Retracing even more of Robin’s roots

Robin: The Bronze Age Omnibus hardcover
DC Comics
Creators: Gardner Fox, Mike Friedrich, E. Nelson Bridwell, Frank Robbins, Denny O’Neil, Elliot S. Maggin, Bob Rozakis, Cary Bates, Gerry Conway, Jack C. Harris, Paul Kupperberg, Marv Wolfman, Mike W. Barr, Ernie Chan, Sheldon Moldoff, Chich Stone, Ross Andru, Gil Kane, Irv, Novick, Dick Dillin, Rich Buckler, Bob Brown, Mike Grell, A. Martinez, Al Milgrom, Jose Luis Garcia-Lopez (Praise Be His Name), Jose Delbo, Curt Swan, Don Newton, Marshall Rogers, Don Heck, Lee Elias, Jim Aparo, Juan Ortiz, Kurt Schaffenberger, Alex Saviuk, Charles Nicholas, Trevor von Eeden, Joe Giella, Mike Esposito, Murphy Anderson, Vince Colletta, Frank Giacoia, Dick Giordano, Frank McLaughlin, Jose Massaroli, Terry Austin, Bob Wiacek, John Celardo, Dave Hunt, Bruce Patterson, Dan Adkins, Frank Chiaramonte, Jack Abel, John Calnan, Larry Mahlstedt, Steve Mitchell, Mike DeCarlo and Rodin Rodriguez
Publication date: March 20, 2020

This is the latest volume I’ve read in tracing the history of one of my favorite characters – Dick Grayson, the original Robin and later Nightwing. Last spring, I read the two-volume Robin Archives, which collect Robin solo stories from Star-Spangled Comics in the 1940s and 1950s, which I talked briefly about on Facebook. A few months ago, I discussed the massive Showcase Presents Robin trade collection, which reprints a number of stories featuring Robin from 1969 to 1975.

Now I’ve finished reading through this even more massive Bronze Age Omnibus of Robin reprints. This volume collects stories featuring Robin from Batman, Batman Family, Detective Comics, DC Comics Presents and World’s Finest Comics originally printed between 1967 and 1983. As one might expect from comparing those original publication dates, there are a number of duplicate stories reprinted in both the Showcase and the Omnibus. In fact, out of the 49 stories in the Showcase volume and 79 in the Omnibus, 35 stories are reprinted in both. I admit that’s quite a bit of overlap, but there are still enough stories unique to each volume that it is worth it to own both, at least to me.

The stories reprinted in the Robin Omnibus take the character from being The Boy Wonder, fighting alongside Batman and in solo adventures across Gotham City, to becoming The Teen Wonder, first at Gotham High School, then later at Hudson University in New Carthage, and beyond. Robin teams up less and less with the Dark Knight in these stories, but he goes through a period of frequent pairings with his Dynamite Duo co-star, Batgirl. And later stories in the Omnibus collection coincide with the formation and early years of The New Teen Titans.

In fact, if there is a failing in this Omnibus collection, it is in the scattershot inclusion of some of these later stories. For instance, Dick Grayson and Robin spend a great deal of time in New Carthage on the campus of Hudson University in these tales. Dick attends classes and works at the campus newspaper while also solving crimes alongside the campus police.

In the very first preview appearance of The New Teen Titans — first printed in DC Comics Presents No. 26 (released on July 10, 1980, according to Mike’s Amazing World of Comics) and not reprinted in this volume, by the way — it is mentioned that Robin has left college. In “The Gotham Connection,” reprinted from Detective Comics No. 495, which came out shortly before The New Teen Titans debuted with their own first issue, Dick is threatened with expulsion for missing classes and opts to leave campus to pursue a ring of drug runners instead of dealing with the academic troubles. But that storyline goes nowhere. Other plot threads from Dick’s time at Hudson U are simply dropped, never to be addressed again, including a new romance with a girl named Jennifer Anne. The end of “The Gotham Connection” story seems to indicate the tale will be picked up again next issue, but it doesn’t appear that it ever was resolved in any story. At least not one I could find reference to anywhere.

