Finally a chance to sit and read

The Lone Ranger/Green Hornet No. 1

Dynamite Entertainment

Michael Uslan, writer

Giovanni Timpano, artist

Pete Pantazis, colorist

Hey, Kiddie Cops, long time, no see! Work is still keeping me hopping at a crazy pace; so much so, in fact, that this is the first comic I have had time to read in nearly six weeks. Now maybe that had something to do with it, but I very much enjoyed this comic. So much so that I wanted to share.

I’ve liked most of what Dynamite has done since obtaining the rights to Lone Ranger comics, and while I have avoided most of the more modern takes on Green Hornet, I also very much enjoy the character and his ties to the Lone Ranger. So I decided to give this six-issue mini a try. And if this first issue is any indication, this series is off to a great start.

This tale is set in 1936-38 with an aged John Reid (the Lone Ranger) still around to help shape the beginnings of his grand-nephew, Britt Reid’s origins as the Green Hornet. Michael Uslan uses the setting and time period to tie real-world events and figures into the narrative to very great effect. Further, he uses some pass Green Hornet stories, particularly GreenHornet Year One by Matt Wagner and Aaron Campell to flesh out some of the early career of the Green Hornet. I absolutely love it when creators take something done before and build on it rather than going the everything-you-know-is-wrong route to erase and re-write history. It doesn’t hurt when the tale the current creator is building on is one I have read and enjoyed.

This is still only the first issue of a six-issue series, and I don’t want to spoil the story twists and historical tidbits by revealing them here (half the fun is discovering them in the story as they come up), but this was a nice story to return to my hobby with, and I recommend it highly!

Now Presenting The Fourth And Final Member Of The Team -- At Last

The Lone Ranger 19
Dynamite Entertainment
Ande Parks, writer
Esteve Polls, artist

I am really liking the work Ande Parks and Esteve Polls are doing on this title. The stories go deeper than even Brett Matthews did on his incredible 25-issue re-telling of the Ranger's origin in the first volume of this series from Dynamite; Parks gets these characters and presents them as the "classic" versions despite some updating from Matthews' run. And Esteve Polls' art is fantastic for this series.

But one of my absolute favorite things about this run is the attention these two creators have paid to previously "untouched" portions of the legend. A previous arc gave a great deal of back story to the Ranger's "faithful Indian companion," Tonto. I'm not aware that Tonto's origin has ever been nailed down previously as even the tribe he belongs to seems fluid in some re-tellings.

This time out, Parks and Polls give us some details about Scout's back story, and appropriately enough, Scout's story is tied into Tonto's history in a very nice fashion, completing the transformation as Tonto becomes the man we are familiar with.

For those who don't know -- and shame on you if you don't -- Scout is Tonto's horse, and he is every bit as valued a member of this western justice team as Silver, the Ranger's steed. Both horses are often portrayed as very intelligent animals who actively assist their human companions in remarkable ways. And Silver has long had an "origin" story just like the Ranger. At the conclusion of that tale, Silver chooses to stay with the Lone Ranger just as much as the Ranger selects Silver. Now, Scout has a similar origin with a similar choosing scene.

This is an excellent done-in-one comic, and a tale any Lone Ranger fan ought to consider reading!!

Warped Reflections

The Lone Ranger annual 2013
Dynamite Entertainment
Shannon Eric Denton, writer
Matt Triano, artist

Having the hero confront a darker, twisted version of him- or herself is a familiar comic book plot, but I don't think I've ever seen it applied to a western hero like the Lone Ranger before. I'm sure it likely has (and feel free to chime in if you know of an instance), I'm just not familiar with an example. That is what this annual does, however.

Acting solo while Tonto takes care of some personal business, the Lone Ranger tracks down a killer who is targeting anyone associated with a former outlaw. I say former because the one-time stagecoach robber is now a "respected" politician. But 11 years ago, back when Bob Burdine led a different kind of gang in criminal activities, he also killed a sheriff who had apprehended him.

That killing leads a mystery man in a mask, a man given the name Devil-Gun, to track down and kill anyone ever associated with Burdine and his criminal activities past and present. And Devil-Gun is quite proud of the inspiration he got from reading about the exploits of the Lone Ranger.

The writing on this book is its best feature; the art isn't bad, but it's a little rough and sketchy looking for my tastes. But Denton does a nice job of defining the differences between Devil-Gun and the Lone Ranger in the final confrontation. The Ranger makes it clear that what he does is not about punishing the guilty; it's about protecting the innocent. Spoken like a true hero!

