Retracing even more of Robin’s roots

Robin: The Bronze Age Omnibus hardcover
DC Comics
Creators: Gardner Fox, Mike Friedrich, E. Nelson Bridwell, Frank Robbins, Denny O’Neil, Elliot S. Maggin, Bob Rozakis, Cary Bates, Gerry Conway, Jack C. Harris, Paul Kupperberg, Marv Wolfman, Mike W. Barr, Ernie Chan, Sheldon Moldoff, Chich Stone, Ross Andru, Gil Kane, Irv, Novick, Dick Dillin, Rich Buckler, Bob Brown, Mike Grell, A. Martinez, Al Milgrom, Jose Luis Garcia-Lopez (Praise Be His Name), Jose Delbo, Curt Swan, Don Newton, Marshall Rogers, Don Heck, Lee Elias, Jim Aparo, Juan Ortiz, Kurt Schaffenberger, Alex Saviuk, Charles Nicholas, Trevor von Eeden, Joe Giella, Mike Esposito, Murphy Anderson, Vince Colletta, Frank Giacoia, Dick Giordano, Frank McLaughlin, Jose Massaroli, Terry Austin, Bob Wiacek, John Celardo, Dave Hunt, Bruce Patterson, Dan Adkins, Frank Chiaramonte, Jack Abel, John Calnan, Larry Mahlstedt, Steve Mitchell, Mike DeCarlo and Rodin Rodriguez
Publication date: March 20, 2020

This is the latest volume I’ve read in tracing the history of one of my favorite characters – Dick Grayson, the original Robin and later Nightwing. Last spring, I read the two-volume Robin Archives, which collect Robin solo stories from Star-Spangled Comics in the 1940s and 1950s, which I talked briefly about on Facebook. A few months ago, I discussed the massive Showcase Presents Robin trade collection, which reprints a number of stories featuring Robin from 1969 to 1975.

Now I’ve finished reading through this even more massive Bronze Age Omnibus of Robin reprints. This volume collects stories featuring Robin from Batman, Batman Family, Detective Comics, DC Comics Presents and World’s Finest Comics originally printed between 1967 and 1983. As one might expect from comparing those original publication dates, there are a number of duplicate stories reprinted in both the Showcase and the Omnibus. In fact, out of the 49 stories in the Showcase volume and 79 in the Omnibus, 35 stories are reprinted in both. I admit that’s quite a bit of overlap, but there are still enough stories unique to each volume that it is worth it to own both, at least to me.

The stories reprinted in the Robin Omnibus take the character from being The Boy Wonder, fighting alongside Batman and in solo adventures across Gotham City, to becoming The Teen Wonder, first at Gotham High School, then later at Hudson University in New Carthage, and beyond. Robin teams up less and less with the Dark Knight in these stories, but he goes through a period of frequent pairings with his Dynamite Duo co-star, Batgirl. And later stories in the Omnibus collection coincide with the formation and early years of The New Teen Titans.

In fact, if there is a failing in this Omnibus collection, it is in the scattershot inclusion of some of these later stories. For instance, Dick Grayson and Robin spend a great deal of time in New Carthage on the campus of Hudson University in these tales. Dick attends classes and works at the campus newspaper while also solving crimes alongside the campus police.

In the very first preview appearance of The New Teen Titans — first printed in DC Comics Presents No. 26 (released on July 10, 1980, according to Mike’s Amazing World of Comics) and not reprinted in this volume, by the way — it is mentioned that Robin has left college. In “The Gotham Connection,” reprinted from Detective Comics No. 495, which came out shortly before The New Teen Titans debuted with their own first issue, Dick is threatened with expulsion for missing classes and opts to leave campus to pursue a ring of drug runners instead of dealing with the academic troubles. But that storyline goes nowhere. Other plot threads from Dick’s time at Hudson U are simply dropped, never to be addressed again, including a new romance with a girl named Jennifer Anne. The end of “The Gotham Connection” story seems to indicate the tale will be picked up again next issue, but it doesn’t appear that it ever was resolved in any story. At least not one I could find reference to anywhere.

I guess you can’t really fault this volume for not reprinting a story that was never printed anywhere to begin with. But other choices for what is included are not as easily ignored. The very next story in the Omnibus, “Shanghaied” from Batman No. 333, teams Robin with Catwoman in search of a missing Batman. I assume this story was selected for inclusion as it features Robin heavily and teams The Teen Wonder with someone he’s not usually paired with. But “Shanghaied” is a middle chapter of a multi-part story that begins and ends with cliffhangers, but no other chapters of this multi-part epic are reprinted here. Readers of this volume are simply dropped into the middle of the action and given no resolution.

Despite a few odd choices like that here and there in this hardcover volume, I can still heartily recommend it to any fan of Robin’s. Many of these stories show the beginnings of both Robin’s and Dick Grayson’s character development that later creators like Marv Wolfman, George Perez and Chuck Dixon would build upon to great effect. For instance, Gerry Conway pens an arc that begins in DC Comics Presents and continues in backup stories in five issues of Batman from 1981. First Robin runs into Superman and an old circus performer friend while visiting the Sterling Circus appearing in Gotham City. Later, Dick Grayson follows the circus clown, the old friend, to Hill’s Circus, where the young aerialist stays for a time, performing and rediscovering his circus roots. No mention of the Titans is made in these stories, but they all coincide with the issues early in the second year of The New Teen Titans comic.

As evidenced by the extensive list of creators above, this volume is an excellent showcase for a number of fine writers and artists, each lending their talents to shaping the character Dick Grayson and Robin would become and making it possible for other characters to take on the name Robin while Grayson moved on to become Nightwing. Some of these stories I’d read before in single issue form, either when they were first published or later after buying them as back issues. But many of these stories were new to me with this reading.

If you share my love of the character of Dick Grayson, you might also enjoy a podcast I discovered not long ago. “Taking Flight: A Robin and Nightwing Podcast” is by a gentleman named Tom Panarese. The podcast covers a lot of the stories and history included in this volume as well as other stories about The New Teen Titans and fellow Robins Jason Todd and Tim Drake. I heartily recommend you check out both Robin: The Bronze Age Omnibus hardcover and “Taking Flight.”

More early adventures of the first kid sidekick

Showcase Presents Robin, the Boy Wonder tpb
DC Comics
Creators: Too many to mention
Release date: 2008

I marveled recently about how Robin, the Boy Wonder, had a number of solo adventures in Star-Spangled Comics as early as the 1940s and 1950s. Dick Grayson is one of my all-time favorite characters, and I had not known that he headlined his own solo series that far back. Those stories are collected in the Robin Archives Volumes 1 and 2.

I bought this giant phone-book sized black-and-white trade paperback collection when it came out back in 2008, but at that time, trades like this one were tossed onto a pile of stuff to read when I had more time. I decided to make the time after reading those Robin Archives volumes, and I’m glad I did.

This collection covers stories from the mid-1960s to the mid-1970s. It begins with a re-telling of Robin’s origin from Batman No. 213 from 1969. From there, it drops back to 1964 for World’s Finest Comics No. 141 and the formation of a Robin-Jimmy Olsen team. The junior partners fake their own deaths in an effort to aid their respective mentors.