I guess you can’t really fault this volume for not reprinting a story that was never printed anywhere to begin with. But other choices for what is included are not as easily ignored. The very next story in the Omnibus, “Shanghaied” from Batman No. 333, teams Robin with Catwoman in search of a missing Batman. I assume this story was selected for inclusion as it features Robin heavily and teams The Teen Wonder with someone he’s not usually paired with. But “Shanghaied” is a middle chapter of a multi-part story that begins and ends with cliffhangers, but no other chapters of this multi-part epic are reprinted here. Readers of this volume are simply dropped into the middle of the action and given no resolution.

Despite a few odd choices like that here and there in this hardcover volume, I can still heartily recommend it to any fan of Robin’s. Many of these stories show the beginnings of both Robin’s and Dick Grayson’s character development that later creators like Marv Wolfman, George Perez and Chuck Dixon would build upon to great effect. For instance, Gerry Conway pens an arc that begins in DC Comics Presents and continues in backup stories in five issues of Batman from 1981. First Robin runs into Superman and an old circus performer friend while visiting the Sterling Circus appearing in Gotham City. Later, Dick Grayson follows the circus clown, the old friend, to Hill’s Circus, where the young aerialist stays for a time, performing and rediscovering his circus roots. No mention of the Titans is made in these stories, but they all coincide with the issues early in the second year of The New Teen Titans comic.

As evidenced by the extensive list of creators above, this volume is an excellent showcase for a number of fine writers and artists, each lending their talents to shaping the character Dick Grayson and Robin would become and making it possible for other characters to take on the name Robin while Grayson moved on to become Nightwing. Some of these stories I’d read before in single issue form, either when they were first published or later after buying them as back issues. But many of these stories were new to me with this reading.

If you share my love of the character of Dick Grayson, you might also enjoy a podcast I discovered not long ago. “Taking Flight: A Robin and Nightwing Podcast” is by a gentleman named Tom Panarese. The podcast covers a lot of the stories and history included in this volume as well as other stories about The New Teen Titans and fellow Robins Jason Todd and Tim Drake. I heartily recommend you check out both Robin: The Bronze Age Omnibus hardcover and “Taking Flight.”

But what do you think?

Amazing Spider-Man by Nick Spencer tpb Vol. 15: What Cost Victory
Marvel Comics
Creators: Nick Spencer, Federico Vicentini, Ze Carlos, Mark Bagley, Carlos Gomez and Alex Sinclair
Release date: November 2021

Got something a little different this time: I want YOU to tell ME what you think of Nick Spencer’s recent run on Amazing Spider-Man.

I like Spider-Man, but I’ve never been a regular reader of his adventures. I read some random issues that I bought as a kid in the late 1970s and early 1980s, but most of them were truly random. The only continuous run I read during that time included some issues with Spidey facing off against Silvermane, Green Goblin and other gangsters. At the time, everyone assumed the Goblin was Harry Osborn again, but it didn’t turn out to be him in the outfit. I borrowed these comics from a friend, and I currently own a trade collecting some of them: Amazing Spider-Man: A New Goblin, reprinting Amazing Spider-Man Nos. 176-180 by Len Wein and Ross Andru.

I bought many of the then-current Spidey titles in the late 1980s and early 1990s, but I’ve since sold off most of those issues. I kept Amazing Spider-Man No. 267, “When Cometh … the Commuter,” a very amusing stand-alone issue written by Peter David. I had the original six issues that told the story that came to be known as “Kraven’s Last Hunt,” but I’ve since sold them and bought a hardcover of the story instead.

All of this is to say I am no stranger to Spidey stories. I’ve read a lot of them, but I don’t still own most of the stories I’ve read. And I don’t follow the character regularly.

But I do like Spider-Man, and I really like some of his villains. I’ve always been partial to the Green Goblin in his various incarnations. I also like Doc Ock, Kraven, Chameleon and some of the others.

I hadn’t paid much attention to Nick Spencer’s recent run on the title. Nothing against the writer; I haven’t read many Spidey stories in more than a decade by anyone. And I’m not familiar with other things Spencer has written.

But the solicitation image for the trade collection of “The Chameleon Conspiracy,” which was the 14th trade collection of Spencer’s run on Amazing Spider-Man, caught my eye. The cover image shows the Chameleon sitting in a darkened room surrounded by masks of the faces of many of Spider-Man's friends and enemies. There are nearly 30 masks pictured, and the cover brought to mind the first appearance of Chameleon in Amazing Spider-Man No. 1, of which I own a reprint. I don’t know if there is a previous image similar to this trade’s cover, but it made me thing of that initial appearance of Chameleon, and piqued my curiosity.

