I’m back, these creators are back and these villains are bad

Dear Super-Villains 
DC Comics 
Creators: Michael Northrop and Gustavo Duarte 
Release date: April 2021 

Hello, Kiddie Cops, and welcome back to the first new blog post in a spell.

I initially stopped posting here for two reasons. First, I’d recently started a new job that was taking up more of my time. Second, my comics buying was dropping to very few titles at the time, and I was getting a little worried that I might be just talking about the same handful of titles over and over again. I didn’t want the blog to suffer because of that.

Jump ahead almost two years, and I’m still not really buying that many new monthly comics. But I am still buying and enjoying a handful of new titles every month. My decreased regular pull list has allowed me to try some new things. And buying fewer new comics each month has allowed me time to read some of the many, many comics, trades and more that I’ve purchased over the years but never had a chance to read before and to finally re-read some favorites I haven’t explored again in several years.

Now, this blog has always been about celebrating comics that I love. You try some new things and not every one of them is going to be to your liking. But I don’t want to dwell on comics I don’t like. If I didn’t like it, why spend more time with it and make myself continue to feel bad about it? I’d much rather give a shout out to creators, characters and projects I enjoyed in an attempt to help others discover the same delight for themselves.

And I’ve found myself doing just that over the last several months again. I just wasn’t doing the celebrating here. I was writing much shorter bits of praise for some recently read comics, then sharing those thoughts on other platforms like Facebook, Instagram and Twitter. In the past few months, I’ve shared praise for books like The Marvels Project by Ed Brubaker and Steve Epting; Batman Universe by Brian Michael Bendis and Nick Derington; Point of Impact by Jay Faerber, Koray Kuranel and Charles Pritchett; The Booster Gold hardcovers – The Big Fall and Future Lost – by Dan Jurgens; Pulp by Ed Brubaker and Sean Phillips; the two Robin Archives from DC Comics; Infinite Frontier Nightwing by Tom Taylor, Bruno Redondo and Adriano Lucas; and Somerset Holmes by Bruce Jones, Brent Anderson, April Campbell and Ed King.

There’s nothing really wrong with posting about comics on those platforms. I’m sure I will continue to do so. But my comics-related posts on those platforms were mixed in with other kinds of posts – politics and job and family and real life, those kinds of things – and not likely to be seen by too many people outside my immediate circle of followers and friends.

At one point, this blog had a decent following, and if I start posting regularly again, it may have more of an audience again, giving my attempts to promote good comics a potentially wider audience.

Which brings us to this digest-sized modern original graphic novel, a sequel to the popular book I reviewed in my last post here nearly two years ago. Once again, the book focuses on some inquisitive youngsters who email their questions to super-villains this time instead of the members of the Justice League. As you can likely tell from the image above, the villains featured include Harley Quinn, Lex Luthor, Catwoman, Grodd, Giganta, Sinestro, Black Manta, and for some reason, Katana.

Michael Northrop’s words and Gustavo Duarte’s illustrations make for a whimsical, fun follow-up tale to Dear Justice League that I heartily recommend. To my taste, this volume was a little more loose than the first volume, but what do you expect from a group of villains all vying for the top spot? They’re not going to act the same as the heroes, obviously.

Dear Super-Villains is absolutely another fun read. Check back soon for something else from the realm of comics that I’ve recently read and believe might be worth your time to check out.

It’s a mixed bag, but a good read

Batman Vol. 7: The Wedding
DC Comics
Creators: Tom King, Mikel Janin and Tony S. Daniel
Release date: October 2018

I’ve been reading recent issues of Tom King’s Batman Rebirth run in trade format and enjoying them. The entire courtship and developing relationship dynamic between the modern Bruce Wayne and Selina Kyle since the former proposed has been an interesting read even though the title of this particular trade is a bit of a misnomer.

That’s right: If you’ve been living under a rock and missed the news after the release of Batman No. 50, Batman and Catwoman did not end up going through with the wedding. That was several months ago now, in real time, and the “secret” was spoiled for me long before I read this trade, too, so you might have even heard the news while living under a rock. But that’s not what makes this outing such a mixed bag — not exactly.

First the good stuff: The Batman (or rather, the Joker) short from DC Nation No. 0 is included in this collection. It focuses on the Joker showing up at a random house and holding the owner hostage until the mail arrives. The Joker is waiting to see if his wedding invitation will be delivered. And King handles the Clown Prince of Crime quite deftly in this eight-pager. The stream-of-consciousness dialogue and daft motivation make sense coming from this insane character. There’s more of the same on ample display in Batman Nos. 48 and 49 as Joker faces off against the happy couple one at a time. The running exchange between Joker and Catwoman especially is both mundane and hilariously off-kilter while still ringing quite true to form.

I also credit King with writing a very minimalist yet spot-on interpretation of Batman, especially his caring. That’s not a side a lot of writers focus on with Batman. But that is what makes the character be his best self. As grim as things look, as dire as the situations grow, as murderous as his foes become, Batman hopes they can still change. Why else would he continue to confront them and foil their schemes time and again. Without his belief that they could still reform, there would be little to keep Batman from simply killing his foes. King seems to get that as Batman kneels when the Joker asks him to pray in the image above.

I have some issues with the first half of this trade, though. The premise of the first three issues collected in this trade are that Booster Gold, a time-traveling hero, wanted to get Batman and Catwoman the perfect gift. So he went back in time and saved Bruce Wayne’s parents from being killed. The idea was to give Batman a “For the Man Who Has Everything” moment, an “It’s a Wonderful Life” revelation that shows the Caped Crusader that his life is how it was meant to be and that it is better for how things unfolded. The result is much worse than Booster anticipated, a reality where nothing is as it should be.

