Justification For Shooting First And Asking Questions Later

Star Trek/Legion of Super-Heroes 1-6
IDW Publishing/DC Comics
Chris Roberson, writer
Jeffrey Moy, artist

It's just a given when two unrelated teams of good guys meet in the pages of some crossover comic: There will be a misunderstanding that leads them to fight before everyone involved realizes that they are all good guys and they finally join forces to defeat the real bad guys. The exact reasoning or setup behind the misunderstanding varies from story to story; some are better and some are weaker.

Bringing two completely different properties like the original crew of the starship Enterprise and the Legion of Super-Heroes seems like it should be an entertaining mash-up. Not only are each of these groups of people from different realities and genres, they are from different times, as well. The original "Star Trek" is set in the 23rd century, while the Legionnaires are from the 30th. Bringing both together involves enough manipulation that each group could be forgiven for not immediately knowing who the good guys and bad guys are in what they are being confronted with. However, I took issue with the fact that when these two teams find each other, it is clearly the Enterprise crew "throwing the first punch." Once the misunderstanding is resolved, Kirk offers an explanation for his actions, and some others might disagree, but I think the rationalization offered is out of character for Jim Kirk.

Once all of the good guys are friends and join forces, there is what might be another slight continuity gaffe in the pages of this crossover. As the two teams are attacked by an amalgamation of the Fatal Five and several menacing aliens opposed to the United Federation of Planets, Lt. Nyota Uhura from the Enterprise compares one of the combined villains to her Orion roommate from Starfleet Academy. Now the rebooted Lt. Uhura in the J.J. Abrams "Star Trek" film was shown to have an Orion roommate at the Academy, but I don't know that this is canon for the Nichelle Nichols classic version of Uhura, and it is indeed the classic versions of these Star Trek characters who appear to be in this story. Of course, there is also nothing in the classic Trek canon to contradict Uhura having an Orion roommate, so maybe that isn't a change in the Abrams film, but just the way things always were. So, I guess I'm being nit-picky with that observation.

Remove those two things, and this was a fun series throwing these two sets of characters together. The interior art by Moy is very nice. And to further bump up the art scale, covers for the series were illustrated by Phil Jimenez and longtime Legion artist Mike Grell, among others.

All in all, this was a fun series making great use of the histories from both properties to craft a new tale well worth reading.

Cleaning Out The Last Of The November Clutter

Let's jump right in:

52 Week 29 (DC Comics) — This issue encapsulates what is wrong with Luthor’s Everyman project and “instant powers” in general. Luthor bought the Infinity Inc. name, and apparently the rights to many of the currently unused code names, too. Do the newbies want to live up to the ideals of their predecessors? That’s the last thing on their minds, well behind instant fame, living in the moment, glory-hogging. With some guidance and training, some of these folks might make decent heroes someday. But the selfless, heroic ideal holds no value for them whatsoever. This issue’s characterization of the Everyman heroes is spot-on for today’s live-for-the-moment/what’s-in-it-for-me/if-you-don’t-agree-with-me-you’re-a-moron mentality.

Supergirl 11-12 (DC Comics) — The constant changes in creative talent aren’t doing this title any favors. There’s just no story flow, and the rest of the DCU seems to just ignore the character completely. For instance, in issue #11, Supergirl is working with the Outsiders; didn’t she already “try out” that team in her first stroy arc, along with the Titans? I bought this issue because the advance solicit info mentioned Nightwing, but the story is so disjointed, who cares? Is Kara dating Boomer now or just staying with him? Is she with the team? Doesn’t seem to be any mention of her in the Outsiders book. Then comes #12, which does not pick up after this issue. No, other than the presence of Boomer and a page-long talk between Nightwing and Boomer about Kara, this could be a completely different character. Again, I only bought this issue for the new Terra preview, but nothing here is making me want to pick this title up for the star character. I do wanna see more of this new Terra, though.

Supergirl and the Legion of Super-Heroes 24 (DC Comics) — Now this title is Kara done right. This is still supposed to be the “new” Supergirl, but she’s a more recognizable Supergirl than the other one. No efforts have been made to explain exactly where she came from in the timeline, but the future/time travel element let’s Waid, Kitson and Gray get away with it. This is a fun read.

Donald Duck and Friends 346 (Gemstone) — Sadly, this is the last issue of this title for a while. Cost of paper is forcing Gemstone to limit their offerings in the immediate future. Another, kid-friendly title bites the dust.