I pre-ordered the trade and then ordered the next one, Vol. 15, when it was solicited. I don’t think I knew when I ordered Vol. 15, “What Cost Victory?” that it would be Spencer’s last. But it did seem like a resolution he’d been building to, and I thought I might need this trade to complete the story begun in Vol. 14. Turns out I was both right and wrong about that.

Both these two trades very clearly wrap up a lot of plotlines from Spencer’s run and stories from past creators, too, including a story arc I’ve never read but heard a lot about, “Sins Past.” Both of these trades were decent reads, but I got the feeling frequently that I wasn’t getting the entire story. I was very aware I hadn’t read everything that came before. I didn’t feel lost, exactly, but still like I was missing something.

So I’m curious to hear from others who have read all of Spencer’s run, and perhaps even more. What did you Spider-Man fans think of his run on the title? Is it worth it to seek out and buy the earlier Spencer trades? What say you, Spider-fans? I’d like to hear from you for a change.

Where’s the difference between inspiration and temptation?

Whispers tpb
Image Comics
Creators: Joshua Luna
Release date: June 2014

Welcome back! As promised, here is a trade I recently enjoyed from Image Comics. I picked this trade up a few years ago with no foreknowledge of the story at all. If memory serves, this was an impulse buy to fill out an order for the free shipping; something with a price tag that made it worth a chance at the time. The cover depicts a statue of an angelic figure with a cracked face and a demonic visage peeking out. Based on that alone, I made a few assumptions about the plot that were only sort of accurate.

I was very pleased to finally read this trade one recent afternoon. I very much enjoyed the plot, and several of the twists and turns of the story took me by surprise. As usual, I won’t spoil those plot twists here. I tend to shy away from too many plot details on this blog; if I happen to praise a book here you haven’t read before, I hope my words might inspire you to seek it out and try it yourself rather than me spoiling the possible enjoyment you might feel after reading a new title for yourself.

The story in Whispers — which collects a done-in-one limited series — centers on Sam Webber, a young man with a number of controlling fears and phobias. To his surprise, Sam suddenly manifests the ability to leave his body when he sleeps. During these journeys, Sam cannot be seen or physically affect the natural world, but he can influence the behavior of people he knows. The scene above depicts his second out-of-body experience when Sam “visits” his mother, a woman who was emotionally abusive to Sam as a child and who now leads a lonely, miserable life.

Experimenting with what he can and cannot do while undertaking these astral journeys, Sam must fight the temptation to influence his on-again-off-again girlfriend, Lily, who has just gone through a personal family tragedy. Sam also stumbles onto a dangerous situation with another former girlfriend, Vanessa, whom Sam further endangers despite his good intentions. Sam also begins experiencing visions of total strangers behaving in purely evil ways.

Will Sam be able to save Vanessa from the perilous situation she now finds herself in after Sam’s “intervention"? Will — or should — Sam try to influence Lily to either win her back or get some form of closure? And should Sam somehow act on the demonic visions he is seeing with growing frequency? Exploring each of these questions was an engaging read. If any of this sounds remotely interesting to you, you should give Whispers a try.

Dropping some recommendations for the holidays

This post is dropping the week between Christmas and New Year’s Day, so I thought it might be appropriate to do something a little bit different. Instead of a single comic, trade or story arc, I’m going to briefly recommend a number of genre-related items that might have made very small posts on their own. Several are genre-related shows and films currently streaming, just in case anyone out there is looking for something to watch. I hope you enjoy them.

First up is something I recently enjoyed on Netflix with my family and can’t believe I failed to mention a few weeks ago: The Netflix re-boot of “Lost in Space.” I spent some time this fall discussing some Lost in Space comics. If you missed those posts, you can find them here, here and here.

I can’t believe I failed to even mention this latest incarnation of the Space Family Robinson’s adventures when discussing the comics. I discovered the show on the streaming platform shortly after it debuted in 2018 and, while it was very different from the original, I very much enjoyed the presentation. The third and final season of the program dropped on December 1, 2021, and the show did not disappoint. Again, the characters follow a very different path in this re-imagining, but there are echoes of the original show and a few cameos, too. I and my entire family enjoyed the show and heartily recommend it.

