Pricey, Oh So Pricey, But Still Good

Star Trek: New Visions No. 2: "Time's Echo"
IDW Publishing
John Byrne, writer and photomontage assembler

This is another modern photonovel dreamed up and brought to reality by John Byrne using existing footage and stills from the original "Star Trek" series to create a brand new adventure of the Enterprise crew. Byrne has proven in a number of past comics under the IDW Trek banner that he gets these characters and their respective voices. So far, he has completed three of these photonovel projects and each one feels just like a lost episode of the popular sci-fi series.

This issue finds the Enterprise crew summoned to investigate a 1,000-year-old distress call apparently made by James T. Kirk himself. That story is engaging enough by itself, if a bit predictable in places, but this second regular issue of New Visions also includes a small backup story that gives an in-story reason for the departure of Yoeman Janice Rand from the series.

I wish these volumes didn't carry such a hefty price tag. The first, trial photonovel, "Strange New Worlds," solicited as a special Star Trek Annual, along with each of these first two New Visions issues have carried a suggested retail price of $7.99 for 48 square-bound pages and heavier cardstock covers. I image at least a portion of that price includes some royalties for the use of the stock images, and I also imagine the creation of these volumes is pretty labor intensive, selecting and cropping all of the various raw images into a cohesive narrative. I get all that. And I am enjoying the finished products quite a bit so far. But $8 for these books still seems a little steep for most people's budgets, so I don't know how long this series will be able to continue.

I Remember Those ...

Star Trek Annual 2013
IDW Publishing
John Byrne, writer

John Byrne has done a number of great Star Trek projects for IDW since they acquired the license to produce comics for the franchise. This latest creation takes the original series' second pilot episode, "Where No Man Has Gone Before," and crafts a sequel as if it is just another episode of the original television run of "Star Trek." Rather than illustrations by Byrne or another comic artist, however, this annual makes use of still footage from the original shows with word balloons added to make a fotonovel.

In the book, a mysterious signal draws the crew of the Enterprise back to Delta Vega, a lonely planet at the edge of our galaxy where the starship lost two of its crew on an early voyage. Byrne does a good job of capturing the voices and the feel of the original science-fiction classic, so that this annual reads just like a natural epilogue to the original episode.

The idea for fotonovels is not a new one. In fact, the original run of "Star Trek" had an even dozen episodes turned into popular fotonovels in the late 1970s. I know that because I own several of them, but even if I didn't, this annual contains a brief history of the fotonovel concept by Cliff Biggers of Comic Shop News and Newsarama.

I don't know that a casual fan of the new movies will care much for this "blast from the past," but any longtime fan of the franchise will appreciate this Star Trek Annual, and I heartily recommend it!

Sidetrack From The Saga

Whipping Boy
Dell/Abyss
John Byrne, writer
***mature content warning***

There is still one final tangent to explore along my journey through both volumes of John Byrne's Next Men and their prequel comic, John Byrne's 2112.

As discussed last time, I don't always read all of the fan mail or cross-reference notes in an older comic I'm reading for the first time. Sometimes I do, but other times I just breeze right past them. When I discovered that the link between JBNM and 2112 was much stronger than I at first realized, I decided to go back and check out another editor's note from JBNM Volume 1 a little closer.


In JBNM No. 16, the final issue in the "Fame" story arc, Dollar Comics executive Ben Horowitz has introduced the Next Men to the world as real-life superheroes. A Chicago-based newspaper reporter and her editor, simply named Donna and Walker, respectively, take note of the story and are curious about it. The pair have a brief conversation about the Next Men and wonder about their link to someone named Paul Trayne and some events from five years in the past in a place called Faulkner, Ill. Donna and Walker show up again briefly in a later issue of Volume 1 while the Next Men are being hunted by the authorities but not at all in JBNM Volume 2, so their contributions to the overall narrative are slight. But that first conversation between them that references Paul Trayne and Faulkner, Ill., includes an editor's note: "For complete details, pick up a copy of 'Whipping Boy,' available from Dell/Abyss."