JSA Classified 19 (DC Comics) — This looks like an interesting arc pitting a metahuman body parts stealing Ultra-Humanite against Dr. Mid-Nite. The concept is somewhat gruesome, but this first chapter by Scott Beatty, Rags Morales and Michael Bair is a solid, entertaining read.

Civil War: Choosing Sides (Marvel Comics) — For the most part, I was disappointed in this comic. The Iron Fist chapter doesn’t give readers any information not already available in Daredevil or the new Iron Fist book. I didn’t much care for the Venom, Ant-Man or USAgent installments; they just did nothing for me. Part of why I bought the issue was for the appearance of Howard the Duck. His brush with the registration act is humorous, but I didn’t care for Roger Langridge’s art. It wasn’t awful, but it wasn’t quite Howard, either. This issue also includes the Marvel Comics/Guiding Light crossover, a story that seems oddly placed as all of the New Avengers are shown working side-by-side, and did little for me.

That’s it for today. Depending on holiday activities, we’ll try for some Retro-Reviews next week before my December comics arrive. Happy collecting, and Happy Holidays, everybody.

And A Blind Man Shall Lead ...

Let’s talk some Daredevil for a bit today. I’ve seen some Daredevil comics from the previous Bendis/Maleev run, and I’m familiar with the overall story line: Daredevil has been outed as Matt Murdock by a tabloid, and the feds are pursuing possible charges against him for that; at the same time, DD has defeated Kingpin and set himself up as the replacement. But I haven’t followed every issue of the title until Ed Brubaker took over the writing chores. I liked what Brubaker had done with Gotham Central at DC and, more recently, Captain America at Marvel.

So, I’ve read the individual issues of The Devil in Cell Block D starting with #82 to now. These issues were very good, as we’ve discussed in some previous posts. And they served to make me curious about what came immediately before. So I recently purchased, and just read (all in one afternoon), the previous three Daredevil trades to catch up a bit. In all honesty, only one of these trades, the most recent one, really serves as a prequel to how Matt Murdock ended up in jail. The other two trades could almost occur at any time in DD’s past, but they were damn good stories.

Daredevil tpb 11: Golden Age (Marvel Comics) — This is a historical tale about the Kingpin of Crime who came to power before Wilson Fisk. The small-time hood rose to the big-time after killing a costumed hero, then was later brought down by a novice Daredevil. The current part of the story is this hood, Alexander Bont, as he is finally released from prison and goes about exacting his revenge on the man who put him away. It’s a very nice story with a lot of parallels between past and present events.

Daredevil tpb 12: Decalogue (Marvel Comics) — This collection is a very dark, demonic little tale that takes place entirely during an evening support group meeting where residents of Hell’s Kitchen have gathered to talk and share their common Daredevil experiences in light of recent events. What becomes clear as different people share their tales is that all these various people are linked to a common event which has put the red-garbed vigilante on the trail of one of them.

Daredevil tpb 13: The Murdock Papers (Marvel Comics) — This last collection depicts the actual capture and arrest of Matt Murdock as the incarcerated Wilson Fisk tries to make a deal with federal authorities for his own release in exchange for handing Daredevil over to them. The tale brings in various DD alums such as Black Widow, Elektra, Luke Cage, Iron Fist and Bullseye, among others.

Daredevil 89 (Marvel Comics) — And then this is the current issue. At the end of the Cell Block D arc, Matt escaped from prison with the help of Frank Castle, the Punisher. Matt is now on the run from authorities and trying to track down the killers of his friend, Foggy Nelson, who DD doesn’t know isn’t really dead. This issue takes him to Monaco.

Uncle Sam and the Freedom Fighters 3 (DC Comics) — The new Black Condor debuts as do a whole new team of characters with political jargon names. Father Time is still after Sam and the Freedom Fighters who left S.H.A.D.E. to assist Sam — the new versions of Doll Man, Human Bomb, Phantom Lady and Ray. And Firebrand, although he wasn’t part of S.H.A.D.E. First up is Chief Justice, Spin Doctor, Propaganda and First Strike. When they don’t fare so well, Father Time himself shows up. I want to like this series and these characters, but I find myself not caring that much about them.

