What's the difference between the DC Universe and the Marvel Universe? The heroes in the DC Universe are, with few exceptions, bright and cheery god-like beings who have the respect and admiration of the citizenry, whereas the heroes of the Marvel Universe are just as likely to be misunderstood and reviled for their heroic acts as appreciated. Some, most notably mutants and Spider-Man, are even feared by a sizable chuck of the MU populace.
I can't take credit for that observation, but I know a good point when I hear it. Apparently, so does Kurt Busiek. The fear and loathing denizens of the MU often have for their heroes is one of the central themes of his 2009 limited series, Marvels: Eye of the Camera.
This book is a sequel to Busiek's Marvels series which also featured beautiful painted artwork by Alex Ross. Jay Anacleto handles the artwork chores on this new book and does a fantastic job following in Ross's photo-realistic painting style. The artwork alone in these books is simply breath-taking.
The first book, for those who don't know (and shame on you, if you don't; run out and get a copy of the trade right away, if you don't already own this book), centers on photojournalist Phil Sheldon. Sheldon was a celebrated photog during World War II, capturing fantastic images of soldiers in combat, as well as some of that generation's better-known celebrities like the original Human Torch; Prince Namor, the Sub-Mariner; and Captain America and Bucky. Sheldon is getting older and feeling less-than satisfied by his life and career when the new age of heroes begins with the advent of the Fantastic Four. Invigorated with a new sense of purpose, Sheldon chronicles the debut of this team and the other Marvels who follow -- Spider-Man, the Avengers, the X-Men and others. Many of the great moments of Marvel Comics history are revisited in the series through the lens of this man's camera as he captures the sense of wonder the average person must have felt with such events going on around him.
Ever since the book was released, fans have clamored for a sequel, and Eye of the Camera is it. This new story re-visits just enough of the previous territory to catch new readers up to speed, enabling this series to stand on it's own. From there, it continues Sheldon's story as he marvels at how quickly the public turns on its heroes, one day embracing them as saviors and the next criticizing them for not doing more, not helping enough, or suspecting them of having less than pure motives.
The heroes of this second tale are the same Marvel heroes readers know and love, reliving more great events from Marvel history, but they are also the victims of rumors and smear campaigns along the way. Sheldon assigns himself the task of defending the heroes and blasting their sometime-worshipers/sometime-critics.
Both books are solid reads with truly inspiring artwork. They work as fantastic, entertaining fiction for the uninitiated, or avenues to revisit favorite scenes in a new light for longtime Marvel fans. Kudos to all involved. These books are great comics!
Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts
Thursday, April 22, 2010
Sunday, October 29, 2006
Make Mine Marvel ... Once In A While
Most of the people I know in and around this part of Oklahoma and Arkansas seem to have grown up with Marvel Comics and much prefer that stable of heroes out of the Big Two comics publishers. A lot of that affinity seems to stem from the time those folks got interested in comics and a number of Marvel characters on television when they were young. I suppose my preferences come from much the same sources, but took the opposite turn.
Somehow, I managed to miss the first, somewhat crude by today’s standards, launch of Marvel superhero cartoons in the late 1960s and early 1970s. But I did watch the Batman and Wonder Woman and Superman live-action shows when they were on in first-run or syndication. And I never missed the Superfriends among my Saturday-morning TV viewing. Sure, there was also the live-action Incredible Hulk and Spider-Man shows and Spider-man and His Amazing Friends later on. I’m not ignorant of the Marvel characters, but DC’s group was always the ones I knew and loved just a bit more.
That preference is reflected in my collection, especially during the mid-1980s when I discovered my first-ever Comics Specialty Shop. I had a number of single issues of DC Comics from the grocery store as a small child, things like Superman Family or Batman Family, maybe some World’s Finest and Justice League of America. Even an occasional issue of Spider-man, some based on his appearances on The Electric Company, that PBS series for kids too old for Sesame Street. Sadly, many of those silver-age comics are no longer in my possession because smaller children don’t always take care of things like their parents might wish they would. At this time, besides TV, my only other contact with the world of superheroes were some copies of Superman, Action and Adventure (staring the Legion of Super-Heroes) comics while awaiting my turn at the barber shop. Once in a while, they’d also have some Turok, Son of Stone, too. But it was rare that I owned or read any two issues in consecutive order of any title.