Several other Robin-Jimmy Olsen team-ups follow from the pages of World’s Finest Comics and Superman’s Pal Jimmy Olsen, as well as Robin solo stories and team-ups with Batman, Batgirl, Superman and the Teen Titans from the pages of World’s Finest Comics, Batman and Detective Comics.

The adventures also see the Boy Wonder leave high school and Wayne Manor for the campus of Hudson University and the new name, the Teen Wonder. There’s even a two-part adventure with the Justice League of America and the Justice Society of America in 1971 in issue Nos. 91 and 92 of the League’s own title. That last even has the Earth-1 Dick Grayson meet his Earth-2 counterpart and briefly adopt a new costume.

As sometimes happens with Silver-Age stories, some of these tales seem a bit dated now. But most all of them are fun reads showing the continuing growth and development of a classic comics character. I’m definitely calling this a worthwhile purchase!

More pleasant surprises to be found

Batman No. 250
DC Comics
Creators: Frank Robbins, Irv Novick, Dick Giordano, Elliot S. Maggin and Frank McLaughlin
Cover date: July 1973

Frequent visitors to this blog know I have purchased a number of back issues and trades throughout my comics collecting history that get tossed on a pile to read “sometime.” During times when my monthly collecting habits ebb, I manage to get more of those “sometime” books read, and this happens to be one of those times.

Most recently, I’ve been reading some older issues of Batman and Detective Comics, specifically ones from the 1970s. Several of these books have held promise of one form or another, be it an oft-seen, familiar cover for which I’m finally getting to read the story behind or a fondly remembered childhood read I’m re-experiencing. Of course, it is always best when the actual read lives up to the anticipation.

The main story in this issue, “The Deadly Numbers Game!” by Frank Robbins, Irv Novick and Dick Giordano, is a decent, entertaining tale about the Dark Knight that showcases his detective skills nicely. But I was surprised to find that this regular-sized comic included not one story but three.

The second story in this magazine is a quick six-page Robin story by Elliot S. Maggin, Irv Novick and Frank McLaughlin. I’m a huge Dick Grayson fan, so I was delighted to see a Robin solo story. But the plot of this story involves Dick’s pre-Robin life, as indicated by its title, “Return of the Flying Grayson.” The story begins with two young boys marveling at an old poster of the Flying Graysons circus act. The boys know Dick Grayson as the Hudson University student tutors one of them, but they doubt the tutor is any relation to the acrobats depicted on the poster. Dick overhears their comments as he is in the same store, staking it out, hoping to catch some art thieves. Then later, when Robin stops the fleeing art thieves, he must also save the two boys who happen to be nearby during the take-down.

As fun as the Robin story is, though, the gem of this issue is the six-page final one. The story, “The Batman Nobody Knows,” by Frank Robbins and Dick Giordano is a simple tale of philanthropist Bruce Wayne taking three inner-city youths camping. Sitting around the campfire, the boys see a bat flit by in the moonlight and begin to share their ideas of who or what the Batman is. If the story sounds familiar to more modern audiences, it is because it was adapted into an episode of “Batman: The Animated Series,” specifically “Legends of the Dark Knight,” episode 19 of the third season of the show. The framing sequence and the children’s tales differ in each version, but both stories involve Gotham City youth relating how they each see Batman.

I had no idea such a significant story was hiding in the back of this issue, or at least, I don’t recall knowing that when I bought it. So it was a very pleasant surprise indeed to “discover” it.

Merry Christmas, everybody!

No new post this week. Just wishing everyone a safe and happy holiday. Read some comics; you'll be glad you did!

Young Love, Forever Destined To Fail?

Nightwing annual 1
DC Comics
Kyle Higgins, writer
Jason Masters, Daniel Sampere and Vicente Cifuentes, artists
Special shout-out to the creator of The History of Dick/Babs (So Far) site for helping refresh and/or double-check my memory on some of the books I've read but was too lazy to dig out for reference this time around.

This was a great done-in-one issue by regular Nightwing writer Kyle Higgins, but then I'm partial to the subject matter.

I've long been a fan of Dick Grayson, first as Robin and later as Nightwing. I didn't read that many of the 1970s and early-80s Batman Family and Detective Comics stories that featured Robin and Batgirl in both solo stories and team-ups when they were new. But I've always liked the Barbara Gordon Batgirl character, too.

Now, as many of my longtime readers know, I'm a huge fan of the Titans, absolutely loving the Wolfman/Perez reboot from 1980 onward (as well as discovering and liking the earlier incarnations of the team much after the fact). As a fan of that series, I confess, I loved the Robin/Starfire relationship. Dick and Koriand'r of Tamaran made a great couple readers hoped would endure.

But before that run of Titans came to an end, so too did the relationship between Dick and Kory. Later writers hinted at the couple's feelings for each other remaining in the various Titans relaunches since then, but those hints and suggestions never went anywhere.

Jump ahead a few years and Nightwing is given his own series, and Barbara Gordon gives up being Batgirl shortly before being crippled by the Joker. That was a tragic story, but out of those events came Barbara's new identity as Oracle, a much stronger personality and just as heroic as Batgirl had ever been portrayed. And writers began hinting back to the early careers of Dick and Barbara and a possible budding attraction that never reached full potential. Adding to that retconned romance was the de-aging of Batgirl. When she debuted, Barbara Gordon was easily 10 years older than the Boy Wonder; but nowadays, the pair are very close to the same age and always have been.

Around that same time, I finally caught up on a number of those old Batman Family and Detective Comics stories mentioned before. A mutual attraction and possible relationship between Robin and Batgirl was not a wholly new idea. The current stories played it up as more than it had been at the time of those earlier stories, but there were definite hints at affection on the part of Robin, at least, even back in the 70s and 80s. Adding to the current portrayal of the pair being interested in each other in the past were re-tellings of each of their origins -- including Robin: Year One and Batgirl: Year One.

In time, the two began a relationship facilitated by the fact that writer Chuck Dixon was crafting both their respective adventures in Nightwing and Birds of Prey. All of that culminated in the pre-New 52 DC continuity in the controversial Nightwing annual No. 2 (January 2007) when Dick proposes to Barbara, but alas, a wedding does NOT follow. The book was controversial for some of its retconned history. For example, the scenes where Dick Grayson stops to see Barbara Gordon for the first time after she was crippled by the Joker. The pair end up spending the night together, but Dick is not just there to check on his old friend -- he's also there to invite Barbara to his and Kory's wedding. Ouch! That's a bit of retconning I could have done without.

I was a fan of a relationship between Dick and Barbara. Through the great writing of the various stories that built their relationship, I came to see Barbara as the great love of Dick's life. These two characters seem to genuinely care about and for each other, and I have often hoped they would find a way to get together -- not for a hook-up, but for a real, lasting relationship.