So off I went in search of this title to see how it tied in with the rest of JBNM.

I searched several back issue sites online, as well as eBay, but could not find a single comic going by this name. I wasn't familiar with an Abyss comic publisher, but Dell published a number of comics several decades ago. Still, I was coming up empty everywhere I searched. By chance one day, I decided to try a search on Amazon.com. Amazon is not a great site for finding single-issue comics, but maybe, just maybe, I thought, there might be a trade of Whipping Boy available. I did find the book on Amazon, also learning why I'd had so much trouble locating it before. Whipping Boy is NOT a comic, but a prose novel written by Byrne and published in 1992, the same time 2112 and JBNM got started.

In hindsight, this novel really doesn't tie into JBNM much at all. I think Byrne merely chose to include Donna and Walker, two of the characters from his novel, in JBNM as a way to cross-promote the paperback. But if you happen to be curious, it isn't a bad read, although a tad long at 498 pages. (I personally think the narrative could have been edited down from that length somewhat as the action seems to bog down a bit in places, but I was interested enough to finish the entire thing.)

The title Whipping Boy refers to Paul Trayne, a 15-year-old mutant with the ability to look into people's souls and remove their guilt and shame, taking those things into himself. On the surface, this might seem like a wonderful thing, even a gift, as many in the novel first describe it. But keep in mind that as much as JBNM is a science fiction story, Whipping Boy is a horror story with an emphasis on religion and morality. Paul, guided by his father, the Rev. Robert Trayne, reaches out to the residents of Faulkner, Ill., offering his gift. The phenomenon comes to the attention of Chicago newspaper editor Walker Stone, who decides to send one of his reporters, Donna Wojciechowski, to see if Trayne is real or a charlatan. Donna finds more than she bargained for when she arrives, first finding many of the residents of Faulkner greatly changed by the power of Paul Trayne, and later feeling the effects of his "gift" firsthand. And Faulkner is just the beginning of the plans Paul and his father have for bringing this "gift" to the world.

Genesis Of A Saga

John Byrne's 2112
Dark Horse Comics
John Byrne, writer and artist
***mature content warning***

I completely missed the references the first time through.

The previous two posts to this blog have been about John Byrne's Next Men. I don't always read the letters pages when I go back and read an old comic I've recently purchased. I typically scan the letters for familiar names or things that might catch my eye, but seldom do I read them all. Such was the case when I read my first dozen-and-a-half issues of JBNM for the very first time. But in this most recent reading of the books, I stumbled across several mentions of another Byrne/Dark Horse book, a one-shot, titled John Byrne's 2112. I gathered from those letters that this was a book published before JBNM and that the big bad from that title, Sathanas, had first appeared in 2112.

I decided to make my reading experience of JBNM complete by trying to include this book, too, if possible. But to be honest, I expected the link between 2112 and JBNM to be very slight. My expectation was that 2112 was written as a self-contained, standalone, done-in-one story, possibly having been written a few years before JBNM. Then later, while crafting the story that would become JBNM, Byrne had decided to reuse an old character from a previous story.

I was successful in my attempt to find a reasonably priced copy of John Byrne's 2112, and it arrived in time for me to read it immediately after I finished Next Men: Aftermath. I wish I had known about the book earlier and had ordered it and read it BEFORE reading JBNM because it truly is a prequel to the JBNM saga.

The book was published in November 1991, just two months prior to the publication of JBNM No. 1, likely just allowing enough time for the four Dark Horse Comics Presents vignettes later collected into JBNM No. 0. Sathanas is the evil mastermind behind a mutate uprising in the year 2112. Think of mutates as similar to mutants. And the events of the 2112 one-shot lead directly into Sathanas' appearance in the pages of JBNM. But the connections do not stop there.