The yearning for that to change came about in the early 1980s when I discovered The New Teen Titans annual #2, a story I’ve related here before and won’t bore you with again. But the desire was not matched immediately with access. That wouldn’t come until a few years later when a friend of mine at school introduced me to that all-important comic shop. I was just in time to snatch up every new issue of DC’s Crisis on Infinite Earths. Of course, I also followed the Teen Titans titles at the time. I tried some other books which I no longer own like DC Challenge and a Rip Hunter, Time Master re-vamp. From Marvel, I tried some Spider-man and Captain America issues, but my favorite title from them was Squadron Supreme, an alternate version of DC’s Justice League. And forget other titles like Jon Sable or Warlord from the time; I knew nothing about them and didn’t try that much new back then. My passion for those titles is somewhat more recent (Thank God for back-issue sales, right?).
Anyway, this lengthy introduction is not meant to bash Marvel, but rather to explain why there aren’t that many Marvel titles in these retro-reviews posts. That just wasn’t my preference then, and while I really like some of their characters, Marvel is still second in my own personal rankings. So, there really aren’t going to be many Marvel titles this far back in my collection. In an effort to make some small amends for that, here are a few Marvel comics I DO have.
The Amazing Spider-Man: The Death of Jean DeWolff tpb (Marvel Comics, 1990) — This collection written by Peter David and illustrated by Rich Buckler was originally published as Peter Parker, the Spectacular Spider-man #107-110 from 1985-86. I’ve never seen or read any of the other stories featuring Jean DeWolff, but this story makes me think of her as an early precursor to Maggie Sawyer over at DC (there I go again, relating it all to DC). DeWolff is a police captain appearing in a number of previous issues of Spider titles apparently. She was created by Peter David according to the forward in this collection, and though she hadn’t been around long, she was gaining fans. This story, obviously, kills her off. Apparently, that caused some furor at the time because of DeWolff’s popularity. Further angering her shocked fans, she doesn’t die at the end of the story in heroic battle or sacrificing herself to save another like so many characters in comics. She dies off-panel at the very beginning of the story. And it takes not just Spidey, but also Daredevil, to help unearth the true identity of her killer, at first only known as the enigmatic Sin-Eater. The story is a compelling one even if you’re not familiar with DeWolff, and features some nods to classic Spider-man history.
The Thing 33-36 (Marvel Comics, 1986) — These are the last four issues of Thing’s solo series, and in all honesty, I was a little disappointed in them, mostly because there is no final resolution. Obviously, Ben continues to be a character in the Marvel Universe. I didn’t expect them to kill him off, or even necessarily reunite him with the Fantastic Four, but this tale just leaves the reader hanging unless you want to go buy other books.
When last we checked in with Ben Grimm, he was wrestling in the newly formed Unlimited Class Wrestling Federation, and was only beginning to wonder where all of the extremely powerful brawlers in the UCWF had been coming from. Before this, all of the other wrestlers shown have been male. Issue #33 shows readers that there is, in fact, a female division, and the champion female UCWF wrestler wants to challenge her male counterpart, Thing. Along the way, we learn that Sharon, the woman Ben is currently interested in, is interested in joining the female UCWF and we again hear the mysterious name, the Power Broker, the individual responsible for powering up many of the competitors. Ben is concerned about Sharon’s plans and tries to stop her. Further complicating things is the fact that Sharon does not share Ben’s feelings.
Ben vows to finally check out this Power Broker person, but is side-tracked in Issue #34 by the appearance of the Sphinx, a villain from Marvel Two-In-One, and the re-appearance of the Puppet Master. Ben manages to make peace with the latter and defeats the former, but along the way, the dizzy spells he has been suffering from grow worse. These spells were first introduced a few issues before.