Next up is a fun little animated film streaming on the Disney-Plus platform right now called “Ron’s Gone Wrong.” I heard of it in a friend’s Facebook post. He said the entire family watched and enjoyed the film and laughed all the way through it. I thought it might make a good family movie night for my wife, my 10-year-old daughter and I, and we enjoyed it, too. The film took about 10 to 15 minutes to set everything up and get rolling, but then it was full of laughs. The story centers on one unpopular boy and his efforts to fit in while everyone around him is obsessed with personalized robots and the tech giant that sells them.

Another Facebook post led me to my next recommendation: “Slugfest,” a Roku channel original documentary about the lengthy rivalry between DC Comics and Marvel Comics. This 10-episode series just dropped on Christmas Eve, but each episode is only about eight- to 10-minutes long, so it runs pretty quickly. I’m a longtime comics fan myself, and there was not much new information in this series, but it was very well and entertainingly presented. Kevin Smith narrates, and a number of comics pros contributed to the series. There are also flashback segments showing the comics pros as younger men and women in past decades, and these creators are portrayed by several big name genre actors and actresses. If you’re still not sure, you can find a trailer for the series here.

My next TV recommendation is the just completed six-episode Marvel series "Hawkeye," also on the Disney-Plus streaming platform. I watched the original Marvel/Netflix collaborations on “Daredevil,” “Jessica Jones,” “Luke Cage,” “Iron Fist,” “Defenders” and “The Punisher” as well as the more recent “Wanda/Vision,” The Falcon and the Winter Soldier” and “What If...?” on Disney-Plus, and I’ve enjoyed all of them. But the latest, involving both Clint Barton and Kate Bishop was a very fun adventure. I’ve never followed Clint Barton in the comics much and don’t know a lot about Kate Bishop beyond the original Young Avengers series. But this was a nice little storyline with some interesting twists, creators playing on the expectations of comics fans and more development for the Marvel Cinematic Universe. But mostly, it was a fun show to watch.

Switching from one archer to another and from one medium to another, I would also like to heartily recommend the two recent 100-Page Super Spectacular issues DC Comics devoted to the 80th anniversaries of Green Arrow and Aquaman. Both issues are collections of short stories taking place at various times throughout each characters’ publishing history. They touch on a number of favorite eras in each character’s history and include a number of familiar creators and co-stars along the way. Both books are great reads, but then I’m biased when it comes to these characters.

Lastly, I want to recommend one other creator and comic title: the Collectors webcomic by Eddie deAngelini. You can find the home of Eddie’s web comic here. Eddie write about himself, his wife and his collecting habit to very funny effect. I first came across Eddie’s art several months ago, once again on Facebook. I’ve read a number of his random comics in the months since then and liked them enough to back his recent Kickstarter campaign to publish the sixth annual collection of his comics. He’s a creative and funny guy I’m happy to support, especially because I can readily see myself and my non-collector wife in some of his comics.

So there you have it: a small collection of genre-related recommendations for the holidays. I hope you enjoyed them and maybe discovered something new along the way. Come back in two weeks for a more traditional post to kick off 2022. I’m thinking something from Image that proved to be a pleasant surprise for me. See you then!

Something for young and old alike

Ghosts
Scholastic Graphix
Creators: Raina Telgemeier
Publication date: 2016

This is not an original graphic novel I discovered on my own. My 10-year-old daughter came across the book in her school’s library. She was intrigued by the title and cover, borrowed the book and read it. And she loved it. So much so, that she bought her own copy of the book at the next school book fair. She read it again, and afterwards, she talked it up so much that her mother read it next, and I read it after they each did.

The story is written and illustrated for a younger audience, but like most of the best children’s fiction, is not written down to younger readers. That makes it an enjoyable, if quick, read for adults, too.

Catrina, who prefers to be called Cat, is the main character in this story. While Cat’s age in not specified in the book, my daughter thought she was likely junior high age. I think 12 or 13 sounds about right. Cat’s family has just moved to a new town, Bahia de la Luna in northern California. Cat’s younger sister, Maya, has cystic fibrosis, and it was recommended the family move to the coast to help Maya’s breathing issues. So the family of four moved in August, ahead of the new school year. Cat is a little resentful of the move. She loves her younger sister but misses her friends from the family’s old hometown.