Chuck Dixon, Man Of Action

The Lone Ranger: Snake of Iron 1-4
Dynamite Entertainment
Chuck Dixon, writer
Esteve Polls, artist

Wow!

Chuck Dixon has written a ton of comics. Some I've read. Many I haven't. Of the ones I haven't, it was usually because I had no interest in the subject matter. Because of the ones I have, I have liked them all.

I'm guessing here that the reason this four-issue story was made a miniseries was because Dixon is not the writer of the regular Lone Ranger title; Ande Parks is doing a wonderful job writing that book. However, if Parks ever needed a break, Dixon could likely slip right in and take over. Even the look of this mini matches the main title because regular series artist Esteve Polls turns in his usual spectacular job on these pages.

This mini also offers up two stories in one as it opens with the Lone Ranger and Tonto separated. Tonto has traveled north to take care of some business while the Ranger has remained in the southern plains. The two are both headed to Texas to meet back up, Tonto by rail and the Ranger via Silver.

Taking another cue from the main series, this book does not shy away from the poor treatment of many Native American tribes by government officials. Some younger Kiowa braves defy their chief and begin raiding homesteaders. They have been particularly stirred up by the many sightings of a Spirit Horse, a huge beast whose return foretells a great change. The Lone Ranger happens upon a small band of Kiowas attacking a rancher and his son. After saving the lives of the two whites, the Ranger convinces the braves to take him back to their chief, who explains their reasons for leaving the reservations in Oklahoma. The Ranger promises to look into the mysterious Spirit Horse sightings if the tribe will stop attacking settlers. Along the way, he runs across some profiteers who are encouraging the Kiowa unrest and enlists the aid of a traveling journalist from Chicago and a garrison of soldiers from Fort Griffin. Oh, and he solves the mystery of the Spirit Horse in a most unexpected fashion.

Meanwhile, the train Tonto is riding on is ambushed and derailed by what appear to be renegade Comanches. Tonto's fellow passengers are an odd collection of characters trying to hold off the attackers and stay alive in the bitter cold wilderness. Some step up to the challenge and try to help save as many lives as possible. Others seem to be interested only in saving their own necks. One passenger in particular knows the real reason the Comanches are after the train, but even once this deceit is uncovered, there is little that Tonto or the others can do to defuse the situation. In a desperate ploy, Tonto frees his mount, Scout, from the stable car and sends the pinto to find the Lone Ranger for help. Then Tonto returns to the task of trying to keep as many on both sides of the conflict alive as possible for as long as possible.

All in all, this book was a great read filled with action and spotlighting both characters as equal partners in their cause of justice. That's comics worth reading, Kiddie Cops!

At Last It Can Be Told

The Lone Ranger 7-8
Dynamite Entertainment
Ande Parks, writer
Esteve Polls, artist

Most people can tell you the basic origin of the Lone Ranger: He's the sole surviving member of a posse ambushed by the outlaws they were tracking. Those are the basics even if one doesn't know some of the details like the outlaws, the Butch Cavendish Gang, ambushed the Texas Rangers at a place called Bryant's Gap or that the Lone Ranger's mask -- first a device to hide his true identity, John Reid, from the Cavendish Gang as he hunted them down and later to make him a symbol for justice, more than just a man -- was cut from the vest of his brother, one of the Rangers killed in the ambush. Other details might change from time to time with different tellings; for instance, sometimes John Reid was deputized as a Ranger specifically for this fated posse and other times he was a full-time Ranger before the posse. Even Silver has a definite origin.

As far as I know, however, there is no definitive origin for Tonto.

I have heard bits and pieces of a background for Tonto, but when such details are included, they sometimes contradict what might have been revealed in other places. That makes me think such details are the invention of specific writers trying to rectify Tonto's lack of a background. Even the specific tribe to which Tonto belongs is often ignored or contradictory from other sources when included. I know several times in movies and television programs, the Lone Ranger and Tonto are shown coming in contact with Apaches, but that doesn't mean Tonto is an Apache.  I have heard or read at least two tales that refer to Tonto as Potawatomi, and that is how Wikipedia lists his heritage.