My first problem with this scenario is that such a story has been done before several times. Maybe Bruce has the chance to save his parents lives. Maybe someone else does it on his behalf. Things never turn out well, and Bruce is forced to relive his parents’ murders all over again to right things.

Secondly, even if Booster has no first-hand knowledge of any of the times when this scenario has played out for readers, what sense does it make to prevent the tragedy that led to the creation of the Batman in an effort to show Bruce Wayne that his life is perfect as it is. Booster refers in-story to the time when Superman went through a similar life re-imagined event in the story “For the Man Who Has Everything.” Anyone who has read Superman annual No. 11 knows the Man of Steel did not find the experience pleasant. Why on earth would Booster think this was a good idea?

Then thirdly, it is truly bizarre just how wrong things go in this revised history where Thomas and Martha Wayne live on. We are told most of the Justice League was killed in battle with Starro the Conquerer because the team was missing the strategy of Batman. If the League lost that battle, why is everyone on Earth not wearing a Starro face-hugger? Dick Grayson, Selina Kyle and Jason Todd all make appearances in this new reality, but as twisted parodies of their traditional selves. Yet if Bruce is not Batman, why are these characters even connected to him?

If one simply accepts events as they unfold, this isn’t a bad story arc. It’s just that there are a lot of oddities within the reality that results from Booster’s actions that don’t seem to add up logically. I can’t help but wonder if this arc was stuck in here simply to explain the trauma Booster is supposed to experience that leads him to treatment at Sanctuary in the new miniseries, Heroes in Crisis. Neither that story nor Sanctuary are mentioned in these issues of Batman, but I just can’t find any other reason for its inclusion here.

But by and large, my biggest issue with this trade is the final issue, Batman No. 50, in which the wedding falls apart. First the Joker, then Holly Robinson, manage to convince Catwoman that marrying Batman would be a mistake. If she marries him, he will be happy, and a happy Bruce Wayne cannot be Batman, they reason.

I find that logic flawed. Bruce Wayne is a traumatized individual and there is a lot of anger and vengeance wrapped up in the origins and the workings of Batman. But to say that he can never be happy and continue to function as Batman is to insult the relationships he has with his surrogate family — Alfred, Dick, Barbara, Jim, Jason, Tim, Damian, Clark, Diana, etc. Are those relationships strained at times? Yes. Adult relationships are sometimes strained. But there is genuine love and affection at the root of those relationships or they would have fallen apart long ago.

This doesn’t ruin the stories presented here. Joker and Holly make these arguments, but neither of them is the most sound or logical of minds. Selina comes to accept their arguments; but that doesn’t make them right. People often act on false information or incorrect assumptions. They don’t always do what is right.

I enjoyed reading this trade, and think it is worth checking out if you are a Tom King, Batman or Joker fan. It’s worth a read even if you’re just a comics fan in general. I just wanted to point out my take on some of what happened between the panels.

Nicole's Life Better Go Smoother Than Helena's Does

Catwoman (2001 series) 53-82
DC Comics
Will Pfeifer, writer
David Lopez, Alvaro Lopez and Adan Hughes, artists

Despite some great writers, I never picked up the early issues of the 2001 relaunch of Catwoman's solo title. But I heard good things about the book when DC had its line-wide event, "One Year Later," and jumped all of their books' storylines ahead one year. The creative team that launched Catwoman: One Year Later -- Pfeifer, Lopez, Lopez and Hughes stayed with the book until the series' final issue, No. 82. And it was a truly great run.

Catwoman started out as a cat burglar influenced by the appearance of Batman to adopt her own costume and animal motif. Throughout the character's history, Catwoman has walked a fine line between good and evil, sometimes committing crimes and leading Batman on merry chases like the rest of the Gotham rogues and other times working with the Dark Knight as an ally on the side of justice. On the pre-Crisis On Infinite Earths version of Earth 2, Catwoman even reformed completely, and Selina Kyle, Catwoman's alter ego, went on to marry Bruce Wayne.

The main conceit of the 2001 Catwoman series was that Catwoman was still not above committing the occasional crime for profit but spent most of her time as a resident of Gotham City's East End and spent her nights in costume defending the downtrodden in that poor area of Gotham. Maybe she wasn't quite a hero, but she was at least an anti-hero, and the people of the East End grew to love and depend on her protection. Prior to "One Year Later," the crime boss Black Mask took an interest in the East End and was making life miserable for Catwoman and her supporting cast, including Holly and "Slam." Holly Robinson is a longtime supporting player in Catwoman's life. Her back story has changed a bit over time, but she was basically a young runaway Catwoman took in and saved from a life on the streets. She has long been a protege, though I don't think Holly had ever donned a costume before this point. Samuel "Slam" Bradley was an aging private eye working out of Gotham's East End. Bradley's publishing history dates all the way back to Detective Comics No. 1 in the mid 1930s. He is hired by the mayor of Gotham to find Catwoman in this modern series, but instead, befriends her and sometimes aides her in her adventuring.

With "One Year Later," readers find that Black Mask is dead, and it is uncertain who killed him although many suspect Catwoman. There is also a question about what became of "Slam" Bradley's adult son, Sam Bradley Jr., a recently disgraced Gotham cop with good intentions. And the biggest change is that Selina, having learned she was pregnant, decides to give up being Catwoman in favor of being a full-time mother. She hands the costume off to Holly, who decides to take up the role of Catwoman and protect the East End.