Fast forward another few years to The New 52, DC's reboot of its superhero universe continuity. Many characters' histories were changed, but one of the things I was glad to see survived the reboot was the mutual attraction between Dick and Barbara early in their careers. It was hinted at in the very first New 52 Nightwing story arc when Dick is reunited with several of his friends from Haly's Circus, including Raya, a girl Dick's own age whom he'd had feelings for long before the circus came to Gotham, Dick's parents were killed and he started down the road that would lead to his becoming Robin. In one issue of that arc, Barbara guest-starred, and (spoilers) she seemed to distrust Raya. Dick writes Barbara's reaction off to jealousy because he and Barbara have flirted before. The past mutual attraction was also a part of the action in The New 52's Batgirl No. 3.

This issue, the first New 52 annual for Nightwing, takes that suggestion even further, bringing back the idea that Dick and Barbara have long had feelings for one another but could never quite make things work out to actually date before. During the course of a current case the pair are working together, they spend a lot of time reminiscing about their first meeting and first kiss. It is nice to see this favorite concept from the old continuity creep back into the new. And, since the original Teen Titans' history seems to have been wiped out with the New 52, there goes that whole thing between Dick and Babs after he and Kory are engaged.

Oh, and this annual also introduces The New 52 version of the Bat-villain Firefly, playing a bit with readers' expectations. It's a good read; you should check it out!

I Like Aftermath Stories Like This

Nightwing 17
DC Comics
Kyle Higgins, writer
Juan Jose Ryp, artist

Let's back up a tad first.

I guess there was some outrage among fans at the way the Bat-crossover, "Death of the Family," concluded; some felt betrayed by the lack of a major character death. I had no such issues. I think the name clearly implies what we got as the fallout from the Joker's attacks has driven a wedge between Batman and his closest associates; they don't hate each other, but their relationships, their mutual trust have been damaged. I think this psychological-victory ending is more satisfying than any character death that would likely be reversed later.

Because I like Nightwing so much, it is nice to see this emotional fallout issue and the resulting closeness displayed between Nightwing and current Robin, Damian Wayne. I liked similar moments between Dick Grayson and Tim Drake handled in the past by previous writers. If Batman is the father figure of their little family, then all of the Robins are brothers (or sisters) with Dick being the eldest. It is nice to see the brothers interact and be there for one another from time to time. Maybe that means more to me because I can't visit as easily with my own brother these days, but I like it when writers acknowledge that bond between the Robins and handle it well.

It also makes a nice swan song for young Damian who, in fact, died in another story just a few short weeks later. (No real spoiler there; how could you miss that news if you have any interest in comics at all?)

We also have a guest artist this time out. The art is noticeably different from what we typically have in this title. That isn't to say the art here is bad. Ryp's interpretation of Alfred on the opening splash page seems just a tad off, but otherwise, his art is very nice, easy to follow, enhances the story, and his characters all look distinct enough to not confuse readers. Good job, sir; and DC, I wouldn't mind seeing more from this gentleman!

Now This Promises To Be Good

Worlds' Finest 6
DC Comics
Paul Levitz, writer
Kevin Maguire, George Perez and Sandra Hope, artists

This is the first installment of a new story arc for this title, and it looks to be a good one as the superhero community of the main DCnU Earth is going to learn more about the existence of Huntress and Power Girl, two heroines stranded here from Earth 2. Power Girl narrowly avoids a chance encounter with her Earth 1 doppelganger, Supergirl, while returning to her corporate headquarters after a quick jaunt into low-earth orbit. I don't know much about the DCnU version of Supergirl, so I have to admit, that meeting didn't hold much appeal for me at this point, and I wasn't sorry to see the encounter avoided.

Huntress is not quite so lucky. She has made reference in previous issues to "borrowing" money from this world's version of Bruce Wayne when the two heroines first arrived in this universe. That was five years ago. With Huntress' globe-trotting adventures, that money stash has been used up, and Helena is forced to return to Gotham City for more operating funds. She explains through the narration that for her "thefts" to go undetected, she must access a terminal inside the actual bank, otherwise she wouldn't risk a visit to Batman's city.

Huntress' activities are interrupted by the appearance of the current Robin, Damian Wayne. Unlike the previous Robins, Damian is the flesh-and-blood son of Batman just like Huntress is the flesh-and-blood daughter of her world's Batman. Now this meeting/conflict is cool!

Damian has discovered the theft of funds and has been waiting for the culprit to make a return appearance. Through the course of the ensuing fight, Damian lets it slip that the thief's greed is what tipped him off to what Helena had previously believed was an undetectable incursion. It seems money has been disappearing from Wayne accounts every few weeks, but this is only Helena's second "withdrawal." Helena explains that she is not the thief Damien is after and offers to help him catch the real villain. Damian agrees, providing Helena explains who she is and how she can be related to his father as Damian senses she is. This was a great setup, and next issue ought to be good!

Now These Are Changes I Can Get Behind

Nightwing 0
DC Comics
Tom DeFalco and Kyle Higgins, writers
Eddy Barrows, artist

There's nothing wrong with Nightwing's origin story, and so it is left mostly intact in this DCnU version. Young Dick Grayson is the third part, along with his parents, Richard and Mary Grayson, of the Flying Graysons, trapeze aerialists with the traveling Haly's Circus. On a trip to Gotham City, the circus runs afoul of a protection racket run by small-time thug Tony Zucco, who decides to make an example of the Graysons. The parents fall to their deaths, and the boy is taken in as the ward of Bruce Wayne, secretly the Batman, and eventually becomes Robin, the Boy Wonder. Later, Dick adopts the costumed identity of Nightwing when he becomes an adult.

The first change this DCnU version makes is to age Dick to 15 when his parents were killed. That age is slightly more believable than the original 8 Robin was supposed to be at the time of his debut as Batman's crime-fighting partner. Plus, it is a necessary change within this new reality where costumed heroes have operated openly no more than about five years.

The next change also goes to believability in the modern age. Rather than taking the orphaned Dick Grayson in as his ward, Bruce Wayne arranges to have Dick housed at the Wayne Care Center. Bruce still takes a personal interest in Dick; Bruce sees his own loss mirrored in what has happened to the young circus performer. And he sees himself in Dick's quest for justice as the boy tries to track down Tony Zucco on his own.

The last major change made to this origin story is the biggest to my mind. In the old DC continuity, Bruce saw himself in Dick's tragedy, so he took the boy in. Then he saw a similar need for justice and chose to reveal his secret to Dick as a way of providing direction for the boy's anger. The end result of that revelation led to Dick becoming Robin. Later, Jason Todd followed a similar path to becoming the second Robin. And finally, Tim Drake deduced the secret identities of Batman and Robin after Jason Todd's death at the hands of the Joker, earning his place as the third Robin.

In this DCnU version of Dick's origin, Dick figures out Bruce's secret on his own, a testament to the natural observation and detective skills the boy possessed, qualities necessary to make his transformation into Robin successful. Dick has ample time during the day to observe Bruce and question his motivations, and he also has a number of nighttime encounters with Batman while conducting his own pursuit of Tony Zucco. Comparing these two individuals is what brings Dick to the conclusion that they are the same man. I like this change and acknowledgement of the young man's skill.

What Went Wrong?