The Trials of Shazam! 2 (DC Comics) — This book is going downhill fast for me, and I don’t think it will survive for all 12 issues. I’m not sure I really understand Billy’s new role or why it took over a year for this new manifestation of his powers to show itself — after all, in story, this is a One Year Later tale and Billy’s been in charge at the Rock of Eternity for that entire year. About the only thing I do understand is that he can no longer be Captain Marvel like he was, and that Freddy Freeman now must prove himself worthy of assuming that mantle.

Action Comics 843 (DC Comics) — Another great story; another placement headache. Story lines with lots of characters interacting usually are. This concludes the story line where an intergalactic “auctioneer” snags a whole bunch of Earth’s heroes. Superman, Nightwing, the new Aquaman, Firestorm, Skyrocket, Bluejay, the Veteran and Livewire lead the charge to free the others and stop the acquisitions. Very nice work.

Civil War: Front Line 6 (Marvel Comics) — This title continues to thrill and bore me. The Embedded and Accused story lines are incredible. The Sleeper Cell story added late in the series is OK, but not up to the standards of the other two. And the final installment in each issue just strikes me as pretentious. I get the symbolisms. Don’t beat me over the head with it so much.

Batman 657 (DC Comics) — This is the third installment of Batman and Son. Bruce brings Damian home to Gotham where the boy proceeds to use his assassin’s training on his rivals for his father’s affections. By the end of the issue, Damian has done something off-panel with Alfred and left Tim injured and bleeding in the cave while adopting parts of Jason’s enshrined costume and pronouncing himself the new Robin. Could he be any more his mother’s son?

Secret Six 4 (DC Comics) — This issue proves once again that this comic is a good one, but not nearly as good as its predecessor, Villains United. I can’t quite put my finger on what, but something is missing.

Supergirl and the Legion of Super-Heroes 22 (DC Comics) — What to say about this title? I’ve tried Legion titles before, stay with them awhile, then lose interest. The concept of this latest incarnation sounded quite good. Then they added Supergirl and it seemed to flounder a bit. Then it got good again. This issue wasn’t bad, but it wasn’t great.

Captain America 22 (Marvel Comics) — With this issue, Cap’s own title catches up with the events in Civil War. Cap is in hiding, and S.H.I.E.L.D. has decided to use Agent 13, Sharon Carter, Cap’s liaison and girlfriend, to trap him. And Sharon is torn: she truly believes Cap is wrong and that superhero registration, as the current law of the land, should be upheld, yet she doesn’t want to betray her lover. And hey, one of the villains, according to the last page, is Dr. Faustus; I don’t follow that many Marvel Comics on a regular basis, but I don’t think he’s been seen in quite a while. Good stuff.

JSA Classified 17 (DC Comics) — This first part of two focuses on Hourman, the original and his son, as they are forced to work side-by-side with Bane. This story posits that the basis of Bane’s former drug-of-choice, Venom, is originally based on Rex Tyler’s formula for Miraclo, the source of Hourman’s power. I’m not certain, but I think that idea has been used before, but this isn’t a bad tale, so far.

Jack of Fables 3 (DC Vertigo) — This book is just as funny as the original Fables, but decidedly wickedly so.

Justice League of America 3 (DC Comics) — OK, this book is starting to worry me. I want to like it. I really do. But the story is starting to seem severely disjointed. The triumvirate of Superman, Batman and Wonder Woman are shown still voting on the roster for the latest incarnation of the League, but they’re rehashing the same candidates as before. They vote on Nightwing in this issue after Batman and Wonder Woman shared a humorous exchange about Dick in the last issue. The first issue made it seem like the team had been formed and the voting was mere flashback, but this issue makes it seem like the current mission of Arsenal, Black Canary and Green Lantern know nothing about a new League. And the pacing seems to indicate that 12 issues is going to be waaaaay too long for this arc.

Stan Lee Meets Spider-Man 1 (Marvel Comics) — I was a little disappointed in this comic. It was a tad humorous, and I’m not sure exactly what I was expecting, but this was just not quite as good as I’d hoped. I’ve also ordered the Thing comic in this series. Maybe I’ll like it better.

Next post, we’re back to the past as this was the last of my current comics from my last shipment and the next hasn’t yet arrived. Until then, happy collecting, kiddie cops.

Bidding Adieu To August So That We Might Better Reorganize The Past

Just a few books left from my shipment of August-release comics, so let’s jump right into what remains.

Supergirl and the Legion of Super-Heroes 21 (DC Comics) — So they did manage to bring back Dream Girl, or did they? Maybe Brainy’s just crazy with heartbreak like Ralph Dibny over in the pages of 52. Still can’t make up my mind on this book. Subsequent issues haven’t been as good as the first arc, in my mind, nor as good as the work this team did on Empire a few years ago, but it’s just good enough to keep me hoping it’ll get better.