The point of view character in 2112 is a young law enforcement cadet named Thomas Kirkland who also plays a key role in the JBNM series. Kirkland learns in 2112 that his superiors have kept secret the origins of the mutates from the general populace -- that they stemmed from a government genetics project gone wrong in the 20th century, a project codenamed Next Men. There are other names and characters in 2112 which reappear in JBNM, so there can be no question that Byrne fully intended this book to lead into the Next Men saga. For completists, this book is indispensable when trying to read JBNM, and well worth a look.

The Saga Continues

John Byrne's Next Men (Volume 2) 1-9 (or issues 31-39 if you continue with the original numbering)
and Next Men: Aftermath 40-44
IDW Publishing
John Byrne, writer and artist
***mature content warning***

Last time, we talked about a creator-owned series from Dark Horse Comics titled John Byrne's Next Men, which ran for 31 issues (0-30) in the mid-1990s. I wasn't aware of the series when it debuted, instead learning of it later and tracking down the full run in back issues and trade. But then I put off reading the series for a while. That delay proved to work to my advantage as the initial run of the title ended on a cliffhanger that would not be resolved until the past couple years.

Byrne had promised readers that he had an ending in mind for the science fiction tale centered around five exceptional young people -- Jasmine, Nathan, Bethany, Jack and Danny -- who were grown and raised in a controlled lab environment, and the special government agent, Tony Murcheson, who worked alongside them. But it took 15 years for the next chapter of their story to finally see print.

John Byrne's Next Men  volume 2, No. 1, debuted from IDW in December 2010. While the cover clearly is marked "#1," another box next to the cover logo has a small number "3" inserted before the "1" -- a nod to the first volume of the series to let unfamiliar readers know that this was really issue No. 31.

In that first volume of JBNM, our heroes had been subjected on more than one occasion to alternate realities that would ultimately prove to be a ruse meant to deceive one or more of them. The Next Men and Murcheson were also no strangers to the concept of time travel. The conclusion of Byrne's series relies heavily on both those concepts. Various members of the team find themselves in prehistoric jungles, amid Roman centurions, deposited in the middle of America's Civil War or captured by Nazi concentration camp guards, not to mention a number of varying future scenarios. Either individually or in small groups, the protagonists of our story seem to just get their bearings when they are whisked away yet again. In some of these adventures, the Next Men's true history remains intact, and they continue to try to thwart the machinations of Sen. Aldus Hilltop and the evil Sathanas. But in other realities, the heroes seem to have lost their identities completely.

As with all of the best stories, the seeds of the final resolution were planted long ago in the pages of the first volume of this series. Seemingly random, new characters turn out later to be familiar faces. The internal logic of the story is maintained while arriving at an ending that seems both fitting and rewarding. Just when I thought Byrne had forgotten a particular plot thread or off-hand comment by a character I wanted explained, there was the explanation. And most of the explanations, while not what I was anticipating, were nonetheless, rational for the context.

In case it hasn't been obvious enough yet, I recommend John Byrne's Next Men to anyone who hasn't tried it. I might not have endorsed the tale as strongly without this new conclusion, as it can be very disheartening to have a good story stopped in the middle. But this conclusion makes this tale well worth a read.

The Saga Begins

John Byrne's Next Men 0-30
Dark Horse Comics
John Byrne, writer and artist
***mature content warning***

John Byrne's Next Men initially saw print as four short vignettes in the pages of Dark Horse Presents in the early 1990s. The anthology title offered Byrne the chance to slowly introduce some of the players who would be key to his series, and the four pieces were collected together in a JBNM 0 issue for those who had missed the initial printings. Many readers expected a typical superhero story (if one can gauge by the letters printed in the first few issues of the title), but Byrne was telling a story that fit more comfortably into the science fiction realm. To be sure, JBNM makes use of many superhero themes; in fact, I would be willing to say that the series could not exist in this form without story-telling tools familiar to superhero fans. But to call JBNM a superhero comic is to ignore so much more of what is going on.

The first issue of JBNM came out in January 1992 and obviously had some readers scratching their heads as the action clearly starts "already in progress" and even an inside-front-cover "The story so far" synopsis leaves many questions unanswered. In a move of brilliance, Byrne and/or Dark Horse must have anticipated the confusion as the 0 issue was published the very next month.