Issue #35 has Sharon going to the Power Broker, now revealed to be Dr. Malus, a villain I’m not familiar with. He augments volunteers for a price, but then manipulates them into doing his bidding. Unless of course, the aumentation process fails. Those poor, mutated souls are locked away in a dungeon. Sharon is successfully augmented, despite a change of heart on her part, and becomes the all-new Ms. Marvel, or at least a version of the character that I don’t remember seeing anywhere else, so I’m assuming hers was short-lived. She also meets a new friend, Army Lt. Michael Lynch, whose rank changes a couple times in the story, and the two instantly have chemistry. That added to the fact that Sharon has already gone to the Power Broker angers Ben, who storms the Power Broker’s lair only to find it abandoned. First, all of the other augmented wrestlers are against Ben and Sharon. But then, they all join forces to hunt Malus down. That is, until Ben starts to change.
The final issue has Sharon take Ben to the hospital, but of course, normal physicians have no clue what to do for the Thing. Ben continues to mutate painfully, a condition reported on in the news and attracting the attention of She-Hulk, Ben’s replacement in the FF. Shulkie travels to California to see what is up only to clash with the new Ms. Marvel, who thinks Ben wouldn’t want to see She-Hulk. Ben, who doesn’t want to see anybody, breaks out of the hospital and disappears. The end. A teaser on the last page says to check out West Coast Avengers #10 for more. Don’t have that book. If anybody knows for sure what happens after this to Thing, feel free to let me know. Most of the illustrations of Ben in this issue are vague, but a few seem to show some points, so I’m thinking maybe this is how he adopts the pointed rocky appearance he had for a while, but it seems like that happened in the 90s. A hint on the letters page also says he will soon be joining a team but doesn’t reveal what team. I wonder if this is when he does, ultimately, rejoin the FF, but again, I don’t know for sure. Little help?
Somehow, I managed to miss the first, somewhat crude by today’s standards, launch of Marvel superhero cartoons in the late 1960s and early 1970s. But I did watch the Batman and Wonder Woman and Superman live-action shows when they were on in first-run or syndication. And I never missed the Superfriends among my Saturday-morning TV viewing. Sure, there was also the live-action Incredible Hulk and Spider-Man shows and Spider-man and His Amazing Friends later on. I’m not ignorant of the Marvel characters, but DC’s group was always the ones I knew and loved just a bit more.
That preference is reflected in my collection, especially during the mid-1980s when I discovered my first-ever Comics Specialty Shop. I had a number of single issues of DC Comics from the grocery store as a small child, things like Superman Family or Batman Family, maybe some World’s Finest and Justice League of America. Even an occasional issue of Spider-man, some based on his appearances on The Electric Company, that PBS series for kids too old for Sesame Street. Sadly, many of those silver-age comics are no longer in my possession because smaller children don’t always take care of things like their parents might wish they would. At this time, besides TV, my only other contact with the world of superheroes were some copies of Superman, Action and Adventure (staring the Legion of Super-Heroes) comics while awaiting my turn at the barber shop. Once in a while, they’d also have some Turok, Son of Stone, too. But it was rare that I owned or read any two issues in consecutive order of any title.
The yearning for that to change came about in the early 1980s when I discovered The New Teen Titans annual #2, a story I’ve related here before and won’t bore you with again. But the desire was not matched immediately with access. That wouldn’t come until a few years later when a friend of mine at school introduced me to that all-important comic shop. I was just in time to snatch up every new issue of DC’s Crisis on Infinite Earths. Of course, I also followed the Teen Titans titles at the time. I tried some other books which I no longer own like DC Challenge and a Rip Hunter, Time Master re-vamp. From Marvel, I tried some Spider-man and Captain America issues, but my favorite title from them was Squadron Supreme, an alternate version of DC’s Justice League. And forget other titles like Jon Sable or Warlord from the time; I knew nothing about them and didn’t try that much new back then. My passion for those titles is somewhat more recent (Thank God for back-issue sales, right?).