The father of Catwoman's baby, a little girl she names Helena, is kept a mystery for several issues. Remember that pre-Crisis Earth 2 Batman and Catwoman who tied the knot I mentioned earlier? Well, they went on to have a little girl they named Helena. Helena was trained by her father to be a crimefighter while still just a child after her mother died. Then later, after he also passed away, she adopted the costumed identity of the Huntress, carrying on her father's mission to protect Gotham City. Would this little girl turn out to be the daughter of Batman?

A great deal of the action of this series for these final 30 issues centers around Selina trying to remain retired and safeguard her child from the dangers of being the child of Catwoman. Several old enemies and a few new ones crop up to threaten the pair's safety. Adding to Selina's worries, Holly isn't quite the efficient Catwoman that Selina was, and when some of those old enemies come calling, they mistake the new Catwoman for the previous one. That leads to a number of opportunities for Selena to once again don the ears and goggles. Along the way, other DC Universe events leave an impact on Catwoman's world, events like Amazons Attack! and Salvation Run. There are also a number of guest stars, including Batman and Zatanna, and several references to the events which led to the popular Identity Crisis storyline and the fallout of same.

All of that may sound like a lot to take in, but these issues were great reads when they were first released between 2006 and 2008. Pfeifer does an excellent job of giving readers enough information to follow Catwoman's involvement in the various crossovers without confusion, but reading the various other series can also enhance a reader's enjoyment of this series, if desired. And rereading these stories now, they take on an entirely different sense of enjoyment and connection. I'm not running around on rooftops or fighting for my life at my job, but I have a new-found respect for trying to get my work done while also taking care of our new daughter!

Two For the Price of One, But Both Disappointing

Catwoman 1-4
DC Comics
Judd Winick, writer
Guillem March, artist

Not much to say about this title. There have been some really good runs on Catwoman in recent years making her a solid headlining character in her own right and not just a Batman rogue. This series seems kind of like a step backward. I've liked Winick's writing on past titles, but he's rather disappointing here. There just doesn't seem to be much new territory here, and if all the title is going to do is rehash existing material, the first time around was often better.



Red Hood and the Outlaws 1-3
DC Comics
Scott Lobdell, writer
Kenneth Rocafort, artist

Another disappointing title. This one didn't even stay on my pull list for the fourth issue. I initially ordered the book for its ties to former Titans characters, but apparently only the names were being used. These two aren't the Arsenal and Starfire I know. I'd rather keep my untarnished memories of the past exploits of characters I enjoyed than try to find some semblance of those characters in these travesties.

More Post Crisis Retro-Reviews

Welcome back, Kiddie Cops. As promised, here are some more retro-reviews from my personal comic book collection. Now, we’ve already covered a large number of comics since discussing the mega-crossover event of 1985, Crisis On Infinite Earths, but many of those comics were produced later and only happen to “occur” chronologically in my collection immediately after the Crisis as history is being re-written. But in the real world, the Crisis lasted into 1986, eliminating a number of characters and titles from the DC Universe. Just like DC is doing now, creating several new titles in the wake of Infinite Crisis, back in 1986 and early 1987, the company began to launch several new titles or tweak the premise of existing titles. And what better way to accomplish that task than to launch yet another, albeit smaller, crossover.

Legends 1-6 (DC Comics, 1986-87) — Darkseid launches a gambit to turn the populace of Earth against its heroes using the persuasive powers of Glorious Godfrey. The plot focuses heavily of the legends surrounding the heroes, hence the name, and includes a running verbal battle between Darkseid and the Phantom Stranger as they watch events unfold from Apokolips. Darkseid has some initial success crushing the spirit and even lives of some heroes, and does indeed turn much of the populace against the heroes. In a parallel to Marvel Comics’ current Civil War, the growing outrage against superheroes even prompts in-story President of the United States Ronald Reagan to declare all heroes who do not cease their activities outlaws. Superman is sidelined; Captain Marvel is demoralized; the Detroit-era Justice League is decimated. But the Phantom Stranger points out that Darkseid has failed to account for one segment of the population who will always believe in heroes and their legends — children.

The series brought about real change in the DC Universe on the heels of the Crisis, change as permanent as any in comics. The series served as a springboard for a new Cosmic Boy miniseries, as the time-traveling Legionnaire was in the past when Darkseid’s assault began. It launched the beginning of a new era for Captain Marvel and the Flash as Wally West assumed the costumed identity of the late Barry Allen. It ushered out the Detroit-era Justice League and relaunched the team with many principle characters from Legends — Dr. Fate, Batman, Captan Marvel, Guy Gardner, Black Canary, Martian Manhunter and Blue Beetle. And it provided an early glimpse of the soon-to-be-relaunched Wonder Woman.

Detective Comics 569-70 (DC Comics, 1986-87) — This two-parter came out at the same time as the Legends miniseries, but actually has to “occur” slightly before. In Legends #4, one scene has Batman in battle with the Joker and declaring, “After what you did to the Catwoman, I ought to kill you, Joker ——” referring to Detective Comics #570. However, Robin appears prominently in the Detective story arc, but is hospitalized throughout most of the Legends series for injuries sustained in Legends #2.