New Avengers 23 (Marvel Comics) — This Civil War tie-in examines how Jessica “Spider-Woman” Drew reacts to the registration act. The previous two issues focused on Captain America and Luke Cage; they were great. This issue, not so much. In fact, I was initially happy to see Brian Michael Bendis bring Spider-Woman back in New Avengers, but I’m just not sure I care for the convoluted mess they made of her origin in the recent Spider-Woman: Origin, and I didn’t much care for this book, either. Is she helping the good guys? Is she helping the bad guys? Is she making it look like she’s helping the bad guys to better help the good guys? Do the bad guys know this and use that against her, so she really is helping the bad guys? Know what? I don’t care anymore.

Jack of Fables 2 (DC Vertigo) — Another solid issue from Bill Willingham. This series is off to a good start, just like its parent title.

Justice League of America #1 (DC Comics) — The story moved along rather slowly in this book, but then Meltzer likes his set-ups. I like the focus on Red Tornado and Arsenal joining instead of Green Arrow. Some of the other focus characters make this seem like an interesting group. And while I’m really OK with the fact that Nightwing won’t be in the JLA, what does Wonder Woman have against him? For that matter, based on what is happening in her own title, why is Diana Wonder Woman here?

And that’s the last of my most recent shipment of new comics, which brings us back to the past of 1985 for some ...

Retro-Reviews
Crisis On Infinite Earths 8-9 (DC Comics, 1985) — Not only is the Barry Allen Flash killed off, but we find out why villains have been disappearing — they’re up to something. Brainiac and Luthor — both Earth-1 flavor — organize all the villains in a bid to take over the five remaining earths and succeed in ensnaring three of them before their plans are shut down. We also spend some time with various members of the New Teen Titans, which brings us to ...

The New Teen Titans 14 (DC Comics, 1985) — The Tamaranean ship we’ve seen heading for earth in the past couple issues arrives to take Starfire home. Nightwing and Jericho go along for the ride, thinking the Crisis is over and suspecting something sinister among the Tamaraneans. And Mento gives the rest of the team some trouble as the helmet drives wearer Steve Dayton insane. Oh yeah, and Arella is still looking for her daughter, Raven. This is an important issue of this book in that it helps set up several major storylines to come, but is also kind of a placeholder-type story as the events in Crisis are still ongoing and we don’t want to give away the ending.

Crisis On Infinite Earths 10-12 (DC Comics 1986) — The Spectre shows up and warns the assembled heroes of five earths that the Crisis is NOT over. Instead, the Anti-Monitor has merely fled to the dawn of time in an attempt to quash all life before it begins. The heroes follow and the Anti-Monitor and the Spectre battle it out, drawing power from the others.

The plan works and it doesn’t work. Life is allowed to develop, but instead of a multiverse, only one universe is created. Most of the heroes from the previous battle wake up to find themselves home and things seemingly normal again. But as they investigate, they learn that this new single earth combines elements from the histories of each of the previous ones while eliminating others. Some heroes and lives are seemingly unchanged, other heroes exist, but noone remembers them because their histories have been “erased.” It is also learned that while weakened, the Anti-Monitor still lives, and yet another assault is launched. More heroes are lost, including Kole, the Earth-2 Robin and Huntress and the Earth-1 Wonder Woman. When the villain is finally dispatched, few lives are left unchanged.

Last Days of the Justice Society of America Special 1 (DC Comics, 1986) — Even though this book came out almost a full year after the final issue of Crisis On Infinite Earths, it is written to be a follow-up to the Crisis. The older heroes of the Justice Society did not fare well in the Crisis. Noone remembers the elder Superman or Wonder Woman. Wildcat was crippled. Robin and Huntress were killed. This story was created to give the surviving members a heroes send-off while still moving them out of the way of newer, younger namesakes, some of whom — such as Wildcat, Dr. Mid-Nite and Hourman — debuted in the Crisis itself.