Anyway, this lengthy introduction is not meant to bash Marvel, but rather to explain why there aren’t that many Marvel titles in these retro-reviews posts. That just wasn’t my preference then, and while I really like some of their characters, Marvel is still second in my own personal rankings. So, there really aren’t going to be many Marvel titles this far back in my collection. In an effort to make some small amends for that, here are a few Marvel comics I DO have.
The Amazing Spider-Man: The Death of Jean DeWolff tpb (Marvel Comics, 1990) — This collection written by Peter David and illustrated by Rich Buckler was originally published as Peter Parker, the Spectacular Spider-man #107-110 from 1985-86. I’ve never seen or read any of the other stories featuring Jean DeWolff, but this story makes me think of her as an early precursor to Maggie Sawyer over at DC (there I go again, relating it all to DC). DeWolff is a police captain appearing in a number of previous issues of Spider titles apparently. She was created by Peter David according to the forward in this collection, and though she hadn’t been around long, she was gaining fans. This story, obviously, kills her off. Apparently, that caused some furor at the time because of DeWolff’s popularity. Further angering her shocked fans, she doesn’t die at the end of the story in heroic battle or sacrificing herself to save another like so many characters in comics. She dies off-panel at the very beginning of the story. And it takes not just Spidey, but also Daredevil, to help unearth the true identity of her killer, at first only known as the enigmatic Sin-Eater. The story is a compelling one even if you’re not familiar with DeWolff, and features some nods to classic Spider-man history.
The Thing 33-36 (Marvel Comics, 1986) — These are the last four issues of Thing’s solo series, and in all honesty, I was a little disappointed in them, mostly because there is no final resolution. Obviously, Ben continues to be a character in the Marvel Universe. I didn’t expect them to kill him off, or even necessarily reunite him with the Fantastic Four, but this tale just leaves the reader hanging unless you want to go buy other books.
When last we checked in with Ben Grimm, he was wrestling in the newly formed Unlimited Class Wrestling Federation, and was only beginning to wonder where all of the extremely powerful brawlers in the UCWF had been coming from. Before this, all of the other wrestlers shown have been male. Issue #33 shows readers that there is, in fact, a female division, and the champion female UCWF wrestler wants to challenge her male counterpart, Thing. Along the way, we learn that Sharon, the woman Ben is currently interested in, is interested in joining the female UCWF and we again hear the mysterious name, the Power Broker, the individual responsible for powering up many of the competitors. Ben is concerned about Sharon’s plans and tries to stop her. Further complicating things is the fact that Sharon does not share Ben’s feelings.
Ben vows to finally check out this Power Broker person, but is side-tracked in Issue #34 by the appearance of the Sphinx, a villain from Marvel Two-In-One, and the re-appearance of the Puppet Master. Ben manages to make peace with the latter and defeats the former, but along the way, the dizzy spells he has been suffering from grow worse. These spells were first introduced a few issues before.
Issue #35 has Sharon going to the Power Broker, now revealed to be Dr. Malus, a villain I’m not familiar with. He augments volunteers for a price, but then manipulates them into doing his bidding. Unless of course, the aumentation process fails. Those poor, mutated souls are locked away in a dungeon. Sharon is successfully augmented, despite a change of heart on her part, and becomes the all-new Ms. Marvel, or at least a version of the character that I don’t remember seeing anywhere else, so I’m assuming hers was short-lived. She also meets a new friend, Army Lt. Michael Lynch, whose rank changes a couple times in the story, and the two instantly have chemistry. That added to the fact that Sharon has already gone to the Power Broker angers Ben, who storms the Power Broker’s lair only to find it abandoned. First, all of the other augmented wrestlers are against Ben and Sharon. But then, they all join forces to hunt Malus down. That is, until Ben starts to change.