One of the first people Cat and Maya meet in their new town is Carlos, a neighbor boy who happens to be Cat’s age. Carlos offers to take the girls on a tour of Bahia de la Luna and tells them all about the emphasis the residents of the town place on remembering and celebrating the dead — ghosts.

Maya is particularly interested in ghosts. Cystic fibrosis is a degenerative disease, meaning she will never get better and will likely get worse over time. She has questions about death and dying she hopes ghosts can answer for her. She would also like to meet one special ghost — her maternal grandmother whom she has never met.

Cat is much less anxious to meet any spirits. She grows increasingly worried and paranoid about ghosts the more she hears about them, and everyone in Bahia de la Luna seems to talk nonstop about ghosts. Things only get worse when Maya ends up in the hospital due to complications from her illness. Cat blames herself for the dark turn Maya’s illness has taken.

But rest assured, this being a book meant for younger readers, everything works out well in the end.

I found this book to be an enjoyable read with good lessons about family, friendship, courage and empathy for readers of any age. I wasn’t familiar with Raina Telgemeier’s work before this, but she has written a very engaging tale that includes some weighty subjects like death and cystic fibrosis in a way that helps younger readers understand and accept them. Her artwork is very cartoony and simple, but she still includes a wealth of details in the backgrounds and history.

I’m also very happy my daughter is growing to enjoy reading as much as her mother and I do, and I’m pleased that she is branching out to discover books beyond what her mother and I suggest for her, finding her own tastes and styles. It helps that she also likes superhero books, like I do, too. But I like to read other genres besides superheroes, both in comics form and prose. I enjoy seeing her find things she likes on her own, especially if she is choosing books like this one.

At last it can be revealed … to me, at least

The Tick: The Naked City trade
New England Comics Press
Creator: Ben Edlund
Release date: July 1996, according to Wikipedia, but mine is the second edition version, dated May 1998

This trade was a very fun read, and I was glad to finally read the Tick’s “true” comic origins as this volume collects the first six issues of the Tick’s comic adventures.

Note, I did not say this volume includes the Tick’s first appearances.

According to Wikipedia, the Tick was created in 1986 by an 18-year-old cartoonist named Ben Edlund as a mascot of sorts for his local comic book shop, New England Comics of Brockton, Mass., to use in its newsletter. Edlund later expanded his use of the Tick, beginning with a three-page origin story in which the character escapes from a mental institution. Unfortunately, that three-page tale is not included in this trade.

I’ve never seen that three-page origin myself. I don’t now and have never lived anywhere near Massachusetts. But I was aware of the Tick’s existence even without reading any of his early adventures. The Tick was like the Teenage Mutant Ninja Turtles in that regard; if you were a comics fan in the late 1980s and early 1990s, even if you’d never read any of their comics, you were aware of the characters. They quickly became that popular.

The Tick is a parody of the superhero genre, but unlike other parodies that poke fun at the genre in what often seems to be a mean-spirited and denigrating fashion, the Tick seems to be poking fun in a more good-natured way. Plus, the comic is funny!

If you don’t know anything about the character, the Tick is a heavily-muscled powerhouse in an all-blue bodysuit with a pair of prehensile antenna on top of his head. While his heart is clearly in the right place, the Tick is not the smartest tool in the shed. Although he does have moments of very keen insight amid the nonsense he typically spouts.

But again, I was aware of the character’s existence while never having read any of his comic adventures for the first 15 years of his existence. That changed in 2001 when Fox produced a live-action television series based on the character starring Patrick Warburton as the Tick. An earlier animated series had been produced by Fox in 1994 and lasted for three seasons, but I never watched that program. Sadly, this live-action series only lasted for a handful of episodes, but I thoroughly enjoyed every one of them.

In the pilot episode of the Patrick Warburton series, the Tick has sworn to protect a bus station. In this incarnation, the Tick only changes his focus to protecting his unnamed city after he is tricked into leaving the bus station by the station employees, who he continuously annoys. The show also starred David Burke as the Tick’s reluctant sidekick, Arthur; Nestor Carbonell as Batmanuel; and Liz Vassey as Captain Liberty.

I enjoyed the series so much, my family bought me the DVD collection when it was released, and thankfully, this DVD collection featured all of the episodes of the show, even the unaired ones.