I tried Bill Willingham's book Fables shorlty after its debut in 2000. I bought the individual issues for the first story arc and read them all in one sitting and fell in love with the characters, their situation and the way Willingham's writing made each one of this huge cast a distinct individual I would either come to care about or despise. There isn't a lot of middle ground with many of the characters in the series. And that's not to say that the characters aren't well-rounded multi-faceted folk; they truly are.

To my knowledge, Fables was my first exposure to Willingham's work, but it made me think that he and his fellow collaborators on the main series and it's spin-offs (including fellow scribe Matthew Sturges) were just incredible.

But as much as I love Willingham's work with the inhabitants of Fabletown, I just can't get behind his writing when it comes to the superhero set.

I was sadly disappointed in Willingham's thankfully short turn at the helm of the now-canceled solo Robin title. Here's a creator whose work I enjoy working on a character I enjoy, I thought at the time. How can I lose? But reading the story, it just didn't ring right for me. I couldn't quite put my finger on the problem until reading an article somewhere online at the time of Willingham's Robin issues. The article said Willingham wanted to write a story about a young, inexperienced hero and the mistakes he made while starting out. Well, even though the Robin we're discussing in Willingham's issues was Tim Drake, the third young man to wear the Robin costume, Drake hadn't been a newbie hero for quite some time. The character debuted in the early 90s and several novice stories had been done at that time. Since, the character has been portrayed as not only a competent partner to such heroes as Batman, Nightwing and Oracle, but an accomplished, inventive hero in his own right and leader of a newer, younger set of Teen Titans. You can't shoe-horn the character into the role of a novice any longer, unless you clearly explain in your story that it is a tale from the character's past when he WAS still new, something Willingham clearly did not do. In fact, Willingham took pains to mention current continuity in his story to firmly place it in the current time. In my opinion, he had an idea and tried to make the character fit the idea, which rarely produces good stories.

That should explain my trepidation when it was announced several months ago that Willingham and Sturges would be taking over the writing chores on the Justice Society. I was worried, but I love this team and the legacies of many of the characters, so I gave the book a try. But once again, Willingham is not writing these characters correctly to my mind. Not only do several of the JSA members seem to be acting out of character for their established personalities, some aren't even being consistent from page to page or panel to panel.

Take Justice Society of America No. 30, Willingham and Sturges' second issue, for example. The Golden-Age Flash has just brought Dr. Fate to help him and Stargirl fight against a large number of super-villains. At the top of page 7, an obviously uncertain Fate turns to Flash and asks, "How am I doing so far?" and Flash replies with an OK sign and says, "Just fine, son. Keep it up." Just a few pages later, after the villains have been routed and the heroes are splitting up, Flash turns to the unmasked Dr. Fate and demands, "What about you, pal? You aren't familiar, but ..."

Flash went and got the guy, so he should know who Fate is. He also seems to know that a new person is wearing the costume when he reassures Dr. Fate during battle. But then at the end of the fight, he has no idea who this person is under the helmet of Dr. Fate and almost seems not to trust the individual. What gives?

I still read Fables every month, and it is truly a fantastic book filled with rich characterization and solid story-telling; I highly recommend it to anyone, from die-hard comic fan to someone who just enjoys a good story. But Willingham's super-hero work just seems to fall short for me.

Welcome To The First Entry Of 2007

Sorry for the delay since the last post; between real life and the holiday season, life has been somewhat grueling of late. But I’m back now with another batch of Retro-Reviews before we delve into the recently received December releases. But first, a thought which has occurred to me of late.

I’ve been switching back and forth for several months now between reading dozens of current comics, then reading some from two decades ago for a few weeks. There are some marked differences in the comics from the two settings. I don’t mean plot or characterization differences, although those exist, as well. This is something far more basic — pacing.

Most books now, even continuing books are written as story arcs. They typically run four to six issues, sometimes more, but very rarely more than 12. Each monthly book is intended to be only one chapter of that overall arc, sometimes containing only one piece of the story-telling triumvirate of beginning, middle and end. And they tend to read rather quickly. I average about 10 to 20 minutes reading most current comics.

Many of the books featured in these Retro-Reviews can take me nearly an hour to finish, front-to-back, with no more pages. The older issues have more words, to be sure. The writers of the period tended to be more verbose. But the creators also packed each issue with much more, I think. Not every comic book from the 1980s was a stand-alone story. But even when an issue was part of a larger story arc, each issue had its own beginning, middle and end; its own climax and breathers; its own little resolutions and setbacks, no matter how small, along the way to the larger finale.

I’m not saying every story then was better than every story now. Certainly not. But the stories were often more full, more developed. Richer, in a way.

Anyway, just a thought I’ve had.

Last time, we caught up with a few issues of The Warlord and DC’s first post-Crisis crossover event, Legends. These books fall around that same time and shortly after.

Batman 402 (DC Comics, 1986) — The story in this issue is written by Max Allan Collins and illustrated by Jim Starlin. Robin Jason Todd appears in the issue, both in and out of costume, but has a fairly small role, so we can assume he is still recovering from the injuries he received in Legends. The story centers on a former police officer driven by the loss of his wife and child into thinking he is Batman. His actions are much more savage than the real Dark Knight’s, resulting in the deaths of several small-time criminals and prompting a confrontation with the real Batman. But the identity crisis is the impetus for a number of discussions on what the Batman does, how he operates, why he does what he does, and whether or not he should employ lethal force. The story winds up with an interesting musing from Batman. Robin, who has witnessed the final take-down, says, “Broke some ribs, huh? That why you didn’t hit that guy sooner?” Batman replies, “Robin, somehow it was hard to swing at him. After all, who am I but just another guy who thinks he’s the Batman?” Certainly not the always-confident version of today, but this is a good Batman nonetheless.

The New Teen Titans 26-27 (DC Comics, 1986-87) — When last we saw the Titans as a whole, Nightwing and Raven were being held by the Church of Blood, and the others had just fought Mento’s Hybrid creations, resulting in the kidnapping of Aqualad. Then Flash (Wally West) and Changling played prominent roles in the Legends miniseries. These issues pick up with the return of Starfire after her African adventure in Teen Titans Spotlight #1-2.She wants the team to immediately rescue Nightwing and Raven, while Changling insists that the team must go after and help Mento and rescue Aqualad. After some debate, the team opts to build their numbers by first going after Nightwing and Raven. They travel to Zandia, home base for the Church of Blood, and are joined once again by Robin Jason Todd. In Zandia, the Titans meet Twister, a young girl corrupted by Brother Blood and confront the Brotherhood of Evil.

The New Teen Titans annual 2 (DC Comics, 1987) — The annual contains two stories. The first is a somewhat timeless tale of a team-up between the Titans and the new Dr. Light confronting giant robot dinosaurs built by aliens. The story is every bit as fantastical as that description sounds, and is framed by Wonder Girl Donna Troy telling her step-daughter a bedtime story. The second but main feature of the book is the history of Brother Blood. The entire 700-year history of the character is related by Mother Mayhem, and falls where it does because it details the Titans finally gaining access to the main Church of Blood in Zandia. Mother Mayhem tells the Titans the history of Brother Blood before his planned “resurrection” in hopes of convincing them to leave him alone.