The final issue has Sharon take Ben to the hospital, but of course, normal physicians have no clue what to do for the Thing. Ben continues to mutate painfully, a condition reported on in the news and attracting the attention of She-Hulk, Ben’s replacement in the FF. Shulkie travels to California to see what is up only to clash with the new Ms. Marvel, who thinks Ben wouldn’t want to see She-Hulk. Ben, who doesn’t want to see anybody, breaks out of the hospital and disappears. The end. A teaser on the last page says to check out West Coast Avengers #10 for more. Don’t have that book. If anybody knows for sure what happens after this to Thing, feel free to let me know. Most of the illustrations of Ben in this issue are vague, but a few seem to show some points, so I’m thinking maybe this is how he adopts the pointed rocky appearance he had for a while, but it seems like that happened in the 90s. A hint on the letters page also says he will soon be joining a team but doesn’t reveal what team. I wonder if this is when he does, ultimately, rejoin the FF, but again, I don’t know for sure. Little help?
Saturday, July 08, 2006
More Reviews From Early June
Hey, had a chance to read a few more books this week, so let’s jump right in with my thoughts on ’em. Not sure if I’ve said it before or not, but some spoilers will be included from time to time.
The Thing 7 (Marvel Comics) — This is a fun book. I didn’t care so much for writer Dan Slott’s humor in his revamp of She-Hulk a couple years ago, but as I’ve said in discussing the 1983 Thing series, I’ve always had a soft spot for the Fantastic Four’s monstrous quarter. Well, Slott succeeds quite nicely with bashful Benjy’s adventures in this series, at least as far as I’m concerned. Naturally, next issue is the final as this title has been canceled waaaaaaay before its time. This issue has Ben trying to surprise one-time girlfriend Alicia, a blind sculptress, by taking her back in time to witness the creation of the Venus de Milo, her favorite sculpture. Naturally, things don’t work out quite like Ben intended, and maybe even a little history is re-written.
Superman/Batman 26 (DC Comics) — I can’t quite make up my mind about this issue. The Superman/Batman book can be fun, but I really didn’t like issue #7, the first to focus on Robin and Superboy instead. The characterization just seemed off to me. Not so much Superboy and Robin’s personalities, but Batman and Superman’s. The elder heroes seemed to not even like their younger counterparts, let alone trust them. Issue #26 is a continuation of that earlier story in more ways than one. It’s a fun little tale, and the true-story behind its origins tugs at the heart, but again, the adult heroes seem overly judgmental concerning the teen titans.
JLA Classified 16-21 (DC Comics) — First, a side note: Whenever I’m buying a multi-part story that doesn’t fit into continuity, I wait and read the whole thing when I have all of the issues — kinda like “waiting for the trade” without really waiting all that time for the actual trade. Most of the tales in Classified happened sometime in the undefined past, so they fit this bill. That means I just read all six of these issues for the first time this week. Conclusion: This is the Justice league done right!!!!! They work together as a team. They don’t always agree, but they like each other. Even Batman. He’s unquestionably their strategist. He’s coordinating the moves of the others in the final battle in spite of the fact he’s the only one of them without some fantastic power. But he’s not ordering them about like his own personal pawns. He tells them the plan ahead of time so they can better play their respective roles. Gail Simone turns in great plots each month on Birds of Prey. This arc proves she gets more than just the girl heroes.
52 Week Five (DC Comics) — We learn more about the messed up condition of the returning space heroes. And sure enough, Alan Scott is missing an eye (actually two of them as he points out in the story). That was one of the most significant things for me in this issue because it messed up my system of ordering these books. Scott has two good eyes in current issues of JSA, or seems to at least. That means I have to place the current story arc from JSA somewhere before the events of Infinite Crisis when he went out into space since he returns without the eye. Since the beginning of the story arc involves the golden-age Superman, placing this arc before Infinite Crisis can’t be done. I’ll have to wait and see when each arc wraps up, but maybe the solution will have to be that GL went out into space, lost an eye, came back, and has ring-created sight in the JSA arc in question. The fact that Alan lost his eye in space also blows my theory that he was going to lose it in the current JSA Classified arc with Vandal Savage.