So, what did Joker do to Catwoman? Contemporary issues of Batman and Detective Comics had Catwoman semi-reformed and working alongside Batman and Robin in their nightly crime-fighting activities. Additionally, Batman had revealed his dual identity to Catwoman, and Bruce Wayne and Selina Kyle were dating out of costume. In this arc, the Joker is out of sorts, lacking the creative spark that will inspire a challenge with Batman until he is reminded by one of his henchmen that Catwoman is now working with the Dark Knight. Joker flashes on the idea of taking Catwoman away from Batman, both literally by kidnapping her, and figuratively by then brainwashing her into returning to a life of crime. In this, the Joker succeeds, with the help of Dr. Moon.

Along the way, Joker demands that the recently brainwashed Catwoman reveal to him Batman’s secret identity. What she tells him is lettered very small, indicating a faint whisper, and leads Joker to an innocent family named Benson where the story’s final showdown takes place. But the panel where Catwoman tells Joker Batman’s secret identity clearly says “Robert Redford.”

The Warlord 114-15 (DC Comics, 1987) — These two issues of Warlord continue the quest storyline, but also tie in with the Legends miniseries of the time. DeSaad is dispatched to Skartaris by Darkseid to attack the legend of Travis Morgan, the Warlord. In the end, DeSaad is dispatched, but not before Morgan’s reputation has taken a severe hit among the denizens of the inner world.

That's it for today, Kiddie Cops. Happy collecting.

Things Get Just A Little More Normal — Linearally Speaking

The Crisis is over. So are all of the revamps (at least the ones in my collection) which changed something about the status quo in the DC Universe without using a contemporary framing sequence. But there are still a few of these older comics I managed to read through before my latest batch of new comics arrived. So, getting back to our various story lines from before the Crisis ...

The Warlord 99-100 (DC Comics, 1985) — We talked a bit about issue 98 last time and how it made a couple veiled references to the coming Crisis, but how there was a natural break between issues 97 and 98. And the references to the Crisis were vague enough that I think the issue can stand and “refer” to some other big event. These two issues wrap up the story line from before Crisis where New Atlantean invaders have captured the kingdom of Shamballah and most of Skartaris. The magical nature of the ruler of New Atlantis is revealed in issue 98 and 99. Morgan, his daughter, Jennifer, and his companion, Krys, devise a plan to defeat both wizard-king and his minions. The epic battle takes place in issue #100, of course, and involves Morgan taking on the wizard-king directly. As Morgan is protected by Jennifer’s mystical spells, the wizard is taxed more than he expected to be by the battle. In his efforts to defeat Morgan, he draws psychic strength from his people, thus weaking them to the point that the rag-tag Shamballan army can conquer the invaders. Once that is accomplished, there is no more psychic energy for the wizard to draw on, and he is finally defeated, as well. Overall, not too bad an ending to this tale, except that the wizard king’s name changes throughout issue #100 from Cykroth to Cycroth, but that’s a minor quibble.

The Thing 28-32 (Marvel Comics, 1985-86) — Before the Crisis, the Thing was wandering the country on his own after quitting the Fantastic Four. Most recently, he’d decided to join the Thunderiders motorcycle stunt group in an effort to get closer to one of its members, Sharon, only to learn that she was leaving the group. Issue #28 picks up with Ben deciding that his heart just isn’t in the motorcycle thing since Sharon left. He decides to leave the group and pursue a career in wrestling, specifically the new unlimited class wrestling league being formed. Ben quickly becomes the star attraction and proven champion of the class, which doesn’t mean there is a shortage of people showing up to challenge him. The first major challenger, the Gator in issue 29, was a former champion looking to reclaim his lost glory and willing to go to any lengths to achieve it. Issue 30 pits Thing against the Beyonder in a crossover portion of Secret Wars II. In this story, the otherworldly Beyonder makes himself human and tries to experience life as one of us. Hearing of the unlimited class wrestling, the Beyonder thinks to try his hand at it. Ben sees this as his opportunity for revenge as he begins to blame the Beyonder for all of the troubles in his life since the first Secret Wars series. Ben beats the Beyonder viciously, almost killing the omnipotent being. Unbeknownst to Ben, Sharon, the woman of his dreams, has been coming to see all of his fights. She is horrified by what she sees when Ben nearly kills the Beyonder. She reveals her presence to Ben and invites him to take a vacation, ease his stress, and accompany her to her new job as a stuntwoman in a movie. Issue 31 takes Ben and Sharon to the set where a movie version of Devil Dinosaur is being filmed. Predictably, Ben mistakes the first couple of scenes he sees being shot as real peril for someone and ends up ruining the shots trying to save actors. It gets so bad, Ben is banished from the set, then fails to respond when — you guessed it — a real monster shows up. Everything works out OK, though, and Ben returns to the ring in issue 32, where he begins to suspect something foul in the way the wrestling league’s promoter keeps coming up with strong men. For the most part, these are some fun issues of a fun comic, although I think writer Mike Carlin went a little far showing Ben’s rage in the battle with the Beyonder. Thing is not normally depicted as a berserker-type fighter like Wolverine, and I believe he crosses the line and ceases to be a hero when the only reason he doesn’t kill the Beyonder is because he can’t kill an immortal opponent.