These two issues of Dynamite's The Lone Ranger are the first installments of an arc titled "Native Ground" that attempts to give this version of Tonto a background. The very few scenes that take place in the comic's current continuity show the Lone Ranger carrying the gravely wounded Tonto in a wagon. Tonto was beaten, stabbed and shot in the last arc, "Hard Country." The Ranger is taking Tonto home at his request as only Tonto's own people would be able to save his life at this point, if such a feat is even possible. The Ranger is stopped by several warriors on the edge of Ute lands until he explains the situation. Then they grudgingly agree to escort the pair to their chief and let him decide their fate.

The bulk of the story pages deal with events from several years in the past. Tonto is not the chief or anything, but it is clear he is a respected warrior within the tribe. That means he also has his detractors among his fellows. In this incarnation, Tonto has a wife, Chakwaima, and a young son, Tacome, maybe 3 or 4 years old. His extended family also includes Chakwaima's mother and a young brave named Kahnaka. Kahnaka is old enough to have already gone through a vision quest and is considered a man in the eyes of his tribe, but is still quite young and inexperienced. The youth's father is dead, no mother is mentioned, and Tonto has "adopted" the young man, giving him counsel, guidance and, when needed, protection.

Nobody is trying to make the case that American Indians had an idyllic existence during the progressive expansion of white settlers across the country, but Tonto's tribe is depicted as being content and happy. Of course, that means that tragedy must soon strike, as Tonto surely would not abandon a still living wife and child to traipse around the frontier dispensing justice.

This was a great glimpse of an earlier time in Tonto's life. I feel for the character that it could not last.

More Of The Same, But That's OK

The Lone Ranger Vol. 2 1-2
Dynamite Entertainment
Ande Parks, writer
Esteve Polls, artist

The cover for the first issue of this series, at least on my copy, is a beautiful rendering of the Masked Man and Tonto by Alex Ross which evokes the spirit of the late Clayton Moore and Jay Silverheels. That's certainly "my" Lone Ranger and Tonto as I grew up watching reruns of "The Lone Ranger Show", but it might be a tad misleading if you were picking up this series for the first time.

Brett Matthews, Sergio Cariello and John Cassaday did a spectacular job and took their time reimagining the origins of the Lone Ranger in the 25-issue Volume 1 of this series. The story they wanted to tell is done, so Dynamite chose to end that series and start over with a new No. 1 and a new creative team. However, this new series picks up where the first left off. John Reid is still new to his masked role as a bringer of justice to the West, and Tonto is still his often silent, but very wise and sarcastic partner in his quest. Polls' art even mimics the depictions of the two men that Cariello and Cassaday created for the first volume, helping to ease the transition for readers of the first volume.

This incarnation of the Lone Ranger and Tonto is certainly not Clayton Moore and Jay Silverheels, but it is not impossible to envision these two men getting used to each other and their mission one day growing into that pair. And especially in the case of Tonto, and the depiction of other Native American characters in the series so far, the change is for the better. In this series, Tonto is by far the more experienced fighter, quite possibly a little older and definitely a little wiser and more even-tempered than his companion.

These first two issues are the opening chapters in a story arc called Hard Country. In the first issue, the Lone Ranger and Tonto come to the aid of a rancher and his children being attacked by thieves set on stealing a "secret stash" of money. The second issue, picking up where the first leaves off, deals with a famous lawman and gunslinger facing his own mortality. So these two comics provide nice done-in-one stories that are rare these days while still providing a continuing arc that is telling another story about the realities of life on the frontier.

Overall, these first two issues provide a nice opening to what I hope will be a long and prosperous run for this title.

More Quickie Reviews

I still haven’t made it quite all of the way through the December-release comics in my stack, and I’ve already received the January releases. Needless to say, I’m running a little behind where we usually are at this time of the month, so here are some more short and sweet reviews as I try to catch up just a bit.

Checkmate 9 (DC Comics) — Sarge Steel and Sasha Bordeaux verbally spar in this issue over who can best take down the terrorist organization Cobra, and over who most screwed things up last issue. I’ve heard rumors that this book may not have much longer to live, which would be sad, but so far, it hasn’t really lived up to its potential.

Teen Titans 42 (DC Comics) — This issue is a nice recap of the history of Kid Devil. I knew most of Blue Devil’s story, but not Eddie’s, so this was nice.

Civil War Front Line 9 (Marvel Comics) — Sally slaps down Captain America during an exclusive interview as she points out that both sides of the war see themselves as right and will stoop to any low in order to bring down the other side. Morally, I’m on Cap’s side, but as we’ll see in a bit, Cap has a parallel with Iron Man’s side using bad guys.