The title characters in JBNM are five young people ranging in age from mid-teens to early-20s. Jasmine, Bethany, Nathan, Jack and Danny all live in an idyllic environment they call "the Greenery." Occasionally, newborns appear in the Greenery, so there are younger children present, but they aren't the focus of the story. There have also been older youths before these central five. At random times, older children in the Greenery might start to display special abilities. Not long after that happens, each in turn has "faded" from the Greenery to be replaced by a stone marker in a field. This is the only life these five young people have ever known until Jack unexpectedly "wakes up" to find himself and the others hooked into some kind of machinery in the "real" world.

Before we ever meet these five youths, readers are introduced to U.S. Sen. Aldus Hilltop, the financial backer behind the secretive Project Next Men. Hilltop and his lead scientists are trying to end the genetics project and destroy all evidence of its existence before they are discovered by federal investigators. We also meet one of those investigators, Tony (short for Antonia) Murcheson, who already knows some of Hilltop's secrets and is determined to expose his crimes. Murcheson finds the five awakened youths, and she tries to help them escape before Hilltop can have his research facility destroyed.

Along the way, Murcheson's charges discover they have some fantastic new mutations here in the real world. Danny can run at incredible speeds, but in the course of a day, his legs bulk up to look like those of a bodybuilder, not a 15-year-old like the rest of his body. Jack is incredibly strong, but finds he has lost the ability to control that strength; he can't touch anything without crushing it. Nathan can see long distances and wavelengths of light others cannot, but his eyes take on a hideous, large, blackened appearance. Bethany is invulnerable to any harm to the point that a single strand of her hair can slice through iron, but she has lost the sense of touch. Only Jasmine has no visible side effect to go along with her new acrobatic prowess. But despite being identified in the story as the oldest of the Next Men, she seems to be the most naive and child-like in her behavior. Maybe that's just my interpretation and not something Byrne intended, but otherwise, it seems odd that she would have no "curse" to go along with her "gifts."

Other characters figure prominently in the Next Men story as it progresses through these first issues. Willis Ducummen, or "Control," is the leader of the federal investigators trying to expose Hilltop's misdeeds. Sathanas is the true brains behind Hilltop's schemes. Ben Horowitz is the publisher of Dollar Comics, a master showman who introduces the Next Men to the world as real-life superheroes. Sandy Tolliver is a young artist at Dollar Comics who takes an interest in the Next Men's plight as they are hunted and reviled by the public.

A number of subplots are also introduced along the way and later brought into the story proper. JBNM No. 7 introduces a backup story titled M4, which continues until issue No. 23 when that storyline is brought into the overall narrative. M4 refers to an android designated M-IV or Mark Ivey. Mark and Hilltop's former secretary and lover, Amanda Watson, run into each other and try to figure out who or what Mark must "get away" from. Later, a time traveler named Thomas Kirkland shows up and claims he has come back from the year 2115 to prevent an attack on the president of the United States that will set in motion a chain of events centered on the Next Men that will lead to the extinction of most of humanity.

Believe it or not, all of these various plot threads tie together into a climax in JBNM No. 30 which looks to have dire consequences for our heroes. Except the series ended on that cliffhanger. The book was released more or less monthly at first. After a point, each new story arc was released monthly, with small breaks in publishing between arcs. The letters page in issue No. 30 starts off with an explanation by Byrne that he will be taking a hiatus and that he has a definite end game in mind for the series. But fans would end up having to wait quite some time before being offered an ending to this series.

I did not read this initial run of JBNM when it was originally published. I don't even remember being aware of the series in the early '90s, despite the fact that I was in college and paying regular visits to my then-local comic book shop. Some time after all 31 issues had been released, however, I became aware of the series and was curious about it. So, I managed to get my hands on the first 19 issues of the series (0-18) read them and enjoyed them. So I kept watch for more issues to continue the tale.