The Amazing Spider-Man 267 (Marvel Comics, 1985) — Now this is a fun comic. Spider-Man is at his best when he is the typical hard-luck hero. This issue starts out with the wall-crawler feeling somewhat under the weather anyway, but when a non-powered thief manages to escape him, Spidey is furious with himself. The one saving grace is the fact that our hero manages to flip a spider-tracer on the criminal before he makes good his escape. After regrouping, Spider-Man tracks his foe to the suburbs where all sorts of out-of-his-element hilarity ensues. First, the absence of tall buildings means nothing from which to slings his webs. So Spidey hops on the roof of a transit bus which promptly stops as the driver demands fare or he’ll toss Spidey to the curb. When he tries to climb a tree to gain a higher vantage, the tree breaks and a self-important neighborhood watch tries to make a citizen’s arrest. Of course, Spider-Man ends up catching the thief in the end, but not before he vows never to visit suburbia again. Peter David and Bob McLeod remind a person how fun comics can be with this issue.

The New Teen Titans 15 (DC Comics, 1985) — Despite the cover which shows four different puzzle pieces representing the overall Titans mosaic at this point, only three of the vignettes are actually featured in this issue. Wonder Girl, Cyborg and Changling, shown charging determinedly toward something on the cover, do not appear in this issue. However, we do spend a brief time following Arella’s quest to find her daughter, Raven, following rumors of her appearance in a small, southern community. In flashbacks, we hear that Raven was indeed in the town for a while, but once the people there learned of her healing abilities, they took Raven prisoner and forced her to heal more people than she could handle until she escaped. The bulk of this issue pics up with Nightwing, Jericho and Starfire bound for Tamaran on a spaceship. We learn that the political climate on the planet is once again in turmoil, this time, as before, with the trouble being stirred up by Starfire’s sister, Blackfire. The difference is, Blackfire is leading a rather successful rebellion. The Tameranean people have grown tired of the weakness they perceive in their ruler, Myand’r, Starfire’s father. Instead, many of them have embraced Blackfire’s call for open revolt. This, we learn, is the real reason behind Starfire being summoned back home. She is to be wed to the prince of a southern kingdom in an effort to re-unite the Tamaranean people and prevent a civil war. Of course, Starfire is not very happy about this, and neither is her lover, Nightwing.

The Omega Men 34 (DC Comics, 1986) — The tale begun in New Teen Titans 15 picks up again in this title. The Omega Men are a space-faring super team, and one of their members is Ryand’r, Starfire’s younger brother. They are returning to Tamaran after an adventure in their own title. At first, Ryand’r is happy to be reunited with his sister, who has been away on earth for quite some time. But, once the Omegans land and discover the political strife, a traitor is revealed in their midst, and this team, too, is thrown into the middle of the brewing battle.

The New Teen Titans 16-17 (DC Comics, 1986) — These two issues deal with the actual conflict breaking out among the Tamaraneans. First, Blackfire uses the Omegans to battle the Titans for her. We also get some insight into Blackfire’s motivations and learn that while she can be barbaric and cruel, she really does want what is best for her people. Ultimately, Blackfire wins control of the planet because the people are on her side — they are tired of Myand’r seemingly always making concessions to their enemies. This is a warrior race, and they want a warrior to lead them. Unfortunately for the relationship between Nightwing and Starfire, Blackfire does not win until after Starfire is wed to the southern prince according to her father’s wishes. In the end, Starfire, her brother, her mother and her father are exiled by Blackfire. And the starship carrying them to the nearby planet Okaara is destroyed in space. Neither of these issues looks at the other members of the cast during the duration of this conflict.

Jon Sable, Freelance 31-33 (First Comics, 1985-86) — Issues 31 and 32 take Jon on a fact-finding mission to Nicaragua. He is asked by an old friend to be part of a team which will sneak into the country, verify rumors of a munitions storage depot, and if they find the rumors to be false, call off the planned airstrike to destroy the munitions. We meet the various members of the team and follow them into Nicaragua where they find the munitions, but not the ones they expected. Instead of ordinary arms, the weapons they discover are of nuclear strength. An airstrike would be far more destructive than intended, but the team feels they cannot call off the strike and do nothing. So they must find a way to safely destroy the stockpile on their own, and the clock is ticking.

Issue 33 is a more light-hearted tale. In a previous issue, mention is made of turning Jon’s leprechaun children’s books into an animated cartoon. Jon, Eden and Myke go to meet the animator and preview the animation. The illustrator in the story is based on Sergio Aragones, who illustrates the portion of the comic devoted to the leprechauns.

Detective Comics 559 (DC Comics, 1986) — This issue features Batman and Catwoman teaming up with Green Arrow and Black Canary. At this point, Catwoman Selina Kyle knows Bruce Wayne is Batman, the two are romantically involved, and the former thief is the Dark Knight’s sometime ally. Green Arrow and Black Canary come to Gotham trailing a man committing crimes, but for a morally higher purpose, to help bring down a corrupt corporation poisoning unwitting people. The Star City pair stop Batman from catching the thief, and the two male heroes must settle their ideological differences long enough to work together. This tale is by Doug Moench, Gene Colan and Bob Smith.

The Warlord 101-2 (DC Comics, 1986) — A new creative team takes over with issue 101, writer Michael Fleisher and artist Andy Kubert, and I have to say, I’m not so sure about it so far. At the end of issue 100, Morgan returns from his battle with Cykroth to find that Jennifer’s magic spell has taken a toll, Morgan’s daughter is now old and near death. This issue begins the quest to find a cure for Jennifer’s mysterious aging before she dies. First Morgan seeks out the greatest wizard in Skartaris, who agrees to help if Morgan will secure an artifact for him. Once the task is complete, the wizard’s help turns out to be merely pointing the way to look for someone else who might be able to help. In issue 102, Morgan comes across a group of clerics about to perform a human sacrifice. Naturally, Morgan defeats the cleric and frees the damsel who turns out to be an Amazon queen, and the two share an adventure among her people. I don’t know what it is about these issues that has changed for me, and maybe I’ll warm up to them in a few more, but right now, I’m losing interest in The Warlord since Shamballah has been regained.

