Showing posts with label Transmetropolitan. Show all posts
Showing posts with label Transmetropolitan. Show all posts

Tuesday, August 24, 2021

Another solid read no longer delayed

Y: The Last Man
DC Vertigo
Creators:
Brian K. Vaughan, Pia Guerra, Jose Marzan Jr., Paul Chadwick, Goran Parlov and Goran Sudzuka
Release date: July 2002 – January 2008


I’ve been on a bit of an unplanned Vertigo kick of late.

Now, I’ve never been a stranger to Vertigo titles. I started buying Fables while it was still in the midst of its first story arc and continued to buy the title in single issues throughout its entire run. I read the entire run of Transmetropolitan in trade form shortly after the series ended. I’ve also read a number of limited series and tried various issues of other titles released under the DC Vertigo imprint through the years. Some I’ve liked. Some I’ve really enjoyed. Others were simply meh.

But I unexpectedly decided to try reading Preacher for the first time not long ago after hearing the series recommended on a podcast I was listening to. You can read about my first impressions of that title here, if you haven’t already done so.

Since writing that post, I have finished reading all of Preacher, including the various one-shots and the Saint of Killers miniseries. Overall, I continued to enjoy the read-through, and hold the series in very high regard. I especially like how Garth Ennis and Steve Dillon make you care about the characters and root for them as they move along their respective journeys, even though they are not very likeable people. Even the protagonists in the story do things that I would otherwise find abhorrent and despicable, but I still wanted those protagonists to come out on top in the end.

Speaking of the end, I’m not entirely sure how I feel about the ending of that series. After liking and rooting for those protagonists through some seventy-plus comic issues, they didn’t exactly end up where I might have hoped they would. That’s not to say I think the writing was bad or faulty. The ending just left me unsure of how I feel about it.

My family has also recently watched and very much enjoyed the entire first season of “Sweet Tooth” on Netflix. I’ve never read the Vertigo title by Jeff Lemire in any form. But I’d heard some good reviews of the show by friends online, and my wife had heard many of the same positive reviews. We decided to try the show and were pleasantly surprised by just how much we enjoyed it. We definitely plan to watch the announced second season when it drops.

And that brings us, finally, to Y: The Last Man. I read the Transmet trades in late 2002 or early 2003, shortly after that series ended. Just before Transmet came to an end, Y: The Last Man began publishing. I decided to buy it in trades, but I also decided to wait until the series ended and I had the complete story before I would read it. That’s how I’d read Spider Jerusalem’s story; I figured it would work well for Yorick Brown, too. I bought each of the Y: The Last Man trades as they were released, and then I put them on the pile of books to read later, after I collected the entire thing.

I bought the series based on liking Transmet, so it seemed fitting to decide now was the time to read it after reading and liking another Vertigo title, Preacher. There was also the incentive of reading the entire series before it, too, becomes a streaming television program. “Y: the Last Man” the TV series is set to debut on the FX network next month, I believe. So I have spent the past couple weeks reading all 60 issues of Y.

Like the characters in Preacher, the people readers meet in Y: The Last Man are flawed individuals who do not always do the right thing. But I still found myself liking the main protagonists, being drawn into their world and rooting for them through all the twists and turns of their story.

The set-up for the story is a mysterious plague which immediately kills every mammal on the planet with a Y chromosome — every one except for a young man named Yorick Brown and his pet monkey, Ampersand. The other principals in the story include Hero Brown, Yorick’s older sister and an EMT when the pandemic hits; 355, a government agent assigned to protect Yorick as he travels; and Allison Mann, a researcher who thinks she might be able to find a way to counter the effects of the pandemic with Yorick’s and Ampersand’s help. The story follows their adventures as they seek answers and solutions in the world that remains.

Of course, there are many, many more characters in the cast along the way. Our heroes come across hate groups, zealots, soldiers, former supermodels, secret agents, scientists, actors, astronauts, sailors, pirates, spies, journalists, ninjas and many others in their travels to Washington, D.C.; Massachusetts; California; Australia; China; France; and other stops all along the way.

Honestly, I don’t want to give away too many details of the story for anyone who hasn’t read the books or who plans to watch the upcoming FX program. Overall, Y: The Last Man was a fun, enjoyable read. Brian K. Vaughan writes an engaging tale that kept me riveted page after page. Primary artist Pia Guerra’s work is a nice mix of realistic and cartoony, and the fill-in artists, when used, produce a similar style, giving the entire series a uniform, cohesive look.

I’m glad I finally made time to give this title a try, and I’m looking forward to seeing what FX does with the streaming series. Once again, I had a bit of an issue with the ending of the series. I was not entirely happy with how some things turned out, including the explanation(s) of what exactly caused the plague which killed most male mammals on Earth. But I will say I liked the ending of this title a bit more than I did the ending of Preacher. And I have no problem recommending the series to anyone interested in giving it a read.