Civil War: War Crimes (Marvel Comics) — Captain America’s rogue heroes make a deal with the Kingpin in an effort to doublecross Iron Man’s band of zealots. I think I would have liked this better if Captain America himself had not made the decision to work with Kingpin. Other heores can make an occasional mistake: Spidey was on the wrong side of things for a bit, then wised up, for example. But Cap should be above reproach in his actions.

The Lone Ranger 3 (Dynamite Entertainment) — A few more changes to the story I’m familiar with, but nothing that really detracts or lessens the overall origin of the masked man. This is a good comic.

Fables 56 (DC Vertigo) — Very nicely done Christmas tale introducing us to holiday-themed Fables while also providing hints of things yet to come involving not only Snow, Bigby and the cubs, but also Flycatcher.

Iron Man/Captain America: Casualties of War (Marvel Comics) — The two heroes meet on neutral ground in an effort to talk things through. Captain America states that such a thing would’ve been much easier before the Thor clone killed Goliath, which is true, but no less tragic. These two heroes have fought before, but will this be the last time?

New Avengers: Illuminati 1 (Marvel Comics) — This series is starting off to be a little disappointing for me. This first issue takes us back to the time of the Kree-Skrull war and shows exactly how the six members of this secret cabal tried to persuade the Skrulls to leave earth alone rather than retaliate. The plan is disastrous at first, but the newly formed group manages to succeed in the end. If each issue of this limited series is going to look at a specific event from Marvel history, then this series is nothing more than an expanded version of the Illuminati one-shot from a few months ago.

Athena Voltaire: The Collected Web Comics (Ape Entertainment) — This trade collects the first two story arcs introducing 1930s aviatrix Athena Voltaire as she takes on Nazi plots, mysterious yetis and vampiric descendants of Dracula. The stories in this collection are a little more raw than the current miniseries starring the same heroine, but they depict the origins of the character and her creators.

52 Week 34 (DC Comics) — This was a sad installment of the weekly comic as we see not only the death of the Question, but also the betrayal of the Black Marvel family, some of the best characters in this series. And Luthor decides to literally pull the plug on his Everyman project.

Batman 661 (DC Comics) — I am seriously losing interest in the Grotesk story line. Why couldn’t this tale have been done in two issue instead of four? John Ostrander can be an exceptional writer, but this is a case where writing for the trades truly hurts the medium. As a fill-in story, this arc wouldn’t fit into a trade collection with either the Grant Morrison story before it or the one after, so it has to be long enough to support its own trade collection, but the story feels artificially padded by being four issues.

Detective Comics 827 (DC Comics) — This Batman tale, on the other hand, kept me guessing. Paul Dini brings back Scarface, but who is in control and who is pulling the strings, the dummy or the brand-new Ventriloquist?

Justice League of America 5 (DC Comics) — Finally, this story is starting to make a shred of sense and flow in a somewhat linear fashion. All of the various players have been brought together more by chance than by Superman, Batman and Wonder Woman’s selection process. But they’ve all agreed to work with Solomon Grundy in an effort to stop the latest incarnation of Amazo in Red Tornado’s body. I’m hoping things continue to get better to the point where this all makes sense at some point.

Lastly, here’s another book from that stack of out-of-continuity trades and graphic novels I read from occasionally. This time out, we have Neal Adams’ Monsters (Vanguard Productions) — This beautifully illustrated graphic novel presents an original tale featuring the three most popular movie monsters — Count Dracula, Frankenstein’s monster and the werewolf — together in one story. In addition, the book offers notes and sketches from Adams, a truly revolutionary comic artist and story-teller.

That’s it for today, Kiddie Cops. Next time we’ll hopefully finish up the last holdouts from December and move into January. Until then, happy collecting.

Lightning Round

Hey, kiddie cops. I know it’s been over a week since I had a chance to post something. But that doesn’t mean I haven’t been reading. In fact, since last time, I’ve finished the rest of the books received in my last shipment. So, without further ado, let’s dive right in and catch up a bit.

52 Weeks 24 and 25 (DC Comics) — I’ve said it before; I’ll say it again. Individual issues are not always great, but the overall story line this series was designed to tell is interesting. I’m curious where Ralph is headed. I like the story line with Montoya, Question and the Black Marvel family. The Steel/Luthor story seems to be old news, but is maybe going somewhere interesting. Green Arrow’s cameo was nice. Super Chief didn’t last long, did he?