The Warlord annual 5 (DC Comics, 1986) — This annual is by Michael Fleisher and Adam Kubert. It depicts Morgan on a quest, presumably still the one trying to find a cure for Jennifer, but he is traveling with Shakira, someone who hasn’t been seen in the regular book in a couple issues, so maybe this book takes place a little more into the quest. The focus of this story, however, is not Morgan or his travels, but on outer world events. A group of vacationers is exploring Incan ruins when one of them disappears. Unbeknownst to the others, the man is kidnapped by a secret group of Incans who still live on the edge of Skartaris and travel back and forth between their old home and their new one. Morgan just happens to stumble onto the Incans, tries to help free their captive and seal up their secret entrance to Skartaris. This tale is a bit different from the usual Warlord fare, and just not my cup of tea, I’m afraid. As always, your mileage may vary somewhat as it’s not a bad story.

Whew! That’s was really a bunch of stuff, so I’ll call it a day for now. And again, next time we’ll go back to some truly current comics including a few really good Civil War tie-ins.

Everything You Know Isn’t Wrong ... Just Some Of It

Welcome back for some more retro-reviews, the kind that show some of the changes introduced in the aftermath of the Crisis on Infinite Earths. Not everything changed, of course. As far as I know, there were no major changes in the origin of the Barry Allen Flash, for example. But subtle changes were introduced in the origins of some heroes in the years following the Crisis. Krypton, for instance, became a sterile, emotionless world. Joe Chill was no longer the gunman who killed the Waynes, being replaced with a nameless shooter who was never caught. And Wonder Woman was no longer exactly a contemporary of the other Silver Age heroes. Continuing with these re-imaginings ...

Green Lantern: Emerald Dawn II 1-6 (DC Comics, 1991) — The first Emerald Dawn miniseries introduced some personal weaknesses into the character of test pilot Hal Jordan. Along with meeting the dying Abin Sur and inheriting the GL power ring, the growth Hal underwent in the story was learning to take responsibility for his actions.

In this series, the newly responsible Jordan turns himself in and is sentenced to serve 90 days in jail for drunken driving. At the same time, the Guardians of the Universe assign Hal a trainer, someone to teach him the GL ropes, someone who has excelled at being the best GL by keeping his own sector of space in order — Sinestro. This series gives readers just as much insight into Sinestro’s psyche as it does that of Hal Jordan. It also gives us some early brief looks at the lives of some future Lanterns.

The Man of Steel 5 (DC Comics, 1986) — This issue re-introduces Bizarro as a creation of Lex Luthor’s failed attempts to clone Superman. This new/early version of the creature never speaks and eventually sacrifices himself to help another, proving that there was some part of Superman in him after all.

Green Arrow: The Wonder Year 1-4 (DC Comics, 1993) — This series came out of Mike Grell’s successful run on Green Arrow. He takes GA’s previous origin and expands it so that the part readers knew before is just one small portion of an overall tapestry. The only real glitch this series’ placement causes is that by the end of the story, Oliver Queen is wearing the costume designed by Neal Adams in the 1970s. But since this is Ollie’s origin as Green Arrow, he really should have the green tunic and leggings with the red boots and gloves. But it’s a minor detail.

Catwoman annual 2 :Year One (DC Comics, 1995) — All of DC Comics’ annuals in 1995 played off the Year One theme. Many of them included “modern” framing sequences, so they won’t show up in my collection until the other comics from 1995. This one however, is a story firmly set in the past, yet Selina Kyle has obviously been Catwoman for a little bit when the events unfold. This story expands on the details of Selina’s backstory from Batman: Year One and the Catwoman minseries from 1991, adding in a martial arts element to explain some of the skills the character was regularly using in her own title at the time.

Legends of the DC Universe 7-9: Green Lantern and Green Arrow (DC Comics, 1998) — This story is obviously an early pairing of these two heroes, occurring before superhero team-ups became a common thing. The two heroes meet in an Asian nation and confront their ideological differences.

Legends of the DC Universe 26-27: the Joker and Aquaman (DC Comics, 2000) — Now this tale doesn’t so much change established continuity as it builds upon what has gone before. During the classic Englehart/Rogers run of Detective Comics, they had a truly perfect Joker story called The Laughing Fish. At the end of the story, the Joker disappears into the Gotham River and is presumed dead. In this story, the fledgling hero called Aquaman happens to be swimming by and thinks the Joker is merely a drowning surface-dweller. The naive hero offers the “persecuted” villain a place under the waves before he learns the Joker’s true nature.

The Man of Steel 6 (DC Comics, 1986) — The final issue of the Superman re-vamp shows us Clark’s revelation that he is really from the planet Krypton, information he did not possess before that point. Clark, as well as Jonathan and Martha Kent, learn this from Jor-El himself, via hologram. The revelation of his alien origins prompts Clark to wonder about his future, but he concludes: “I may have been conceived out there in the endles depths of space ... but I was born when the rocket opened on earth, in America. ... It was Krypton that made me Superman ... but it is the earth that makes me human!!” And thus the stage is set for the new Superman.