In 2016, Amazon produced another series based on the Tick, and my family and I have watched and enjoyed both seasons of this series as well. This version of the live-action Tick starred Peter Serafinowicz as the Tick. In this version, Arthur was traumatized as a child, along with most of the city, by a supervillain known as the Terror. When the Tick arrives in the city, he befriends the now adult Arthur, and along with the help of Arthur’s sister, Dot, and another hero named Overkill, they vow to fight crime and evil throughout the city. While this version still had its comedy moments and characters, the action was taken much more seriously.

All of that brings us to this trade, The Naked City. I enjoyed the Fox television series so much, I wanted to try out the comics that inspired the show. But in a story by now familiar to regular readers of this blog, I tracked down a copy of the first trade, bought it and tossed it on the pile of books to read when I had the time. That’s why I’m just now trying out the collection. And while it is very different from either television program, it was still very good.

In this trade, the Tick arrives in the City looking for crime to thwart and adventures to enjoy. What he finds are a group of slightly incompetent ninjas threatening a young woman. Through the course of this adventure, the Tick briefly joins the staff of the Weekly World Planet newspaper and comes into conflict with another hero named The Caped Wonder. After a few misadventures with the staff at the newspaper, the Tick joins forces with Paul the Samurai to defeat the ninja empire. Along the way, Jack and Tick are joined by Arthur, who Tick later decides to take on as his sidekick.

Some of the humor comes from the obvious parodies of Superman and his supporting cast and later parodies of Elektra Natchios and the Hand from Daredevil comics in this tale. But most of the humor, as it should, comes directly from the Tick himself, from his obvious delusions about crimefighting, and from his seemingly inexplicable success despite his lack of true understanding in most situations. If you have a sense of humor about your love of comics, I think you’ll find much to enjoy in this trade collection.

An epic conclusion I can heartily get behind

Lost in Space: Voyage to the Bottom of the Soul trade paperback
Bubblehead Publishing
Creators: Bill Mumy, Michal Dutkiewicz, Thom Zahler and John P. Severin
Publication date: October 2005

We’ve been looking at some continuations of the “Lost in Space” television program in comic book form.

Four weeks ago, I wrote about a couple hardcover collections based on some unproduced scripts written for the fourth season of the television series that never happened. As discussed previously, these tales read and felt very much like episodes of the program, which was no surprise, being based on scripts from one of the television program’s writers.

Last time, we looked at the first 14 issues of the Innovation Lost in Space comic book series. This series launched in 1991, and I bought many of those first 14 issues when they were originally published. Many of those issues were very good, especially the ones written by Bill Mumy, the actor who originally portrayed Will Robinson on the show and who served as creative consultant on the Innovation comic. This series continued the adventures of the Robinson family — Professor John and Maureen Robinson; their three children, Judy, Penny and Will; Major Don West; Dr. Zachary Smith; and the Robot — picking up the story three years after the end of the television series.

I enjoyed this Innovation series when it came out, and my enjoyment was no less today, reading or re-reading the various first 14 issues (12 regular issues and two annuals) 30 years after their initial release. Issue No. 12 of the Innovation series, one of the several penned by Bill Mumy, was to serve as a bit of a turning point for the comic series, as discussed in my last post. Issue No. 12 depicted the Robinsons and company finally finding the correct route to their destination, Proxima 4 in the Alpha Centauri star system. It also gave a glimpse at the beings of Aeolus 14 Umbra, the original saboteurs of the Jupiter mission who enlisted Dr. Smith. These beings awaited the arrival of the Robinson crew so they could finish the job of killing the earthlings when their ship landed.

The plan was for Bill Mumy to be the sole writer of the next 12 issues, the entire second year of the series, and these 12 issues would tell the tale of the Jupiter 2 finally arriving on the fourth planet in the Alpha Centauri system and what became of the crew after. The subtitle for this year’s worth of stories was “Voyage to the Bottom of the Soul.”