Action Comics 844 (DC Comics) — This wasn’t a bad beginning, but it almost seems more a sequel to the Donner films so far more than a continuing story of the comic book Superman. That isn’t necessarily a bad thing, but is this story gonna “fit” in continuity? I mean, Jimmy isn’t an inexperienced photographer anymore.

Birds of Prey 99 (DC Comics) — Black Canary’s departure. I agree with scribe Simone that it feels right for Dinah to leave now, even though I’ll miss her. As far back as Longbow Hunters we’ve seen that Dinah wants children but wrestled with the issue of raising one while adventuring. Now she has one. It makes sense for her to step back now.

Captain America 23 (Marvel Comics) — A nice interlude with Winter Soldier/Bucky and Nick Fury in the middle of the Civil War tie-in. It updates us on the ongoing story line with Bucky, but doesn’t interupt the flow of the Cap Civil War events. Very nice.

Checkmate 7 (DC Comics) — I wanna like this title, but it just doesn’t seem to be as good as it should be. I know the Suicide Squad has its fans, but I can take it or leave it. I think this title should include some superheroes on the periphery, but for the most part, avoid overt superhero action and costumes.

Civil War: Front Line 7 (Marvel Comics) — Typical stuff here. The first two stories following the reporters and the former Speedball are excellent storytelling, while the Sleeper Cell bit does little for me, and the final bit just seems pretentious. I think one of the reasons Sleeper Cell is uninteresting to me is there is no tie-in to the Civil War. I assume this Atlantean faction is merely trying to take advantage of the strife above for their own ends, but that is just a guess on my part, not something we’ve been told.

Criminal 1 (Marvel Icon) — Not sure if this is a mini or an ongoing. Not even sure if I like it yet or not. But it was an OK beginning from I writer I really like, so I’ll hang around.

Daredevil 90 (Marvel Comics) — This issue seemed to slip just a bit. Matt is trying to track down who had Foggy killed because he doesn’t know Foggy isn’t really dead. Forget that Matt would be very hard to fool on that point, but I don’t like how easily he’s gotten sidetracked by this woman, even if she does have a power that explains why.

Donald Duck & Friends 345 (Gemstone Publishing) — Just good Disney fun. I’ve always liked Donald, and the mix of classic and newer tales is great. Plus, there’s always one story featuring someone else, this titme a great Goofy tale. Shouldn’t we all laugh more?

Fables 54 (DC Vertigo) — Sons of Empire continues. I didn’t think things could get much creepier than the Snow Queen’s plan for destroying both Mundies and Fables. I was wrong. Hansel is so far beyond creepy that he belongs in his own Mundie slasher series.

Jack of Fables 4 (DC Vertigo) — The promos for next issue seem to indicate this won’t happen, but wouldn’t it be too funny if after all this planning and helping all of the other escapees, Jack himself doesn’t make it out?

JSA Classified 18 (DC Comics) — The back half of a two-parter featuring Hourman, both the modern version and the Golden Age one. A solid tale from Tony Bedard, as usual. And besides, it isn’t necessarily that hard, but its always fun to watch someone out-think Bane.

The Lone Ranger 2 (Dynamite Entertainment) — I stand corrected from my criticism of last issue. Black Bart is an enforcer, not the criminal mastermind. This issue hints that the individual who pulls Bart’s vicious strings is none other than Butch Cavendish, the villain from Ranger lore. Brett Matthews, you have my apologies for doubting you. Carry on.

Martian Manhunter 3 (DC Comics) — Enter the Justice League, which was good to see. After all the divisiveness stemming from Identity Crisis and leading into Infinite Crisis, it’s nice to see these heroes acting like colleagues and friends once again. Oh, wait. Batman, Superman and Wonder Woman don’t seem to want to listen to J’Onn about what is going on. Right now, I’m willing to assume that maybe this wasn’t really the three heroes it appeared to be. So much subterfuge has been going on in this story dealing with shape-shifting Martians, that’s what I’m hoping anyway. Otherwise, this story might’ve worked better before IC.

New Avengers 24 (Marvel Comics) — This Civil War tie-in is the Sentry entry, but seems to be more about fallout from the House of M and the Inhumans than Civil War. It’s sad that the interaction between books that I love from DC is one of the things I don’t like about Marvel because I buy fewer of those books and am less interested in the intermingling there.