Tuesday, November 28, 2006

Comics As Holiday Gifts

Something a little different today, kiddie cops. I’ve read a couple books since the last post, but instead of more reviews, today I’m gonna tell you a little about giving comics as presents, specifically at Christmas, but birthdays or just whenever work as well.

The idea isn’t a new one. I’ve been reading the suggestion and discussions about the pros and cons online for a couple years now. Handing out single issues of kid-friendly titles as Halloween treats is another variation. Especially when kids are involved, the giver might just be helping to create another generation of comics readers.

I don’t know any young children I can give comics to at the moment, but I do know some friends and family members who have expressed mild interest in comics before or who I feel might be willing to try them if the subject matter was of interest. Most of these intended recipients aren’t going to care much for superhero stories unless there was something else to it, but that’s not all I read either.

I’ve selected four titles I think these people might have an interest in (I can’t tell you who is getting what, they might be reading) and decided to go with the first trade paperback collection from each series. And I decided to post about them in case someone out there might also be inspired to try one of these books, if he/she hasn’t already.

Transmetropolitan
The first title is one we haven’t talked about here before because I don’t actually own a single copy of the book. Transmetropolitan was a series created and written by Warren Ellis. Most often, the artist was Darick Robertson. The series lasted for 60 issues between 1997 and 2002 and has been collected into, I believe, 11 trades. I’d always been curious about it, and finally had a chance to borrow the entire series from a co-worker. I was both surprised and revolted by what I found, enough so that I plan to buy myself copies of the trades, and figured a few of my more twisted friends might enjoy sampling the series.

The Comics Buyers Guide Standard Catalog of Comic Books describes the series thus: “Taking its title from a rowdy song by Irish rockers, the Pogues, and basing its main character on legendary “gonzo journalist” Dr. Hunter S. Thompson (author of Fear and Loathing in Las Vegas and the model for another famous comic strip character, Doonesbury’s Uncle Duke), Transmetropolitan positions itself squarely at the acid-etched edge of 1990s hip culture. Transmetropolitan follows the adventures of psychotic writer Spider Jerusalem in a nightmarish near-future, cyber-nightmare world of drugs, aliens, androids, mutants, technology gone mad, and lots more drugs.” I’d add that my favorite character, next to Spider himself, is the two-headed, chain-smoking cat he adopts in the series.

Fallen Angel
This next book has had an interesting life. Fallen Angel, written by Peter David and originally illustrated by David Lopez and Ferdinand Blanco, was never part of the mainstream DC Universe, but it was not published by DC’s more mature Vertigo imprint, either. That made it hard for the series to find an audience, and DC finally called it quits after 20 issues between 2003 and 2005. But just this last year, IDW Publishing picked up the series. To date, they have published 10 issues from David and new artist David Woodward.

Here’s how DC described the series: “Welcome to Bete Noire ... where dreams come to die. Quiet, almost mundane by day, Bete Noire’s shadows seem imbued with life by night. Criminals conduct their business unafraid, and the uncommon is commonplace. And moving through it all like broken glass — smooth, yet cunning — is the woman called the Fallen Angel, who helps people in need when they find themselves at a crossroads in their lives. But the Fallen Angel’s help isn’t always what it seems. If she deems you worthy, she can be your savior. If not, you’ll walk away from her worse off than you were before ... if at all.” The series explores just who and what the Fallen Angel is, and while she isn’t the typical “hero,” her exploits in Bete Noire are quite entertaining.

Fables
This DC Vertigo series, of course, came from the mind of Bill Willingham, and involves many of those famous fairy tale characters secretly living in New York among the rest of us Mundanes. Familiar faces are given added dimensions in these modern tales of the Fable folk, and readers learn that their lives really aren’t always “happily ever after,” especially when you consider most of these Fables have been around for centuries. And there’s also the little matter of why they are living here, having been driven from their Homelands by the mysterious Adversary.

The first arc of this ongoing comic book introduces us to the hierarchy of Fabletown with the capable administrator Snow White, constable Bigby Wolf, lothario Prince Charming, perennial con-man Jack Horner and a host of others as they are confronted by the disappearance, and probably murder, of Snow’s sister, Rose Red.

Boneyard
And lastly we have the first collected volume of Richard Moore’s great monster tale, Boneyard, from NBM. This quarterly comic started in 2001 and explains how everyman Michael Paris comes to inherit a cemetery which just happens to be filled with talking gargoyles, a biker werewolf, a card-playing skeleton, a bumbling witch, a wise-cracking raven, a vampish sea creature and a thoroughly enchanting vampiress. The denizens of the cemetery — or boneyard — try to convince Paris to save their home, while the townsfolk hope to buy the property and bulldoze it under.

So, there’s some of the comics-themed presents I’ll be giving this year. Maybe there’s something for you in there, too.