Those remaining heroes learn that the Spectre is left unconscious after his battle with the Anti-Monitor at the dawn of time. Unchecked, his powers combine with those of the Spear of Destiny, allowing Adolf Hitler to change history at the end of World War II, slaying the Justice Society members and destroying the world. This was achieved when Adolf used the power to bring about the Twilight of the Gods, or Ragnarok, from Norse mythology. The only way to preserve the normal time stream is for the JSA heroes to merge with their counterparts from Valhalla and eternally wage that final battle, over and over again. I just re-read this book, and even though the events herein told are later reversed, this is a worthwhile tale, largely because it is lovingly written by that great re-creator of the golden age, Roy Thomas. He gets these older heroes and allows them to shine in a fight they cannot win.

History of the DC Universe 1-2 (DC Comics, 1986) — This two-volume, prestige format book reveals the Monitor tapes and the recording of the altered history recorded by his assistant, Harbinger. It gives a broad overview of how some of DC Comics’ historical characters fit together in this new single earth, as well as providing some hints of what was to come in the coming months. It is also the point where my filing system goes the most nuts.

The recent Infinite Crisis explains continuity errors as Superboy-Prime punching against the barrier that separates him and his companions from the sole remaining earth after the events of Crisis On infinite Earths. I plan to use that excuse offered by DC Comics itself. However, shortly after the end of Crisis On Infinite Earths, several heroes’ origins were revamped. The trend continued for 10 or 15 years, at least to the 1995 annuals which all had a “Year One” theme. No matter when these things were released, the bulk of them have been placed at this point in my comic book collection filing system. The history of the new earth was different from what it had been. What better place to “make” such changes and explore them, in “chronological order,” as we catch back up to the titles I was collecting in 1986?

So, while retro-reviews before the Crisis were focusing on The New Teen Titans and The Warlord from DC, The Thing from Marvel, and Jon Sable, Freelance from First, it will be a little bit before we catch back up to those stories where we left off. I think it’ll be an interesting bit of jumping around when we pick up next time.

Short Weekend Of Solid Reading

I read some good comics over the weekend, so let’s just jump right in to today’s batch of reviews.

52 Weeks 11 and 12 (DC Comics) — The first of these books features the costumed debut of Batwoman; the issue also focuses mainly on Montoya and the Question and their investigation into Intergang’s move on Gotham with just a few side bits on Ralph Dibny’s investigation of the Cult of Conner. The second issue continues this narrow focus on just a few characters, leaving other storylines unadvanced for entire weeks. If anything, I think that is this title’s biggest failing. It’s an anthology of unrelated stories taking place during a common year. This time, we spend the bulk of our time with Black Adam, witness the creation of the new Isis, see that Captain Marvel is not fairing too well, and see Ralph finally catch up to Wonder Girl. But when was the last time we checked in on the trio of heroes lost in space or the unfolding time weirdness with Booster Gold. I know it’s been at least three weeks since we saw anything with Steel and Luthor. Are we to believe absolutely nothing happened with these characters in this time? But hey, I love the glimpses we are getting.

Flash, The Fastest Man Alive 2 (DC Comics) — I’m just not feeling it with this series. I understand the writers, Danny Bilson and Paul Demeo were involved in the Flash TV series. It was OK, but I’m just left not caring much about this suddenly-adult Impulse. Look for these first issues to show up on my Web site in the coming weeks.

Checkmate 4 (DC Comics) — I like this book a little more with each issue, although I’m still not sure if I like it overall. Is Alan Scott really leaving? Will that take away why I like the title? I don’t know, but I’m still along for more of the ride.

Aquaman 43 (DC Comics) — I’m torn by this book. I like Kurt Busiek. I’ve never cared that much for Butch Guice. I love Aquaman and I love this young Arthur Curry currently dominating the book, but I miss getting to read about the Aquaman I know. I also wonder with the introduction of this new, younger “Aquaman,” how much of this storyline was motivated by the Aquaman TV pilot. (I haven’t seen it yet, but I’ve heard it is available on YouTube.) But think about it: If the pilot had been picked up, the comic would more closely mirror the series. Hmmmmm

Manhunter 24 (DC Comics) — Since the announced cancelation and reprieve on this book, the quality seems to have dropped just a bit. I dunno if they had to rush to get the next few issues done once the reprieve was announced or what, but I hope it returns to it’s accustomed level soon.

Civil War 3 (Marvel Comics) — Wow! Is this book going to make it all the way to the final issue before everyone in the Marvel Universe is forced to kill everyone else? I didn’t expect a major clash of the big guns like this so soon. And for the record, I can see Iron Man’s belief in registration, but some of the other characters who have sided with him baffle me. Thing, She-Hulk and Ms. Marvel seem more naturally to fit with Cap’s rebels, the correct side in this war of liberties versus security.