In a text piece at the back of issue No. 12, Bill Mumy wrote about his thoughts on the comic series so far and where he thought it should go. He wrote:

“Well, we’ve learned a lot about our friends on the Jupiter 2 since Innovation began publishing this comic book: The Jupiter 2 was constructed from a crashed alien ship; the mysterious organization known as Aeolus 14 Umbra has been unmasked; the complicated Colonel/Doctor Zachary Smith has shown us his best and his worst; the loss of one Robinson child; Judy’s conflict with abandoning her professional career as an actress; Will’s frustrations as his sexuality awakens; Professor Robinson’s deep religious beliefs; Maureen’s ability to see the positive in all situations; and Don being the focus of not only Judy’s affections, but Penny’s, as well.

“... I personally wanted to take Lost in Space to the next level … change things … resolve things … take the characters to places I felt they needed to go. … We’re going to ‘stir the soup’ up here, quite a bit.”

The Innovation title had a rather erratic release schedule during its publication history. According to Mike’s Amazing World of Comics, it took 23 months for those first 14 issues to be released. The irregular release is why I stopped buying the title when it came out; I simply lost track of it. Issue No. 13, the first installment of “Voyage,” was released on July 13, 1993, again according to Mike’s Amazing World of Comics. Issue No. 18 was released a mere four months later, on November 1, 1993, according once again to Mike’s site. Simple math will tell you that issue No. 18 would have been “Voyage” part six of the planned 12.

And then Innovation went out of business.

I wasn’t buying any Innovation books at the time, but the closing came as a shock, according to Bill Mumy’s text piece at the beginning of this trade volume. And the story of the Jupiter 2 crew went unfinished for more than a decade.

As far as I know, Bubblehead Publishing — an obvious reference to the physical appearance of the Robot — has only one book in its publishing catalog. This volume was published in 2005, just in time for the 40th anniversary of Lost in Space, and it finally published the complete “Voyage to the Bottom of the Soul” storyline that Bill Mumy and Michal Dutkiewicz planned.

I came across what I felt at the time was a reasonably priced copy of the trade while trying to complete my run of the series over the years. But I confess, this was also the reason I was a little hesitant to re-read the Innovation series, culminating in my first reading of this story. As I said, I really liked what I had read previously of the series, especially the issues written by Bill Mumy. But I was nervous as to whether I would like this “final” story.

I needn’t have worried.

The story begins where issue No. 12 left off, with the Jupiter 2 and its crew entering the Alpha Centauri solar system. The Robinsons, West and Smith have been lost in space for nearly eight years by this point, and they are temporarily uncertain as to how to proceed. Did humans launch other missions that have already arrived and begun to colonize Proxima 4 as planned? Or did the disappearance of the Jupiter 2 spell the end of the Alpha Centauri mission? Lacking any concrete information, the decision is made to follow the original plan and find a place to land on Proxima 4.

The Jupiter 2 crew is unaware that the Aeolians are waiting for them, but readers learn for the first time that not all the Aeolians are in agreement on how to proceed. The Aeolians are not native to Proxima 4, but they have been there for more than 100 years and seek to exploit the seemingly abandoned technology they discovered on the planet. One of the Aeolians, J’Ahl, has manipulated events to lead the humans to their destination so he can torture and kill them. He believes all humans are responsible for the death of his son.

Shortly after the Jupiter 2 lands on Proxima 2, the Aeolians disable the robot and capture the humans. J’Ahl decides he is going to use the humans as test subjects for “the great machine,” one of the pieces of technology the Aeolians found on Proxima 4 but don’t truly understand. Some of the Aeolians oppose this plan, but J’Ahl, driven insane by grief and revenge, begins slaying his own people rather than listen to opposition. Finally, J’Ahl uses the great machine … and the humans disappear. But what happened to them?

The 360-page story is not without a few problems to my mind. The depiction of the Aeolians, for example, seems to fluctuate quite a bit throughout the tale. There are several instances where the coloring in the book hinders the storytelling of the art. The transformation that John Robinson goes through in this story, while a nice nod to longtime fans of Guy Williams — the actor who portrayed John Robinson in the show — stretches the reader’s suspension of disbelief a bit too much. There are several lettering mistakes throughout that can be a bit jarring.

But overall, this was a terrific story that takes the Robinsons, Major West, Dr. Smith and the Robot on an epic journey and leaves them in the only place fans of “Lost in Space” could ever truly accept. I applaud those connected with producing this story, and I’m glad to have it in my collection. If you’re a fan of the property, especially the original television program or the Innovation series that led to this trade, I think you’ll enjoy “Voyage to the Bottom of the Soul,” too.