Showing posts with label Marshall Dillon. Show all posts
Showing posts with label Marshall Dillon. Show all posts

Tuesday, October 19, 2021

These hardcovers cover the spectrum of the television series

Irwin Allen’s Lost in Space: The Lost Adventures
American Gothic Press
Creators:
Carey Wilber, Holly Interlandi, Kostas Pantoulas, Patrick McEvoy, Marshall Dillon, Steve Stanley, RC Aradio and Jenn Pham
Release date: September 2016 and February 2017


Irwin Allen’s Lost in Space: The Lost Adventures was a six-issue limited series based on two unproduced scripts for the television show’s never-realized fourth season. Both scripts were written by veteran television script writer Carey Wilber, who had penned previous episodes of “Lost in Space,” “Star Trek,” “The Time Tunnel,” “Bonanza,” “Maverick” and other television programs.

I missed out on watching “Lost in Space” during the program’s initial three-season run, but I watched it and enjoyed it as a child in reruns. In fact, there was a period in my childhood when my younger brother and I would watch television most Sunday afternoons and catch syndicated reruns of “Voyage to the Bottom of the Sea,” “Land of the Giants,” “Lost in Space,” “Star Trek,” “Maverick” and then “The Wonderful World of Disney” one right after the other into the early evening.

Each of the two Wilber “Lost in Space” scripts were adapted into comics format by Holly Interlandi and published as three issues of this six-issue series. Then each three-issue script adaptation was collected into a nice hardcover format, which is how the books came to my attention. As a fan of the show, I decided to give the two hardcovers a try and bought them when they were solicited. When each hardcover was released, in a move familiar to frequent readers of this blog, I tossed them onto a pile of books to read when I had time.

For reasons I’ll go into more next time, the time to read these hardcovers has finally arrived. And I enjoyed them, although I enjoyed the second volume a little more than the first. Both stories feel like authentic “Lost in Space” episodes, and the dialogue sounds true to the various characters, but that is to be expected since the author of the original screenplays had written for the show previously. The artist of the first story, Kostas Pantoulas, didn’t quite capture the likenesses of the different actors of the show as well as the artist of the second story, Patrick McEvoy, but the art in both was very good.

The tone of the first story felt most like a first season episode to me. “The Curious Galactics” focuses mainly on John and Will Robinson, Don West and the Robot off on a mission away from the Jupiter 2. A pair of aliens conducting experiments on lower lifeforms stumble onto the mission and decide to put the Robinsons and West to the test next. The story was interesting, but it lacked some of the humor the show was known for in later seasons.

The second story, “Malice in Wonderland,” felt more like a second- or third-season episode of the television program. As one might guess from the title, it is a take on “Alice in Wonderland,” making use primarily of Will and Penny Robinson, Dr. Smith and the Robot. While the adventure often puts the characters in peril, the writing is full of laughs and mischief along the way.

One additional element of this second story further intrigued me. At the outset of the story, the two youngest Robinson children, Dr. Smith and the Robot are joined by a purple llama named Willoughby, who wears glasses, can speak and seems to be quite familiar with the members of the Jupiter 2 crew and they with him. I didn’t recall a purple llama in any of the episodes of the show, so I was curious about this element of the story.

Each of these hardcovers contains bonus material such as copies of the original Wilber scripts and other production notes about the making of the comics and the television program. One such note cleared up the Willoughby mystery for me. Willoughby appeared in the next to last episode of the series titled “The Great Vegetable Rebellion.” In that episode, however, Willoughby was portrayed as a slight man with purple hair and glasses, not a llama. According to the notes in the hardcover, the original “Vegetable Rebellion” script called for Willoughby to be a llama, not a man, and says the change was made because Jonathan Harris, the actor who portrayed Dr. Smith, refused to work with a llama. But this being a comic, the creators involved decided to revert to the original llama form for the character.

Each of these hardcovers was a fun trip down memory lane and worthwhile additions to my collection. Come back in two weeks, and I’ll share some more Lost in Space comics memories.

Tuesday, March 05, 2019

The best of the bunch

The Owl trade
Dynamite Entertainment
Creators:
J.T. Krul, Heubert Khan Michael, Alex Ross, Vinicius Andrade and Marshall Dillon
Release date: 2016


This book was a happy coincidence. Three other trades caught my eye while surfing the web a few months ago. I added this trade only in an effort to raise my purchase total to a level that would net me free shipping. The other three trades ended up being mere eye candy without much substance. But this gem ended up making the entire purchase worthwhile.

The story springs out of the Project Superpowers concept Dynamite used to bring back a number of characters that were no longer in print and free of any copyright constraints. I read the initial series from 2008 and wrote about it here, but in a nutshell, a huge number of golden-age comic characters were locked away in an urn for half a century before being released back into the modern world. Following the initial series, a Volume 2 version was published alongside a number of limited series spotlighting many of the characters in solo adventures.

This trade collects the four-issue limited series focused on the Owl, a vigilante from the early 1940s. Much like Batman, the Owl has no special powers or abilities in his original incarnation. Rather he had a costume meant to shock and frighten criminals and a number of themed gadgets that helped the hero keep his advantage and defeat his foes. By day, the Owl is Yorktown police detective Nick Terry, and he is frequently joined in his later adventuring by Owl Girl, his real-life girlfriend and confidante, Belle, a newspaper reporter.

Like most of the other costumed heroes trapped for decades inside the urn, the Owl emerges slightly changed. His costume is more dramatic and modern-looking, and the Owl now has some new abilities that help him stun and subdue the more jaded criminals of today. This series focuses on Terry’s efforts to fit back into society and help mankind while haunted by the past he has lost. Owl Girl was not trapped inside the urn as the Owl was, thus robbing this hero of the happy ending and possible family he’d been fighting for. His story is very much one of a man out of time trying to find his place.

Complicating matters for the Owl, is his discovery that the criminals aren’t the only ones who have changed in his absence. A new brand of hero flies through the night skies over Yorktown. And the Owl fears this new crimefighter is no better than the criminals she maims and kills with abandon.

This trade was a joy to read, and I’m glad I finally discovered it. If you aren’t familiar with Project Superpowers, everything you need to know to follow this story is right here in these pages, and J.T. Krul weaves a truly engaging tale. The artwork, while not the best I’ve seen, isn’t bad. I especially like how Heubert Khan Michael switches up his style for the flashback scenes of the Owl’s earlier life, giving those panels a true golden-age feel.