Omega Men 1 (DC Comics) — My knowledge of this team is limited to their interaction with the Titans in the “olden” days, but I liked their recent cameos in Adam Strange and Infinite Crisis, so I decided to give this a try. Andersen Gabrych’s usually great writing didn’t hurt either. But I have no clue what is going on in this title right now. That’s not good.

The Perhapanauts: Second Chances 1 (Dark Horse) — OK, this mini DOES seem to pick up right after the trade I just read, as I assumed it should. But the letters column has a bunch of people commenting on issue #104. Now, I could just assume the first mini was numbered funky and move on, but the letters also mention a story titled “The 28th Anomaly.” There’s no story with that name in the trade. Am I missing something here?

Secret Six 5 (DC Comics) — Did they really just kill the Mad Hatter?!?

Stan Lee Meets the Thing 1 (Marvel Comics) — Much better than the Spidey one-shot, the only other one of these I read. It’s been long enough now that Ben has come to grips with his appearance. Heck, most New Yorkers have, too. He’s a celebrity, not a monster now. Good to see that reflected here.

Supergirl and the Legion of Super-Heroes 23 (DC Comics) — Cosmic Boy decides the Legion needs to deal with the superpowered delusional in their midst. So, does that mean Supergirl is going to be going away soon? Dunno if I trust these “Kryptonians.”

Superman/Batman annual 1 (DC Comics) — This is a totally bizarre story, but it’s a fun one. Accept it for that and it works. Look for more and it falls apart.

Tales of the Unexpected 1 (DC Comics) — I’ve heard this mini isn’t getting much interest online. Truthfully, it wasn’t great. But it was intriguing, and I liked Crispus when he was alive, so I’m intrested enough to hang with this one a bit longer. The Dr. 13 story left me cold, but then I’m not as familiar with the character.

Uncle Sam and the Freedom Fighters 4 (DC Comics) — I thought this might be the exception to the mostly so-so minis DC is spitting out right now, but I’m starting to lose interest in this one big time, too. This is supposed to be an alien suddenly sitting in the White House and part of a shady government operation spitting out new metahumans like they’re no big deal, and no other teams notice? No Titans, no JSA, no Superman, no GLs. Just doesn’t ring true.

Whew! That was a bunch, but that’s all of the October releases I have. See ya next time.

Return With Us Now To Those Thrilling Days Of Yesteryear ...

Those words are most likely familiar to fans of the Lone Ranger radio program, as well as to those of a more recent animated incarnation of “the masked rider of the plains.” And they seemed a fitting header for today’s post which leads off with a discussion of the most recent beginning for John Reid and his “faithful Indian companion, Tonto,” the newly-launched Dynamite Entertainment comic book.

Dynamite seems to be making a name for itself with the comebacks of a number of licensed properties from Red Sonja, Xena, Battlestar Galactica, Army of Darkness and others. Now, the Lone Ranger joins those ranks.

The Lone Ranger 1 (Dynamite Entertainment) — Overall, I’d have to say that this first issue, by Brett Matthews, Sergio Carriello and Dean White, is a solid start to what I hope will be a lengthy and spectacular run. I’ve always liked the Lone Ranger and Tonto, and while this isn’t a letter-perfect depiction of the character’s beginnings, it is a solid interpretation that is well worth a look.

Let me stress that I don’t profess to be an expert on the character or his history, but I have been a fan of the Lone Ranger for many years. I’ve heard recordings of some of the original radio broadcasts, I’ve seen most of the television incarnations, and many of the film adaptations. While the character’s brother, Dan Reid, has almost always been a part of the original story, I don’t remember any other incarnation making use of the boys’ father, also a fellow ranger here. But then, other characters have come and gone from time to time, including a nephew, Dan, on the radio shows and in some comic book versions. While new to the mythos, the boys’ father is a fine addition in this incarnation as he is used to show where young John Reid learns some of the early lessons that will later shape the ethics of the Lone Ranger.

Bryant’s Gap, the canyon where the six Texas Rangers are ambushed and left for dead, is not named in this tale, but again, that is nothing new, and an omission is not necessarily a mistake. Collins, the man who leads the rangers into the ambush, is also changed somewhat in this issue, but not in a way that changes the outcome. In most other versions of the tale, Collins was a tracker or a witness to crimes and escapes who leads, offers or is hired to lead the rangers to outlaws. Here, he is a thief himself being tracked by the rangers. But the essential part of the tale, that he leads the lawmen into a trap, remains intact.