The New Teen Titans 28-29 (DC Comics, 1987) — Obviously, the Titans aren’t going to leave Blood alone. They’ve learned that Nightwing and Raven are being held at the New York church where Blood’s “resurrection” is to be staged. Making use of the duped Azrael and the brainwashed Raven and Nightwing, the Church of Blood whips the world into a frenzy of spiritual need, then present their resurrection event in front of the world. When the Titans attack, things have been manipulated so that they appear to be attacking a benevolent entity with mankind’s best interests at heart. And the combined powers of Raven and Brother Blood truly seem to be defeating and destroying the Titans.

Jon Sable, Freelance 44-45 (First Comics, 1987) — These two issues present the two-issue tale, The Hard Way. Sable is hired to protect the only copy of a never-released six-year-old film as it finally makes its way to its debut at the Cannes Film Festival. The story itself, especially the resolution, seems a bit overly convoluted and disappointing considering the title’s usual level of quality. But these books are noteworthy as the beginning of the end of the series.

Mike Grell wrote the story and illustrated the cover, but he did not do the interior art. That chore was completed on these two issues by Judith Hunt. The art isn’t bad, but as happened when Grell started giving up duties on the Warlord, the trend here would continue. The letters page in issue 45, tells readers that with the next issue, Grell will give up all interior art duties to new artist Mike Manley. The reason for this is so that Grell can devote more time to a Sable graphic novel, but as far as I know, one never materialized. And this series only continued through issue 56, so the writing was apparently on the wall a year before Grell’s departure.

Teen Titans Spotlight 7-8 (DC Comics, 1987) — Both of these issues of the Spotlight series focus on Hawk by Mike Baron, Jackson Guice and Larry Mahlstedt. When last seen in New Teen Titans, Hawk was even more angry and prone to violence than ever before. That’s the Hank Hall presented here, although he’s still effective enough to defeat a group of very small terrorists who first take over a Colorado nuclear power plant, then lead Hawk to their home base in South America where their hive is being threatened.

Wonder Woman 1-2 (DC Comics, 1987) — This is the re-launch of the Amazon princess by George Perez and others. First there was Superman in John Byrne’s Man of Steel. Then Batman by Frank Miller. Now it’s Diana’s turn. And when DC re-starts Wonder Woman, they go all the way back to the beginning of time, re-telling motivations of the Olympian gods, the full history of the Amazons and the creation of Diana to thwart a mad plot orchestrated by the god of war, Ares. This is a very dramatic recreation of the Wonder Woman story.

That’s it for today. Again, next time we’ll dive into some of those more current December-released titles. See ya next time, Kiddie Cops. Happy collecting.

Titans Together!!!

In the last couple days, we’ve discussed several month’s worth of The Warlord and Jon Sable, Freelance. As far as the regular titles I have from 1986, that just leaves us the Titans. Things were not looking good when last we checked in with this band of young heroes, and 1986 was not a great year for the group, as they were put ever more through the wringer. Today’s wringers involve The New Teen Titans #18-23 (DC Comics, 1986) and Teen Titans Spotlight #3-6 (DC Comics, 1986-87).

NTT 18 begins with the revelation that Starfire, her parents and her brother did NOT die in the explosion of their starship. Loyalists on board knew of Blackfire’s plan to kill them, and secretly transported the royal family to Okaara, a nearby moon, where they will train and regroup. Dick is emotionally distraught after Kory’s wedding, then thinking, however briefly, that she had been slain, that he and Joey decide to return to Earth. Checking in with the other Titans, Raven is still missing; Donna and Terry are fighting because Donna has been too busy of late to help Terry with a writing assignment he must finish or lose his job; and Victor and Garfield discover that Steve Dayton, Gar’s step-father, has gone slightly crazy once again from the use of his Mento helmet. Sounds like a soap opera when you boil it down like that, huh? But then, having lives and problems outside of superheroing is one of the things that made me love Marv Wolfman’s take on the Titans. It made them seem more like real, complex, three-dimensional people.

Issue 19 takes these growing problems team members are experiencing and uses them to drive wedges between the Titans and force them in separate directions. The group’s new tower headquarters is built, but is there still a group to use it? Dick returns to Earth angry and hurt over what he sees as Kory’s betrayal of him. He goes to Wayne Manor and finds Batman and new Robin Jason Todd in the middle of a case and too busy to talk with him. Joey learns that Kole died in the Crisis while he and Dick were away. Donna and Terry’s problems grow, prompting her to turn down Vic and Gar when they come to her seeking help in subduing Mento. Instead, she feels she must go and comfort Dick, which leaves Terry, Vic and Gar all feeling abandoned. When she arrives at Dick’s apartment, Donna finds him ready to lash out at anyone because of his own hurt. Donna makes a prime target when Dick starts to berate her leadership of the team in his absence. Meanwhile, Kory is still on Okaara, forming a small army of loyalists ready to take the planet Tamaran back from her sister, Blackfire.

So Kory’s alone in space, Dick sets off alone to find Raven and Gar and Vic are left alone to deal with Mento. So who is left for Donna to call when the government needs the help of the Titans? The “original” team — Speedy, Aqualad, Hawk, Flash and Robin. But they aren’t exactly a great team either, as each has his own issues to deal with. While Robin has always been the leader of the group, this Robin is new hero Jason Todd, not experienced Dick Grayson. Flash is now Wally West, trying to honor the memory of his uncle, Barry Allen, who died in the Crisis; but Wally’s powers are reduced from what they once were, and he is afraid of failing to live up to Barry’s ideal. Hawk, always the more militant half of the brother duo, no longer has Dove to temper his violence; Dove was another casualty of the Crisis. As was Aquagirl, lover of Aqualad. So, he is pretty dispondent, as well.

That leaves Speedy. We find out in issue 20 that the reason the government called the Titans specifically is because the assassin the group is trying to stop is Cheshire. We also learn that in his off-panel relationship with the goverment, Speedy had a heretofore undisclosed relationship with Cheshire — an actual relationship. An intimate one. In fact, we learn in this issue that Roy has fathered a daughter, Lian, with Cheshire.

Further complicating matters, Cheshire tries to drop a few hints that things are not what they seem. She is not really there to kill anyone; she is being paid to make it seem like she is targeting ambassadors and force the Titans to act. This will expose the heroes’ presence at a secret summit that was supposed to have no security whatsoever. The revelation that the Titans are there makes it look like the U.S. has not complied with the rules of the summit and forces the talks to break up, all of which means the Titans are now in trouble with the government.

So where’s Joey during all of this? He’s on a solo adventure of his own in the pages of Teen Titans Spotlight #3-6. While waiting to see what will become of the Titans, Joey has been working with his mother, Adeline Wilson, and her company, Searchers Inc. In this story, we learn that shortly before joining the Titans, Joey had met a girl, fallen in love with her, become engaged, then lost her when she died in a boating accident. Unbeknownst to Joey, the girl’s father was actually one of the main council behind the H.I.V.E., a criminal cabal from early Titans issues. The man wanted to leave the H.I.V.E. and had hired Searchers Inc. to fake his and his daughter’s deaths so they would be safe from the H.I.V.E. So, Penny, Joey’s fiancee, isn’t really dead. Joey learns this when Penny shows up on his doorstep, asking for help from Joey and Searchers Inc. She explains what happened before and reveals that the H.I.V.E. has found her and her father again.