Fast forward several years. The four-issue Faith arc beginning in issue No. 19 was one I could never find in single issues, but I'd finally managed to get the Faith trade collection and single issues for Nos. 23-30. At about the same time, I'd managed to fill in holes from several other series in my collection and had decided I wanted to go back and re-read every comic in my collection in order of publication. (I was crazy to attempt it, I now realize, and I did not complete the task, although I stuck with the effort for several years.) The important point here is, I opted to wait to read the rest of these JBNM issues until I reached the 1990s in my collection. So, this is the first time I have read the second half of JBNM Volume 1.

All in all, I have to say this is a very entertaining and satisfying narrative, although Byrne's deliberately slow pacing would have been maddening on a monthly -- and later less than monthly -- basis. This story is built with secrets within secrets -- many kept from the readers as well as the characters -- and quite a few twists and surprises, even for the writer. For instance, it is clear from the letters pages that many followers of the series guessed at a secret relationship between Sathanas and one of the other characters in the story. It seemed an obvious connection to me early on as well. But then the text piece in issue No. 30 explains that the readers' guesses were a surprise to Byrne. He had not intended the relationship readers were so certain of, but it made so much sense to Byrne after the fact, that he incorporated that into the story.

Come back next time for the (eventual) return of JBNM.

Thing Has Changed

Hello, again. We’ve been talking about the ongoing series I am currently reading or re-reading as I work my way through the back issues of my own comic book collection. So, far, we’ve discussed The New Teen Titans, The Warlord and Jon Sable, Freelance. The fourth book that fits into that time frame is the first Marvel Comics title devoted to the solo adventures of the ever-lovin’ blue-eyed Thing.

Now, Ben Grimm has always been my favorite member of the Fantastic Four. I tend to gravitate toward some of the more monstrous-in-appearance heroes from the Marvel Universe. I like Thing, I like Hulk, I like Beast, I like Nightcrawler and I like werewolves, so, since we’re talking about Marvel, I like Werewolf By Night.

Currently, Ben has his own solo title again. It’s already been canceled, but Dan Slott’s take on the character was spot-on. And during the Silver Age of comics, Thing starred as the recurring character in Marvel team-up title Two-In-One. But, today we are discussing the early ’80s series The Thing by John Byrne (writer) and Ron Wilson (drawing). A few of the issues in early 1984 were written by Mike Carlin, too.

This series started out pretty good. Ben battled a collection of strange villains and had some unusual adventures in his first several issues. It was the Thing we all know and love - a grounded everyman who just happens to be incredibly strong, has a big heart and muddles his way through whatever life throws at him.

And that’s why this series is only so-so for me. Those first issues were great. But then the Marvel Powers-That-Were came along and screwed things up. 1984 was when Marvel Comics produced its first Secret Wars miniseries (certainly not the last to bear that name) in which a god-like being called the Beyonder whisked several heroes and villains off to an artificial planetoid and pitted them against each other. At the conclusion of the 12-issue extravaganza, Ben decided to stay on the artificial world, a place where he could inexplicably transform back and forth from human to the Thing, and sort out some of the relationships in his life.

So, naturally, in his own title, Ben ceases to be Ben. It doesn’t so much bother me that for the next 10 to 12 issues, he can transform; that doesn’t change the core character. But many of the storylines during this “Rocky Grimm (where the hell did that name come from), Space Ranger” arc were just too fantastical for my tastes. Sure Thing has been put into some fantastic situations as a member of the FF, but again, what makes the character great is his everyman groundedness. Take that away from him, as in these stories, and I just don’t care much for this “new guy.”

OK, so I’m bashing several of these issues. You guessed it; you will find a number of them that I didn’t care for on my Web site for sale. See, that’s one of the beautiful things about comics. These stories weren’t my personal cup o’ tea. That doesn’t mean noone will want them. Somebody out there might think I’m crazy for my “narrow” opinion, love these issues, and snatch them right up. The stories aren’t bad, they just aren’t Ben Grimm to me.

Next time, we’ll move on to something else. In the week it’s taken me to post about these titles from 1984, I’ve almost worked my way on in to 1985.