Supergirl and the Legion of Super-Heroes 20 (DC Comics) — I said this book was suffering from the addition of Supergirl. I’d now like to amend that statement. The first few issues after Supergirl’s arrival spent a lot of time focusing on her. Now she’s just another one of the characters in this team book, and she seems to fit somewhat better. So it wasn’t her presence that threw things off, but the imbalance of her role. That seems to be corrected now.

Crisis Aftermath: The Battle of Bludhaven 1-6 and Uncle Sam and the Freedom Fighters 1 (DC Comics) — I haven’t much cared for Battle at all. The Titans seem out of character and out of continuity in this title. All of the other characters in this rambling, disjointed tale are modern re-inventions of old characters, and they’re done poorly. Every team’s origins and motivations are kept cryptic in hopes of later revelations in their own titles, but without any kind of payoff in this title, who cares about hanging around long enough to find out. I am curious about the new Doll Man and the new Phantom Lady a bit. That’s why I signed on for Uncle Sam. But where’s the payoff?

Justice League of America (2006) 0 (DC Comics) — This book is just the opposite; it’s all payoff. If you follow DC Comics at all, you already know what is presented in this book. All of the history will be well-known to you, the present-day stuff is just the big three agreeing to reform the League (no surprise since the title is relaunching) and the future teasers may never come to pass because of the impossibility of predicting exactly what will become of these characters through the infinity of publishing history. But damn, this was fun to read.

And that makes a perfect place to bring this post to an end.

Still Playing Catch-Up

Civil War Front Line 2 (Marvel Comics) — The second issue of this Civil War spin-off was good. I’m enjoying following these reporters as they watch and react to events unfolding — must be the journalist in me. But in this second issue, the backup story following Speedball is overshadowing the main one. I’ve never really followed Speedball or much cared one way or the other for the character before, but in light of the registration act, he is the perfect focus character for this story.

Daredevil 86 (Marvel Comics) — I haven’t made up my mind for sure on this title. I’ve followed Daredevil from time to time in the past. Brubaker is a great writer. But this whole Daredevil in prison thing needs to start moving to some kind of resolution as I am starting to loose interest. This issue seems to be moving DD toward an escape, so maybe change is coming.

New Avengers 21 (Marvel Comics) — This Civil War tie-in issue felt like a fill-in. It was nice to see Captain America between his dramatic escape from S.H.I.E.L.D. agents in Civil War #1 and leading the group of resistance fighters in Civil War #2, but there really isn’t much going on in this issue besides filling in those gaps, which most readers probably assumed happened anyway. The only information revealed in this issue — which side the Falcon and Ant-Man/Giant-Man Hank Pym are on — could be deduced from the pages of Civil War itself.

Supergirl and the Legion of Super-Heroes 19 (DC Comics) — This latest incarnation of the Legion is my third attempt at following the group’s adventures. I always seem to loose interest after a while. This latest approach by Mark Waid and Barry Kitson seem to be quite novel, but with the introduction of Supergirl and her ascent to the lead spot in the title seems to have thrown the rest of the book off its focus. This particular issue doesn’t even have much to do with Supergirl, per se. It is more a solo spotlight for Chameleon. And it’s not a bad story, it just didn’t grab my interest like earlier issues did. This book is also in danger of being dropped like a few others discussed last time.

Crisis Aftermath: The Spectre 2 (DC Comics) — I have high hopes for this series, and so far it hasn’t let me down, unlike its companion title, Crisis Aftermath: The Battle for Bludhaven. I really liked Gotham City police detective Crispus Allen when he was alive. I like what writer Will Pfeifer is doing by offering Allen the chance to join with the Spectre and using Allen’s perspective to help us explore the astral avenger. I hope this pairing moves beyond the scheduled miniseries.

Brave New World (DC Comics) — This preview comic offers advance glimpses of several upcoming series and miniseries — at least in theory. The problem is, when a person has to order his comic books several months in advance, he (or she) has to decide which of these books to follow before ever reading the preview. I’ve never cared much for the Creeper so I opted to pass on that series, and nothing in this book changed my mind. Other advanced online information convinced me to give the Shazam, Martian Manhunter and Atom series a try; this book leaves me hopeful that they will be worth the trial. I was curious about Uncle Sam and the Freedom Fighters, and still am after reading this comic. And I wasn’t sure about the OMAC series, but figured I’d give it a try based on their role in Infinite Crisis. This preview story looks promising.