Batman: Shadow of the Bat annual 3: Year One (DC Comics, 1995) — Yet another Year One annual, but the Batman-themed annuals in 1995 all focused on villains. This story is a story, then, about Pamela Isley, Poison Ivy Year One, showing the first encounter between the Queen of Green and the Batman.

Catwoman 38-40 (DC Comics, 1996) — This three-issue story arc is subtitled Catwoman Year Two. Batman and Catwoman cross paths again, and each feels attracted to the other. Catwoman initially springs the Joker, Penguin and Two-Face from lock-up in an effort to distract Batman. The other villains don’t much like being someone else’s decoys and their machinations end up pushing together the Bat and the Cat.

Detective Comics 575-578 (DC Comics, 1987) — Having dealt once again with Catwoman, Batman gets his own Year Two treatment, going up against a new villain named the Reaper in this four-issue arc. It also has Batman questioning his decision never to use guns in his war on crime.

JLA Year One 1-12 (DC Comics, 1998) — We’ve spent a great deal of time re-introducing a number of heroes, and even had a few of them team-up from time to time. But eventually, there would come a day when a threat arose which no single hero could overcome alone ... oops, wait, wrong company, but you get the idea. Eventually all of these heroes had to get together, and one fine day, the Flash, Aquaman, Green Lantern, Black Canary and Martian Manhunter did just that. Green Arrow, Batman and Superman also play their respective roles. And Hawkman comes along as a representative from the legendary Justice Society to make sure the “kids” don’t screw up. In addition to the drama, this story includes some great character moments, especially the fact that noone can hear Aquaman’s mumblings when he talks in their early adventures. Seems sound waves travel better in water than air, and he’s never had to speak up before. Along the way, the team also meets other heroes such as the Doom Patrol, the Metal Men, the Blackhawks and the Freedom Fighters.

Batman Chronicles: The Gauntlet (DC Comics, 1997) — While the members of the new Justice League get used to each other, back in the Batcave, Batman is getting used to his new partner, a young lad named Dick Grayson, aka Robin, the Boy Wonder. This is the tale of Robin’s first real trial-by-fire.

Robin Year One 1-4 (DC Comics, 2000) — Next, Robin gets the Year One treatment in a four-issue prestige series depicting his first encounters with some of the worst of Batman’s growing list of rogue’s — characters like the Mad Hatter and Two-Face. But even those villains are no match for Batman’s wrath when Robin disobeys orders and is stripped of his costumed identity by his mentor.

Lex Luthor: Man of Steel 1-5 (DC Comics, 2005) — This story is a typical early match-up between Superman and his arch-nemesis, but it is told from Luthor’s perspective. In yet another bid to out-do Superman, Lex creates his own female superhero with the intent of using her to best Kal-El, then do him in. Batman guest-stars.

Batman: Full Circle (DC Comics, 1991) — This prestige format one-shot brings back the Reaper for a rematch with Batman.

Teen Titans Spotlight 11: The Brotherhood of Evil (DC Comics, 1987) — Few of these re-vamps seem to focus on villains, but this one does. It looks at the formation of the New Brotherhood of Evil, villains who would later take on the New Teen Titans. But the Titans group is not in existence at this point. Instead, a government agency is tracking the movements of the Brain and Mallah as they gather recruits, including a teleporter named Warp. Agents sabotage Warp’s power, sending the new group to an alternate reality where they meet future versions of Tin-Tin, the character created by Hérge, and his friends.

And, I think that’s far enough for today. Believe it or not, we’ve covered the majority of the re-vamps on our way back to comics which occurred in 1986. Again, not every character got a major overhaul following Crisis, and some who did, established the new changes within the context of “current” stories. So, there’s really not that much more to go to “catch up.”

The Way It Was ... At Least For The Next 20 Years

OK, so to recap just a bit, the last bunch of older comics we discussed finished out the Crisis On Infinite Earths and moved the surviving members of the Justice Society into limbo. Most heroes’ lives continued from that point, some with subtle changes, which would be explored in stories over the next decade or so. Some of those stories included flashbacks to the past, but included an in-story contemporary framing sequence. Those tales are placed whenever they would occur in my collection. But other stories, especially a number of miniseries established a new status quo for various heroes, and the events those tales relate are set firmly in the past. Following the Crisis in my “chronological” collection are a number of these tales.

Very little was revamped initially with the Justice Society, at least not in print. Initially, the characters were in limbo. But there have been a few more recent tales told of the old JSA without Superman and Batman. For example ...

JSA: Strange Adventures 1-6 (DC Comics, 2004) — This miniseries focuses on the writing efforts of Johnny Thunder as he tries to chronicle a bizarre tale of The Justice Society as a novel. The books are written by novelist Kevin J. Anderson and illustrated by Barry Kitson and Gary Erskine and make for a fun read.

Following that tale, we jump ahead quite a bit to pick up the Superman revamp by John Byrne, but only the first two issues, so far.

The Man of Steel 1-2 (DC Comics, 1986) — The first issue re-tells the final days of a newly-technological and sterile Krypton from which Jor-El sends his unborn son’s gestation chamber into space and on a course for earth. As there was no longer any Superboy in this new single-earth continuity, Clark Kent’s youth goes by pretty quickly and he debuts in Metropolis, meets Lois and gets dubbed Superman in the second issue.

