arc was a sequel to the most recent JLA Classified arc with the Royal Flush Gangs. But this story just didn’t seem as good to me for some reason. I like most of the characters, but the tale just left me saying “So?” I’m not exactly sure why.

Daredevil 88 (Marvel Comics) — I shouldn’t have doubted Ed Brubaker. The stories he’s churning out in this title and Captain America are incredible. But when I learned Foggy was still alive, I feared the explanation would fall flat. I should’ve known better. He’s written another ace that keeps the characters in question completely in character.

That’s it for today. Check back next time for the rest of the August release comics, or at least the ones I received for the month. And quite probably, there’ll also be some more retro-reviews.

Comic Book Revew Whirlwind

OK, I’m back again today, and as promised, we have a lot of comic book ground to cover, so let’s get started.

Manhunter 23 (DC Comics) — I really like this series. Apparently sales weren’t too good, as DC announced the title would be canceled after issue #25. Well, this issue promises a reprieve through #30 because so many fans protested the cancellation. This issue continues to explore Kate Spencer’s family history. The previous arc, just before One Year Later began, revealed Kate’s super-hero grandfather and the villainous madman her father was. This issue reunites Kate with her equally heroic grandmother. I won’t reveal who the heroine is for anyone who hasn’t yet read this book, but I must say one of the reasons I love DC Comics so much is their acknowledgment of the heroes who have gone before, familial ties to the heroes of today and the sense of legacy this creates within their line of books.

The New Avengers 20 (Marvel Comics) — This is the final installment of The Collective story arc, which picks up plot threads from the House of M event from last summer. I didn’t follow that series, and I don’t follow most of Marvel’s ‘X’ books on any kind of regular basis. I like some of the mutant characters, but X-Men just doesn’t hold my interest on a monthly basis. Maybe that’s why, but this story just didn’t hold my interest very well.

Captain America 19 (Marvel Comics) — I’ve always liked Cap, but these stories by Ed Brubaker are truly dynamic. It’s a little hard to place these issues in time along with the events of Civil War also running through most Marvel titles right now; Cap’s opposition to the hero registration act has led to S.H.I.E.L.D. declaring him a criminal, yet in his own title, he is clearly working with the spy organization, particularly Agent 13, Sharon Carter. But the whole Winter Soldier storyline and the events that have led directly from that arc are some incredible storytelling, keeping me coming back each issue to see what happens next.

Birds of Prey 95 (DC Comics) — I’m not sure how I feel about the most recent arc of this title. Chuck Dixon did an excellent job when he created this book. His departure meant the book floundered a bit until Gail Simone took over the writing chores. I don’t agree that only a woman can write the book since the main characters are all heroines — obviously, Dixon did it — but Simone was a great fit nonetheless. Most of the changes introduced as part of One Year Later, however, have also been undone as of the conclusion of this arc, or at least seem to be. So is everything just back to status quo? That seems to be somewhat of a letdown from such a good writer.

Fallen Angel 6 (IDW Publishing) — The relaunch of this title continues to explore the origins of the title character. The first arc moved the overall storyline ahead almost 20 years, but also gave us a glimpse of why Lee was cast out of Heaven. This arc continues to explore the origins of the character by picking up immediately after Lee was stripped of her divine abilities and landed on earth. It also reveals a bit more about her relationship and attitudes about God as her first “good deed” among humans does not go “unpunished.”

Marvel Westerns: Outlaw Files (Marvel Comics) — I was disappointed in this book, but I think that has more to do with my misunderstanding of what it was intended to be. Essentially, this is a Marvel Handbook edition featuring the Western characters from Marvel’s past and present. I would much rather read some of the classic stories featuring these western characters than just text pieces, and somewhere along the way, I thought that was what this book was going to be. I was wrong.

Flash (2006) 1 (DC Comics) — This wasn’t a bad story. I bought it mainly to satisfy my curiosity about who would be the Flash in the wake of Infinite Crisis. I don’t know that I will continue with the title beyond knowing this detail. It’s not that I don’t care about the character; I’ve followed some of his solo adventures and some of the team books on which he was a member and enjoyed them quite a bit. I’m just not sure I care that much about the direction this book seems to be headed, and I’ve been needing to make some cuts in the number of titles I buy each month. This one may be cut, again, not because it isn’t good, but just because I don’t care as much about it.

Superman/Batman 27 (DC Comics) — This was a fun comic. I’m pretty sure it was a stand-alone issue. I simply can’t talk about this one without some spoilers; it’s been out long enough, I assume that’s OK; if not, you’ve been warned. OK, taking Superman and Batman and putting them into women’s bodies has a certain adolescent charm. The male heroes having to function as women isn’t a new concept, but it’s not what sets this issue off so nicely. It’s the fact that the Superman and Batman team in this issue are the heroes from Earth 2 and the Huntress in this issue is Batman’s daughter, not Helena Bertinelli. It’s nice to see these Golden Age heroes in action again, probably for the last time as the Earth 2 Superman was killed in Infinite Crisis.

Young Avengers 12 (Marvel Comics) — This is another title that may be going bye-bye from my buying list. Writer Allan Heinberg has made me care about these young heroes and their adventures over the past year, but again, something’s gotta give and this is an easy target that doesn’t affect other books I collect. This issue is also a good jumping off point as it wraps up the Family Matters arc and the first year’s worth of formative stories.

52 Week Eight (DC Comics) — I’m still along for the ride, but this series is raising way more questions than answers right now. Biggest question right now is: What’s up with Green Arrow? This is only eight weeks; how is Ollie not in a hospital or dead from the multiple stab/arrow wounds he received in the last issue of his own book before One Year Later? Next biggest question: Who is this new hero they haven’t revealed to us yet? Third biggest question: I don’t care how mad she is, what is Natasha irons thinking going to Lex Luthor for help?

Batman 654 (DC Comics) — The conclusion of Face the Face, the first Bat story One Year Later. James Robinson did a solid job on this tale re-introducing not only Batman and Robin to the DC Universe after their one year away, but also nailed the characterization on returning supporting cast members Two-Face and Gotham City Police Commissioner James Gordon. This arc is well worth the bucks.

Action Comics 840 (DC Comics) — As great as Face the Face was, that’s how great this storyline started out. Up, Up and Away! reintroduced Superman to the DCU One Year Later. It started wonderfully, showing us a non-powered Clark Kent confident and at the top of his game following Infinite Crisis. But as the story progressed and Clark’s powers began to slowly return, the story seemed to lose focus. Luthor’s plan seemed desperate and not well-thought out. Superman managed to defeat him, but mostly through luck and brute force, not the clever cunning he displayed when Clark kent was all he was. This story started well but ended leaving me feeling cheated somehow.

That’s enough for today. I’ve got more books in the stack that have been read but not reviewed, but I don’t want this post to grow too large. So, more to come.