Solo 11 Sergio Aragones (DC Comics) — This has been an uneven title as most anthologies are. That’s probably why it has been canceled. I think the concept is sound, the company sponsoring such a project just has to accept and expect uneven sales. Aragones is a funny guy. This issue shows why. I especially liked his true tale of Marty Feldman and the Batman story. The rest was so-so.

Marvel Milestones: Rawhide Kid and Two-Gun Kid (Marvel Comics) — This book is exactly what I expected the Outlaw Files to be: reprints of the first stories to feature Johnny “Rawhide Kid” Bart and Matt “Two-Gun Kid” Hawk. Great classic western fun.

And that was the last of my June new comic purchases. Moving on, we resume reading from the mid-1980s:

The Thing 26 (Marvel Comics) — Recapping, in the aftermath of the Marvel Super-Heroes Secret War, Ben Grimm opted to stay on the Beyonder’s world for a while. When he returned to earth, he found his one-time girlfriend Alicia masters had become involved with the Human Torch. Feeling betrayed, Grimm left Manhattan and the Fantastic Four. This issue finds him wandering the country and stumbling across a sinister circus run by — no, not the Ringmaster, but the Taskmaster. “runaways” isn’t a bad story, but it’s not a remarkable story, either.

Superman annual (1985) 11 (DC Comics) — This is one of the greats. “For the Man Who Has Everything” was written by Alan Moore and illustrated by Dave Gibbons. It’s Superman’s birthday. Batman, new Robin Jason Todd and Wonder Woman arrive at the arctic Fortress of Solitude to give Superman birthday gifts and discover the Man of Steel under the thrall of a parasitic organism given to him by the alien conqueror Mongul. This story is so iconic it was adapted into an episode of Justice League Unlimited on Cartoon Network. If you’ve never read it, I highly recommend it. If you can’t find the original issue, it was recently reprinted in trade paperback form by DC in a collection of Alan Moore DC Universe stories.

The Warlord 97 (DC Comics) — Travis Morgan is leading his band of rebels in an attack to retake the besieged city of Shamballah. But the bad guys know about the “secret” attack plan in advance. Not only is the attack repelled, but the oppressors follow the rebels back to their camp and counter-attack there. All this disaster and the beginnings of the Crisis on Infinite Earths begins to be felt in the inner world of Skartaris.

Wow, if that’s not enough comics for you, come back next time for more.

Comics So Vivid They're Scary

It's been a light reading week so far this week, and we've already covered the overviews for all of the series I have in complete runs through 1984. Still at least a week — most likely two — before my next shipment of new comics come in. But I have ventured far enough into 1985 that I have just re-read the first story arc of the 1984 Baxter New Teen Titans series.

The first five issues of the series detail the re-match between the current Titans line-up and the demonic Trigon the Terrible, other-dimensional father of Titan Raven. Issue #6 is also part of that story arc, at least in my opinion, because it deals with the aftermath of the battle and the repercussions for the Titans themselves.

These books also mark the last before the departure of New Teen Titans co-creator and collaborator George Perez. Marv Wolfman would stay with the book for another six or so years, and Perez continued to provide the cover art and story contributions, but Jose Luis Garcia Lopez took over the regular art chores with #6.

For anybody not familiar with the Baxter term, no, it doesn't mean that the comic was printed in the headquarters for the Fantastic Four. Baxter refers to the higher paper quality and the greater range of color inks used in the printing of the comic. In 1984, DC opted to experiment with the process on a re-vamped Legion of Super-Heroes title and their new Infinity Inc. offering. The New Teen Titans re-launch was the third title to get the upgrade. The brief mention of the different printing process is because I believe that very process is at least part of why this story arc is remembered by so many as so dramatic.

Of course, it was a pretty compelling story beyond the visuals, too. In the earliest adventures of the New Teen Titans, Raven is depicted as gathering this group of teenage heroes together so they could help combat her other-dimensional demon-father. That initial confrontation took place in New Teen Titans (first series) #s 6 and 7. At the end of that tale, the Titans had managed to "trap" Trigon in his own dimension, and Raven's human mother, Arella, stood "guard" over the portal between the dimensions.