Batman 404 (DC Comics, 1987) — Next we go to Gotham City. This issue has no current framing sequence and is the first chapter in the four-part Batman Year One by Frank Miller and David Mazzucchelli. Bruce Wayne returns to Gotham from several years’ worth of travel abroad to begin his war on crime. His first night out, disguised as a vagrant, does not go well. Injured, he returns to Wayne Manor where the bat crashes through the study window, inspiring Bruce to adopt a bat motif for his disguise.

Batman: Legends of the Dark Knight 1 (DC Comics, 1989) — Before moving on with the rest of Batman Year One or The Man of Steel, we detour for this first chapter of the five-part Shaman by Dennis O’Neil, Ed Hannigan and John Beatty. This story starts out with a flashback to two years ago while the young Bruce Wayne is still training under masters of various disciplines, this time an expert tracker in Alaska. The expert is killed, and so, seemingly, is the quarry, but Bruce is left literaly out in the cold with no gear. He is saved by an Eskimo shaman. From there, the story returns to modern times, which in this tale is a few days before and the next day after Bruce’s disasterous debut appearance. So the timing of these events coincides with the first issue of Batman Year One.

Batman 405-407 (DC Comics, 1987) — This is the rest of the Batman Year One story as the Batman debuts, befriends new Gotham cop Lt. James Gordon and saves Gordon’s son, cementing the pair’s working relationship. This is a somewhat darker, more grim Batman, foreshadowing the cynical person with trust issues he will become later.

Batman: Legends of the Dark Knight 2-5 (DC Comics, 1989-90) — Dialog in the second issue of this tale established that the events here take place about six months after those in the first issue. The storyline explores the concept of masks and identities, and provides some excellent insights into the mind of the Darknight Detective.

Batman and the Monster Men 1-6 (DC Comics, 2006) — Next comes this re-telling of the first Hugo Strange story by Matt Wagner. One of the conceits of this re-telling is that it bridges the gap between Batman battling mostly gangsters and common criminals to the more bizarre costumed and demented adversaries he comes to be identified with. The story ends with mention of someone called the Joker.

Batman: The Man Who Laughs (DC Comics, 2005) — explores the first confrontation between Batman and this Joker character. In fact, the first time Batman sees the maniacal killer, he assumes the man is literally just a harmless clown. This great story is by Ed Brubaker and Doug Mahnke.

Catwoman 1-4 (DC Comics, 1989) — This story, by Mindy Newell, J.J. Birch and Michael Bair, once again returns to the night of Bruce Wayne’s disasterous debut without the bat costume. That night he briefly meets a prostitute named Selina Kyle and stops her pimp from beating her up. This story fleshes out Selina’s new backstory and shows how that encounter with Bruce, and later Batman, inspire her to create Catwoman.

The Man of Steel 3 (DC Comics, 1986) — Now that Batman is firmly established in the world, we return to the Superman revamp where the two heroes meet for the first time. John Byrne puts several fun moments into this series, and some of them are found in this particular issue, including the closing scene. Superman has come to Gotham to investigate this rough vigilante operating there. Superman quickly finds Batman with every intention of stopping him from going forward with his “one-man war on crime.” Batman threatens to kill an innocent somewhere in the city if Superman acts against him using an explosive device Superman could never find in time. At the end of the adventure, Batman starts to leave when Superman reminds him of the earlier threat.
Batman: Here you go, Superman. I had it tucked inside my utility belt all the time.
Superman: You ...??? You mean, it was your own life you were risking? Why?!?
Batman: Because I knew my plan was the only way I could stop you, Superman. I also knew that with your great powers, you’d probably be able to tell if I were lying.
Superman (leaving): Well, I still won’t say I fully approve of your methods, Batman ...... and I’m going to be keeping an eye on you, to make certain you don’t blow it for the rest of us ... but ... good luck.
As Superman departs, Batman thinks to himself, “A remarkable man, all things considered. Who knows? In a different reality, I might have called him “friend.”

Green Lantern: Emerald Dawn 1-6 (DC Comics, 1989-90) — Superman and Batman aren’t the only heroes in the world, of course. Others start to be seen fighting crime and battling super-villains. This re-telling of Green Lantern Hal Jordan’s origin ads flaws to the hero, setting up the change the character would take in Emerald Twilight later. This tale is by James Owsley, M.D. Bright and Romeo Tanghal. It even features the Guardians and other GLs toward the end.

Legends of the DC Universe 1-3 (DC Comics, 1998) — This three-issue story focuses on a story from early in Superman’s career and features a villain better known to golden age fans, the Ultra-Humanite.

Batman: Legends of the Dark Knight 16-20 (DC Comics, 1991) — This story is important for a number of reasons, first of which, it’s a darn good tale by Dennis O’Neil and Trevor von Eeden. Batman catches a kidnapper who has abducted a small girl. He forces the kidnapper to tell him where the little girl is being held, but by the time Batman gets there, the little girl has drowned. Bruce tortures himself with guilt over not being strong-enough to reach the girl in time, and gives in to the temptation to take a man-made steroid to enhance his abilities. Unbeknownst to Batman, the drug is highly addictive, and also renders him susceptible to suggestion. Once he realizes his mistake, Batman must fight his way through withdrawal to defeat the villains. The drug he took is an early form of Venom, the chemical Bane will later pump directly into his own brain to enhance his own strength.

The Man of Steel 4 (DC Comics, 1986) — This isn’t necessarily the first meeting between Superman and Lex Luthor, but it is the one where Superman learns the businessman’s true intentions and motivations.

Hey, I think that’s far enough for today. We’ll move closer to the current events next time.