This is a good story, but be warned, it is very convoluted and detailed. There are a number of twists and turns, some predictable, some unexpected, that make this story hard to break down without revealing too much. It might have been better as a slightly shorter story. At the time, I thought four-issues was a bit long. But again, it is a good story.

Back to making the other Titans’ live miserable, NTT #22 presents three separate stories following Dick, Vic and Gar, and Kory, as well as a wrap-around that serves as a nice epiogue to the Jericho story from Spotlight. Dick has found Raven: she, Arella and Azrael are all at the Church of Blood. Mirroring his plan from the earlier Teen Titans book, Dick disguises himself to gain entry into the Church of Blood. Unbeknownst to him, Mother Mayhem knows he is there from the start, and sets about capturing and brainwashing Dick again. Vic and Gar, still trying to find a way to help Steve Dayton, are assaulted by Mento in the form of him assuming mental command of Victor’s metal body and pitting the two heroes against each other. And Kory, her family and the loyalists with them launch an assault on Blackfire in a bid to reclaim Tamaran.

These stories culminate in NTT #23, which focuses on the civil war on Tamaran. Kory is fighting to restore her parents as the rightful rulers of the planet. Blackfire is fighting to retain control of the planet she now rules. Odd thing is, many of the Tamaranean people support Blackfire. They had grown tired of King Myand’r’s tendency to keep peace by making concession to their enemies. Blackfire is cold and ruthless, but she is also an excellent administrator, and in her short rule has done much to improve the lives of her people and strengthen political ties with other races to benefit Tamaran. In the end, the people chose to follow Blackfire, with her parents held as esteemed advisors. Kory cannot believe that the people would embrace Blackfire and leaves the planet in disgust, heading for Earth in the hopes of putting her life back together there.

Most definitely not happy days for the Titans right now.

Silver Age Redux

We’re closing back in on the “present” — 1986 — as we look at superhero revamps following the events of Crisis on Infinite Earths. So far, we’ve seen the changes in Superman, Batman, Green Lantern, Green Arrow, the Justice League and Robin, as well as a collection of villains. Next up is Captain Marvel as DC tries once again to introduce the denizens of Fawcett City into the DCU.

The Power of Shazam! (DC Comics, 1994) — Jerry Ordway updates the lives of the wizard, Shazam, Billy Batson, Captain Marvel, Mary Marvel, Black Adam and Sivana, among others. Things start out with Billy and Mary’s archeologist parents and explode from there.

Legends of the DC Universe 6: Robin and Superman (DC Comics, 1998) — Through team-ups in the pages of World’s Finest, Superman is almost as much an influence on the man young Dick Grayson will grow up to be as Robin’s “father,” Batman. This story reflects that influence and pays homage to those classic silver age tales by teaming the Man of Steel and the Boy Wonder.

The Brave and the Bold: Flash and Green Lantern 1-6 (DC Comics, 1999) — This is yet another tribute to the friendships and team-ups of the silver age, focusing on the friendship between Hal Jordan and Barry Allen. But along the way, their various extended families and relationships also play a role, so there are cameos by Iris West, Carol Ferris, Alan Scott, Jay Garrick, Ralph and Sue Dibny, Wally West, Oliver Queen, Dinah Lance and Roy Harper.

Batman: Legends of the Dark Knight 127-131 (DC Comics, 2000) — “The Arrow and the Bat” brings Green Arrow and Batman together and let’s the sparks fly between these two intense and explosive personalities. Along the way, both heroes are forced to examine the reasons why they put on their respective costumes and battle crime.

Batgirl Year One 1-9 (DC Comics, 2003) — Batgirl Barbara Gordon was another character changed pretty drastically by the Crisis, but mostly by accident. The character wasn’t seen much in the few years preceding Crisis. During the various revamps of Batman’s origin, the Dark Knight’s supporting cast was changed to the point where it was no longer possible for Barbara to be Police Commissioner James Gordon’s biological daughter and still be the right age to be Batgirl. So Barbara becomes Gordon’s niece, and later, his adoptive daughter. Still intact is the young girl’s fascination with Batman. This series also shows how others also inspired the young Batgirl, heroines like Black Canary.

The Batman Chronicles 9 (DC Comics, 1997) — Another element retained in Batgirl’s new origin is the infatuation Robin had for the new crime-fighter and how Batgirl felt the same way, up to a point. In the silver age, the two young heroes shared a number of adventures together. The first story in this comic shows more of that budding relationship that wouldn’t mature until several years later.

Legends of the DC Universe: Flash 15-17 (DC Comics, 1999) — These three issues focus on an early adventure of the Flash, or rather, his alter-ego, police scientist Barry Allen, and showcases a number of the Flash’s colorful rogue’s gallery.

Short entry today, but not as much time this time around. Check back next time for more stories revamping the past of the DC Universe in the wake of Crisis.

Everything You Know Isn’t Wrong ... Just Some Of It

Welcome back for some more retro-reviews, the kind that show some of the changes introduced in the aftermath of the Crisis on Infinite Earths. Not everything changed, of course. As far as I know, there were no major changes in the origin of the Barry Allen Flash, for example. But subtle changes were introduced in the origins of some heroes in the years following the Crisis. Krypton, for instance, became a sterile, emotionless world. Joe Chill was no longer the gunman who killed the Waynes, being replaced with a nameless shooter who was never caught. And Wonder Woman was no longer exactly a contemporary of the other Silver Age heroes. Continuing with these re-imaginings ...

Green Lantern: Emerald Dawn II 1-6 (DC Comics, 1991) — The first Emerald Dawn miniseries introduced some personal weaknesses into the character of test pilot Hal Jordan. Along with meeting the dying Abin Sur and inheriting the GL power ring, the growth Hal underwent in the story was learning to take responsibility for his actions.

In this series, the newly responsible Jordan turns himself in and is sentenced to serve 90 days in jail for drunken driving. At the same time, the Guardians of the Universe assign Hal a trainer, someone to teach him the GL ropes, someone who has excelled at being the best GL by keeping his own sector of space in order — Sinestro. This series gives readers just as much insight into Sinestro’s psyche as it does that of Hal Jordan. It also gives us some early brief looks at the lives of some future Lanterns.

The Man of Steel 5 (DC Comics, 1986) — This issue re-introduces Bizarro as a creation of Lex Luthor’s failed attempts to clone Superman. This new/early version of the creature never speaks and eventually sacrifices himself to help another, proving that there was some part of Superman in him after all.