Anyway, back to 52, they’ve delayed telling us about what happened to John Henry Irons in the last issue. He’s too busy trying to help the injured now to bring it up to anybody, but it looked like his armor took him over. Whatupwidat? It’s nice to see that Adam Strange, Starfire and Animal Man aren’t dead, but where the heck are they? Why did DC turn Renee Montoya into such a butt-head when they made her gay? I don’t care that she’s gay although that turn of events seemed to come outta left field, but since she came out she’s been angry and bitter and self-destructive. I’d almost say they are moving her into position to be the new gay Batwoman, but that character is supposed to be a re-vamped Kathy Kane. Oh, and one more 52 question, why is the backup History of the DCU so un-interesting so far? I like this series but I don’t like parts of it a lot.
Detective Comics 820 (DC Comics) — I’m enjoying this Face the Face story bringing Bats back after his year away, and I’m really liking the Jason Bard backup feature. I hope it doesn’t go away when Robinson ends his run as writer, but I imagine it will. This is a competent Batman who likes and works together with Robin and Commissioner Gordon. Finally.
JSA 86 (DC Comics) — I’ve heard some grumbling about the incoherency of this final JSA story arc before the book ends. I don’t see it. The sequence of events isn’t that hard to follow to me, and since I’ve never followed Hawkman to any large degree, I have only a passing knowledge of the Gentleman Ghost, so there’s less history to contradict for me, if this story does indeed contradict what has gone before. I’m liking this ghost story by DC president and publisher Paul Levitz and golden-age artist extraordinaire Jerry Ordway.
Outsiders 37 (DC Comics) — Since One Year Later began, this title has taken a decidely darker turn. I’m not opposed to that on principle. Darker stories can be good stories. But each issue recently has made me worry about reconciling Nightwing’s behavior here and in his own book. I don’t want to drop this book. I like the concept and I like what Winick did before the Crisis. But this issue’s confrontation between Nightwing and Superman, I mean, this issue’s Nightwing threatening Superman, I just don’t know ...
Justice League Unlimited 22 (DC Comics) — This book is just plain fun. It follows the characters as they were envisioned in the Timm-verse of the recent departed Justice League cartoon. The stories aren’t simplistic, but they can be equally enjoyed by youngsters and older fans alike. They are filled with nostalgia, wonder and awe. Bravo to Adam Beechen and Rick Burchett for their outstanding work month in and month out.
Whew! That’s a bunch, but that’s what I read since the last post.
The Thing 7 (Marvel Comics) — This is a fun book. I didn’t care so much for writer Dan Slott’s humor in his revamp of She-Hulk a couple years ago, but as I’ve said in discussing the 1983 Thing series, I’ve always had a soft spot for the Fantastic Four’s monstrous quarter. Well, Slott succeeds quite nicely with bashful Benjy’s adventures in this series, at least as far as I’m concerned. Naturally, next issue is the final as this title has been canceled waaaaaaay before its time. This issue has Ben trying to surprise one-time girlfriend Alicia, a blind sculptress, by taking her back in time to witness the creation of the Venus de Milo, her favorite sculpture. Naturally, things don’t work out quite like Ben intended, and maybe even a little history is re-written.
Superman/Batman 26 (DC Comics) — I can’t quite make up my mind about this issue. The Superman/Batman book can be fun, but I really didn’t like issue #7, the first to focus on Robin and Superboy instead. The characterization just seemed off to me. Not so much Superboy and Robin’s personalities, but Batman and Superman’s. The elder heroes seemed to not even like their younger counterparts, let alone trust them. Issue #26 is a continuation of that earlier story in more ways than one. It’s a fun little tale, and the true-story behind its origins tugs at the heart, but again, the adult heroes seem overly judgmental concerning the teen titans.