In the 1985 story, it is revealed that over time Raven's appearance has been changing, growing to resemble that of her demonic father, mirroring the changes within her soul. Apparently, each time Raven has used her empathic powers over the course of the group's adventures, Trigon has captured a little piece of her, until she can no longer resist his influence. With the corrupted Raven's help, Trigon escapes his imprisonment, travels to Earth, and very quickly subjugates the entire planet. Superman, the Justice League and other heroes are shown to never have had a chance to even register the attack, let alone managed to organize counter-measures. The Titans are left whole only because they were elsewhere when the initial attack began, and because Trigon has special plans for them.

Over the course of the story, Trigon and the corrupted Raven use the darkest fears and insecurities of each Titan against that specific hero. Wonder Girl has recently married, so her "dark self" mocks the relationship of an Amazon to a mortal by killing Donna's husband. Changeling has lost his natural parents and his adoptive family the Doom Patrol. He naturally feels responsible for the tragedies which took his loved ones, so "Dark Changeling" accuses him of killing them. Nightwing has recently given up being Robin, so "Dark Nightwing" shows him that the new ineffective Robin has failed to watch Batman's back, resulting in the death of the Dark Knight Detective. Cyborg, Kid Flash and Starfire suffer similar nightmares, being taunted by their darkest fears to the breaking point.

These are dark fears and deal with some pretty dark concepts: slavery, failure, loss of humanity, death and murder. On top of that, the "dark" Titans are illustrated as "negative" figures, mostly black (as opposed to white) with blood-red outlines. The concepts and the visual depictions make for some very disturbing nightmare sequences, but they allow the reader to "feel" the Titans' torment all the more for their richness. I remember feeling a chill reading these stories for the first time, and even though the story and outcome are familiar now, a portion of that same chill returns each time I re-read these comics. Now that's not only good story-telling, but that's damn good graphic story-telling — and isn't that what comic books are all about?

Enter The Hunter

Mike Grell has done a lot of comic books work over the years. I haven’t researched him enough to provide a detailed listing of all his credits, but several people’s first exposure to him as an artist seems to be his early work illustrating the adventures of DC Comics’ Legion of Super-Heroes, the teenage titans from the far-flung future.

I never much got into the Legion back then, so its no surprise that my first exposure to Grell’s talents came much later during his work on the ground-breaking miniseries The Longbow Hunters, which updated Green Arrow for DC and served as the launch point for the emerald archer’s first self-titled ongoing series. Before that time, however, “Iron Mike” gained a following not only for illustrating, but also creating and writing the adventures of The Warlord, a series we discussed last time. In that earlier discussion, I also mentioned Grell leaving Warlord after a time.

At that time, he also left DC to join editor Mike Gold in creating First Comics. American Flagg and E-Man are some of the more popular titles released monthly by First Comics when they started. The character and title Grell created, wrote and illustrated was Jon Sable, Freelance, an adventurer-for-hire grounded in the real world, without any superpowers of any kind, who relied on his wits and skills to survive political intrigue “ripped from the headlines.” The main character was a combination of James Bond and Indiana Jones, a real-life “Batman” operating without a Halloween costume. And he was a hit in 1984.

My first exposure to this character was in a later relaunch of the title simply called Sable and written by Marv Wolfman. I enjoyed that incarnation for several months, occasionally picking up back issues of the re-launched series. I learned that Mike Grell had created the character when I happened across a trade paperback collecting the first six issues of the original series.

For a long time, that was all my collection included of Jon Sable. This is one of the titles for which I have recently filled in the holes, having purchased a copy of all issues of the original series, as well as the missing issues of the relaunch, initially title Sable, Return of the Hunter, and finally dropping to just Sable.

Through 1984, readers have been treated to an epic-length “origin” tale telling of Jon’s life and family in Africa, how he came to be a writer of children’s books in his alter ego of B.B. Flemm, how he came to know each of the small circle of people who know him, and followed him from the jungles of Vietnam in search of MIA/POWs to the Olympic games, opposing petty criminals, beautiful jewel thieves and corrupt officials in foreign countries.

Jon Sable, Freelance also gets a “thumbs up” recommendation as a series worth checking out.

And as a side note, through the house ads in the early First Comics, I learned about yet another Grell creator-owned series, Starslayer, a sci-fi tale originally launched for another company, but picked up by First Comics. I haven’t read any of this series yet, but I like The Warlord and Sable enough to purchase all of the issues from a mail-order back issue company a few months ago. That’s the “drawback” of this hobby -- each new discovery often leads to finding and wanting other new titles.

Happy collecting.