Green Arrow: The Wonder Year 1-4 (DC Comics, 1993) — This series came out of Mike Grell’s successful run on Green Arrow. He takes GA’s previous origin and expands it so that the part readers knew before is just one small portion of an overall tapestry. The only real glitch this series’ placement causes is that by the end of the story, Oliver Queen is wearing the costume designed by Neal Adams in the 1970s. But since this is Ollie’s origin as Green Arrow, he really should have the green tunic and leggings with the red boots and gloves. But it’s a minor detail.

Catwoman annual 2 :Year One (DC Comics, 1995) — All of DC Comics’ annuals in 1995 played off the Year One theme. Many of them included “modern” framing sequences, so they won’t show up in my collection until the other comics from 1995. This one however, is a story firmly set in the past, yet Selina Kyle has obviously been Catwoman for a little bit when the events unfold. This story expands on the details of Selina’s backstory from Batman: Year One and the Catwoman minseries from 1991, adding in a martial arts element to explain some of the skills the character was regularly using in her own title at the time.

Legends of the DC Universe 7-9: Green Lantern and Green Arrow (DC Comics, 1998) — This story is obviously an early pairing of these two heroes, occurring before superhero team-ups became a common thing. The two heroes meet in an Asian nation and confront their ideological differences.

Legends of the DC Universe 26-27: the Joker and Aquaman (DC Comics, 2000) — Now this tale doesn’t so much change established continuity as it builds upon what has gone before. During the classic Englehart/Rogers run of Detective Comics, they had a truly perfect Joker story called The Laughing Fish. At the end of the story, the Joker disappears into the Gotham River and is presumed dead. In this story, the fledgling hero called Aquaman happens to be swimming by and thinks the Joker is merely a drowning surface-dweller. The naive hero offers the “persecuted” villain a place under the waves before he learns the Joker’s true nature.

The Man of Steel 6 (DC Comics, 1986) — The final issue of the Superman re-vamp shows us Clark’s revelation that he is really from the planet Krypton, information he did not possess before that point. Clark, as well as Jonathan and Martha Kent, learn this from Jor-El himself, via hologram. The revelation of his alien origins prompts Clark to wonder about his future, but he concludes: “I may have been conceived out there in the endles depths of space ... but I was born when the rocket opened on earth, in America. ... It was Krypton that made me Superman ... but it is the earth that makes me human!!” And thus the stage is set for the new Superman.

Batman: Shadow of the Bat annual 3: Year One (DC Comics, 1995) — Yet another Year One annual, but the Batman-themed annuals in 1995 all focused on villains. This story is a story, then, about Pamela Isley, Poison Ivy Year One, showing the first encounter between the Queen of Green and the Batman.

Catwoman 38-40 (DC Comics, 1996) — This three-issue story arc is subtitled Catwoman Year Two. Batman and Catwoman cross paths again, and each feels attracted to the other. Catwoman initially springs the Joker, Penguin and Two-Face from lock-up in an effort to distract Batman. The other villains don’t much like being someone else’s decoys and their machinations end up pushing together the Bat and the Cat.

Detective Comics 575-578 (DC Comics, 1987) — Having dealt once again with Catwoman, Batman gets his own Year Two treatment, going up against a new villain named the Reaper in this four-issue arc. It also has Batman questioning his decision never to use guns in his war on crime.

JLA Year One 1-12 (DC Comics, 1998) — We’ve spent a great deal of time re-introducing a number of heroes, and even had a few of them team-up from time to time. But eventually, there would come a day when a threat arose which no single hero could overcome alone ... oops, wait, wrong company, but you get the idea. Eventually all of these heroes had to get together, and one fine day, the Flash, Aquaman, Green Lantern, Black Canary and Martian Manhunter did just that. Green Arrow, Batman and Superman also play their respective roles. And Hawkman comes along as a representative from the legendary Justice Society to make sure the “kids” don’t screw up. In addition to the drama, this story includes some great character moments, especially the fact that noone can hear Aquaman’s mumblings when he talks in their early adventures. Seems sound waves travel better in water than air, and he’s never had to speak up before. Along the way, the team also meets other heroes such as the Doom Patrol, the Metal Men, the Blackhawks and the Freedom Fighters.

Batman Chronicles: The Gauntlet (DC Comics, 1997) — While the members of the new Justice League get used to each other, back in the Batcave, Batman is getting used to his new partner, a young lad named Dick Grayson, aka Robin, the Boy Wonder. This is the tale of Robin’s first real trial-by-fire.

Robin Year One 1-4 (DC Comics, 2000) — Next, Robin gets the Year One treatment in a four-issue prestige series depicting his first encounters with some of the worst of Batman’s growing list of rogue’s — characters like the Mad Hatter and Two-Face. But even those villains are no match for Batman’s wrath when Robin disobeys orders and is stripped of his costumed identity by his mentor.

Lex Luthor: Man of Steel 1-5 (DC Comics, 2005) — This story is a typical early match-up between Superman and his arch-nemesis, but it is told from Luthor’s perspective. In yet another bid to out-do Superman, Lex creates his own female superhero with the intent of using her to best Kal-El, then do him in. Batman guest-stars.

Batman: Full Circle (DC Comics, 1991) — This prestige format one-shot brings back the Reaper for a rematch with Batman.

Teen Titans Spotlight 11: The Brotherhood of Evil (DC Comics, 1987) — Few of these re-vamps seem to focus on villains, but this one does. It looks at the formation of the New Brotherhood of Evil, villains who would later take on the New Teen Titans. But the Titans group is not in existence at this point. Instead, a government agency is tracking the movements of the Brain and Mallah as they gather recruits, including a teleporter named Warp. Agents sabotage Warp’s power, sending the new group to an alternate reality where they meet future versions of Tin-Tin, the character created by Hérge, and his friends.

And, I think that’s far enough for today. Believe it or not, we’ve covered the majority of the re-vamps on our way back to comics which occurred in 1986. Again, not every character got a major overhaul following Crisis, and some who did, established the new changes within the context of “current” stories. So, there’s really not that much more to go to “catch up.”

Posting While The Posting Is Good

Despite some complications both at work and at home already this week, I’ve managed to do a little bit of reading and I have a little time with the computer, so here’s some more reviews of recent comics:

Superman 654 (DC Comics) — This was a fun stand-alone issue. It continues to show just as much of the life of Clark Kent as it does Superman, which is nice. And the Daily Planet newsroom is a little more like what I expect from real newsrooms. The anniversary Clark and Lois are trying to celebrate is a nice one. And the ending is a nice little gift from Lois to her husband that rings true of her character and of the partnership these two share in modern comics. I was afraid some of the storyline quality would suffer after the initial arc. I like Superman as part of the group, but tend to get bored with him solo. This issue gives me hope for the Man of Steel’s future.

Squadron Supreme (2006) 5 (Marvel Comics) — This book is a guilty pleasure. It is much darker than the original 1986 series, playing as it does off real world prejudices and events, but Straczynski and Frank do a wonderful job making these characters real and consistent, both in action and appearance.

Fables 51 (DC Vertigo) — Another great charcter-driven title. I don’t so much like what Willingham does as a writer on superhero comics. I particularly did not care for his run as Robin scribe. But his attention to detail and characterization in this title is superb. This issue focuses on superspy Cinderella providing a wonderful little solo story, nicely advancing the overall Adversary War plotline and creating some new threads for future stories, all of it in a pretty package by guest penciller Shawn McManus. If you aren’t already, read this title.