And lastly, I have heard or read a very few re-tellings of this origin tale wherein the gang of outlaws, specifically their leader, remains unnamed, but in most all renditions, the outlaw gang is named for and led by Butch Cavendish. In this tale, the man seems to be named Julius Bartholomew, aka Black Bart. I’m not sure why this change, or if maybe their is precedent for the name, but for me, both these names are merely aliases for Cavendish.

Otherwise, as far as I can tell, this first issue is a solid re-telling of the tale of six Texas Rangers led into an ambush, all slaughtered except for one man, a man with an East Coast education as well as his Texas sense of justice, who manages to survive the attack through the timely intervention of a lone Indian who nurses him back to health. It’s a good story, well worth a look.

Another header considered for today’s post was “Everything Old Is New Again” as we have a number of first issue relaunches besides the Lone Ranger. So, moving along ...

Mystery In Space 1 (DC Comics) — I’ve never really followed the adventures of Captain Comet, the main star of this series. I remember seeing his cameos in the original Crisis, and he played a role in Infinite Crisis, as well, so I was curious. Still am after reading this first issue, which is what I assume Jim Starlin, Shane Davis, Matt Banning and Al Milgrom — the creators — had in mind. In the first of this eight-issue series, we see Captain Comet die and be reborn, along the way, rebooting another character, the Weird, from a previous DC event. I’m intrigued enough to stick with this series to see what is going on.

The Trials of Shazam! 1 (DC Comics) — This is another relaunch following Infinite Crisis and the Spectre’s destruction of all magic. Apparently magic still exists in the DC Universe, something we’re also learning about in the pages of 52, but the rules have changed. One such change is that Billy Batson is now the resident at the Rock of Eternity and the wizard, Shazam, is dead. I’m curious enough, and this issue was good enough to bring me back for more, but I don’t know much at all yet.

Agents of Atlas 2 (Marvel Comics) — Still liking the combination of superheroics and spy elements in this story bringing back a number of old Atlas characters by Jeff Parker, Leonard Kirk and Kris Justice. If the quality on this book keeps up, I’d like to see this as an ongoing.

Action Comics 842 (DC Comics) — Continuing the tale of intergalactic traders discovering several bit of merchandise on earth, attempting to acquire them, coming across superheroes for their trouble, and deciding to take possession of said heroes, too. Not a bad Superman tale by Kurt Busiek, Fabian Nicieza and Pete Woods, and the addition of several other heroes only adds to the appeal.

52 Week Eighteen (DC Comics) — I mentioned this series in the Shazam blurb. In this issue, the Croatoans (who the hell are they?!?) gather, as they do every so often, apparently, and discover that one of their number has been liquified after finding the helmet of Dr. Fate. Elongated Man, one of the Croatoans, believes the helmet is speaking to him, but the others don’t hear it. Is he still not quite right in the head, or is this more magic rebooted? And if the helmet IS talking to him about the reordering of magic, is this when and why Aquaman was changed? (That sure looks like him on page 16 sprouting tentacles.) Oh, and Montoya and the Question decide to join forces with Black Adam?!?

Nightwing 124 (DC Comics) — This was an odd tale, but then this whole arc by Bruce Jones has been odd. I can’t quite make up my mind about it as there were things that I hated (so many transitions seemed disjointed and jarring) and things I liked (the inclusion of Jason Todd — the idea if not the execution). I may have to let these issues sit a while, then re-read them to decide. The best thing I can say about this issue now is, next issue starts the Marv Wolfman/Dan Jurgens run. Yay!

The All-New Atom 3 (DC Comics) — I am hemorrhaging interest in this book fast. Not sure quite why. I love Gail Simone’s work on other titles. Just not really caring about these people or this town at all.

OMAC 3 (DC Comics) — Not too sure about this title right now. It’s a limited series, so I may stick with it since I started, but I’m not sure I care anymore about this one.

Detective Comics 823 (DC Comics) — Paul Dini does it again. The animated series proved that he “gets” the character of Batman. And there are subtle similarities between his writing on this series and the show. But these books are exploring themes a little darker than even the show did. With Poison Ivy’s portrayal over the years, it is clear she cares little for or about people. This issue takes that to the next level, and goes to town with the resulting concept. Wow!