JLA Classified 16-21 (DC Comics) — First, a side note: Whenever I’m buying a multi-part story that doesn’t fit into continuity, I wait and read the whole thing when I have all of the issues — kinda like “waiting for the trade” without really waiting all that time for the actual trade. Most of the tales in Classified happened sometime in the undefined past, so they fit this bill. That means I just read all six of these issues for the first time this week. Conclusion: This is the Justice league done right!!!!! They work together as a team. They don’t always agree, but they like each other. Even Batman. He’s unquestionably their strategist. He’s coordinating the moves of the others in the final battle in spite of the fact he’s the only one of them without some fantastic power. But he’s not ordering them about like his own personal pawns. He tells them the plan ahead of time so they can better play their respective roles. Gail Simone turns in great plots each month on Birds of Prey. This arc proves she gets more than just the girl heroes.
52 Week Five (DC Comics) — We learn more about the messed up condition of the returning space heroes. And sure enough, Alan Scott is missing an eye (actually two of them as he points out in the story). That was one of the most significant things for me in this issue because it messed up my system of ordering these books. Scott has two good eyes in current issues of JSA, or seems to at least. That means I have to place the current story arc from JSA somewhere before the events of Infinite Crisis when he went out into space since he returns without the eye. Since the beginning of the story arc involves the golden-age Superman, placing this arc before Infinite Crisis can’t be done. I’ll have to wait and see when each arc wraps up, but maybe the solution will have to be that GL went out into space, lost an eye, came back, and has ring-created sight in the JSA arc in question. The fact that Alan lost his eye in space also blows my theory that he was going to lose it in the current JSA Classified arc with Vandal Savage.
Anyway, back to 52, they’ve delayed telling us about what happened to John Henry Irons in the last issue. He’s too busy trying to help the injured now to bring it up to anybody, but it looked like his armor took him over. Whatupwidat? It’s nice to see that Adam Strange, Starfire and Animal Man aren’t dead, but where the heck are they? Why did DC turn Renee Montoya into such a butt-head when they made her gay? I don’t care that she’s gay although that turn of events seemed to come outta left field, but since she came out she’s been angry and bitter and self-destructive. I’d almost say they are moving her into position to be the new gay Batwoman, but that character is supposed to be a re-vamped Kathy Kane. Oh, and one more 52 question, why is the backup History of the DCU so un-interesting so far? I like this series but I don’t like parts of it a lot.
Detective Comics 820 (DC Comics) — I’m enjoying this Face the Face story bringing Bats back after his year away, and I’m really liking the Jason Bard backup feature. I hope it doesn’t go away when Robinson ends his run as writer, but I imagine it will. This is a competent Batman who likes and works together with Robin and Commissioner Gordon. Finally.
JSA 86 (DC Comics) — I’ve heard some grumbling about the incoherency of this final JSA story arc before the book ends. I don’t see it. The sequence of events isn’t that hard to follow to me, and since I’ve never followed Hawkman to any large degree, I have only a passing knowledge of the Gentleman Ghost, so there’s less history to contradict for me, if this story does indeed contradict what has gone before. I’m liking this ghost story by DC president and publisher Paul Levitz and golden-age artist extraordinaire Jerry Ordway.
Outsiders 37 (DC Comics) — Since One Year Later began, this title has taken a decidely darker turn. I’m not opposed to that on principle. Darker stories can be good stories. But each issue recently has made me worry about reconciling Nightwing’s behavior here and in his own book. I don’t want to drop this book. I like the concept and I like what Winick did before the Crisis. But this issue’s confrontation between Nightwing and Superman, I mean, this issue’s Nightwing threatening Superman, I just don’t know ...
Justice League Unlimited 22 (DC Comics) — This book is just plain fun. It follows the characters as they were envisioned in the Timm-verse of the recent departed Justice League cartoon. The stories aren’t simplistic, but they can be equally enjoyed by youngsters and older fans alike. They are filled with nostalgia, wonder and awe. Bravo to Adam Beechen and Rick Burchett for their outstanding work month in and month out.
Whew! That’s a bunch, but that’s what I read since the last post.
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