Civil War Front Line 3 (Marvel Comics) — This issue was somewhat of a letdown. I haven’t been following She-Hulk’s adventures in the Dan Slott title, so I am not exactly sure how she comes down in the whole registration debate, but she seems in support of registration and quite out of character in “The Accused” as the former Speedball is further railroaded by the government. The main “Embedded” story is still the best, but this issue left me scratching my head more than anything else.

Dorothy 6 (Illusive Arts) — This is an intriguing quarterly title. I grew up watching “The Wizard of Oz” on television even though I’ve never read Frank Baum’s original books. I'm curious whenever a book visits Oz. This independent comic updates Dorothy Gale to a modern, rebellious teen with spikes, studs and dyed hair. An attempt to run away from the restrictive home of her Uncle Henry and Aunt Em is interrupted by a tornado and Dorothy is deposited in a strange land. Rather than strictly drawn panels, however, this title uses Photoshopped photography and computer enhanced images to depict Dorothy’s adventures.

Dorothy is not the only character to get a makeover, however. Oz is a place ruled by a dark witch and full of political machinations. So far, Dorothy has been befriended by a small robotic canine ToTo unit, an unfortunate political dissident who has been mind-wiped and left an adle-brained Scarecrow, and a Tin Man with the soul of a poet and the mind of a tortured genius trapped in a mechanical body.

OK, I’m getting tired, so I think I’ll call that a post right there, and grab some Zs. Later, kiddie-cops.

Meanwhile, back in the Comics Den ...

I said I wasn't going to talk about comic books all of the time, but it's been a while now, so here we go returning to geek-heaven:

The vast majority of collectors I have talked to store their collections (books bagged and boarded, of course) in boxes or on shelves alpha-numerically, i.e. Batman comes before Superman and Spider-Man and even Batman: Gotham Knights and Batman #100 comes about 100 issues before Batman #200 (if you're lucky enough to have comics from that far back). My system, while not unique, is a little bit different.

I look at the comic book characters I love and their adventures as if they were real people living real lives. No, I don't mean I have trouble distinguishing reality from make believe, but previous writers and philosophers have posited that if someone can imagine something, then somewhere in all of reality, that imagined thing can be real. Following this logic, I try to store my comics in "chronological order."

In a simple equation of a collector following one title only, this would not be very different from storing the books numerically. The continuity of most modern comics is that issue "B" takes place after issue "A." Even if issue "C" includes a flashback to something that happened before issue "B," the bulk of the book would still occur after issue "B." But then, let's say, issue "D" comes out and tells the origin of the title character. Issue "D" includes no flashbacks, there is no "current" framing sequence with a character thinking back. Well then, chronologically, issue "D" would come first in my collection, making the order of the books D, A, B, C.

Of course, most collectors don't follow just one book or one character. And sometimes characters interact in each other's stories. Batman may appear in a stand-alone issue of Superman during the same month that his own title is on part 3 of a 4-part storyline. Does that appearance of Batman in the Superman title really "happen" between scenes in that month's issue of Batman or did it "occur" either before or after the storyline in the Batman magazine? Answering questions like that and placing the comics in order accordingly is part of the enjoyment for me. Sometimes there will be clues within the story to indicate which event came first. Sometimes it's a completely arbitrary decision.

Yet, even the above example isn't really complex enough to show the myriad plotlines and stories one has to keep straight to achieve this goal. To see just how convoluted it could get, let's look at one of my favorite characters: Nightwing. For those not in the know, Nightwing is Dick Grayson, the original Robin, the Boy Wonder, all grown up. Nightwing currently has his own self-titled comic book published monthly. Nightwing is also a member of a current group called the Outsiders and often appears in that book. He is also a founding member of the Teen Titans. There is a new group of Titans right now, and Nightwing is not a current member, but he guest-stars in the book quite often as he was a founding member of the original group and the current group includes the current Robin, Nightwing's "little brother" in the Batman family. Let's add Batman into the mix; that includes titles such as Batman, Detective, Robin, Batgirl, Batman: Gotham Nights and Batman: Legends of the Bat, all of which could feature a guest appearance by Nightwing. The character is also friends with the Flash, another founding Teen Titans member. He has been in titles like JLA and Birds of Prey before. That's a dozen books this one character could be in during any given month. Odds are he wouldn't be all of them in one month, but let's say he was in only three; there are still the other characters in those three books who could each be in multiple books each month. It can be a challenge sometimes.

What the hell are 'kiddie cops'?

OK, while it's not officially a comment, my wife did ask that question (or one along those lines) after reading my most recent post. So, you get the answer, too.

"Kiddie cops" is one of those terms or phrases I use occasionally in my speech which comes from something I read, in this case a comic book. Specifically, The New Teen Titans annual 2 (1983), the comic which is directly responsible for my adult interest in comics.

Both my brother and I had read comics when we were much younger, but we didn't "collect" them. We'd get random issues of Spider-Man or Justice League of America or World's Finest Comics when Mom let us buy them from the grocery store, but they'd never last long enough to be collected. But in 1983, while on a youth group trip with friends, I spotted this comic book in the spinner rack convenience stores all used to have. To be honest, I didn't recognize most of the characters on the cover, but I was pretty sure the "floating head" on the lower right was Robin, the Boy Wonder. I picked up the issue and fell in love with the storytelling and intrigue, not to mention those stunning George Perez illustrations.

The story in the comic picks up in the middle of an investigation by the New Teen Titans (Robin, Wonder Girl, Kid Flash, Changeling, Starfire, Cyborg, Raven and Terra) and Manhattan district attorney Adrian Chase. The Titans believe that Chase and his family have just been killed by the organized crime family they are pursuing. In an audiotape left by Chase for the Titans, he refers to them as "kiddie cops." I thought it was clever at the time, and the phrase became part of my vocabulary.

This issue has much more to offer those interested in comics. Chase is, in fact, not dead and goes on to become the costuned vigilante ... Vigilante. Many others would use this moniker afterwards, but Adrian Chase was the first. This issue also features an appearance by a mysterious power broker for heroes and villains named the Monitor, a shadowy figure seen in various DC titles throughout the year. He would soon be revealed as an extra-terrestrial "monitoring" and testing various meta-humans for the upcoming blockbuster Crisis on Infinite Earths series. And at one point in the story, the Monitor is called upon to provide several assassins-for-hire to slay the Titans on behalf of that nasty organized crime family. Most of the villains make their one and only appearance in this issue, but one in particular, the Asian-American assassin Cheshire, would go on to be a major presence in the DC Universe.

Probably, I won't talk about comics every time I post, but this time I did, so it makes a nice transition into another quick topic. In a previous post, I had mentioned comics to sell which I had listed on a site called iOffer. That worked pretty well for a while, but I have so many comics to sell, I ended up creating my own site listing all of them. If you happened to find your way here and are interested, check out the site at http://www.angelfire.com/comics/tsgnightwing

And so long for now, kiddie cops.