DC Comics
Creators: Charles Soule and Tony S. Daniel
Release dates: 2013/2014
I picked up these two trades during a recent trip to the library with my family. I wasn’t overly interested in the New 52 versions of either Superman or Wonder Woman, so I didn’t much care when this new title was announced amid the hype surrounding the blossoming relationship between the two heroes. But I thought I would give these two trades a try after seeing them among the growing graphic novel section at our local library.
The first volume is all about Superman and Wonder Woman exploring their new dynamic, and it tells a nice little story about the pair, how they interact with each other and the world, and how their respective world views differ from each other. All of that is juxtaposed nicely against the action scenes that start out with a surprise return by Doomsday, progress into an attack by Kryptonians Zod and Faora, and end with the renewed threat presented by the still free Doomsday.
While some of writer Charles Soule’s scene transitions can be a bit jarring, this is mostly an enjoyable read that moves along at a brisk pace. It was an entertaining read that gave me a satisfying chunk of story despite continuing into another trade. And Tony Daniel’s art is very pretty to look at. The New 52 Superman’s hair always seems too spiky to me, but that is “on model” for the character at this time. Daniel’s Wonder Woman and Lois Lane are drawn beautifully. I’m very glad I decided to check this trade out, and it is a good example of what a collected edition of a modern comic can be.
Then everything went off the rails.
The Doomsday teasers at the end of the first volume and my enjoyment at reading that trade had me glad I had borrowed both volumes from the library. I was eager to continue with the story. But I was immediately lost. The fight with Doomsday was already over when the second trade begins, and Superman is suffering severe aftereffects of that battle.
I went back and looked to see if I was missing issues not collected, but that wasn’t the case. The first trade collects the first seven issues of Superman/Wonder Woman. The second begins with issue No. 8. That’s when I recalled that a storyline around this time and focusing on Doomsday had run through all of the various Superman titles at the time, but none of these other titles were collected in either of these volumes. There weren’t even any editor’s notes or other indications beyond my own memory as to where to look for the missing pieces of the story.
And the gaps didn’t stop there. More of the story apparently took place in other Superman titles between Superman/Wonder Woman Nos. 8, 9 and 10. I was only getting pieces of a multi-title crossover. There was a text page at the beginning of each of these issues masquerading as a Daily Planet article from Lois Lane that might have served to keep readers in the know at the time, but they did little to address the missing action from the trade.
Rather than a cohesive narrative, this second trade gave me interesting snippets of a story, but no matter how well-crafted the snippets were, they just reinforced the notion that there was much more I was missing. As good as the first trade was, as enjoyable as it was to read, the second volume seemed more like a train wreck than a story.
This second trade also collects two Future’s End stories published at the time that have nothing to do with the Doomsday/Brainiac storyline that picks up from the end of the first trade. DC editorial should have excised those tales and left them for another trade, and instead focused on giving readers the complete Doomsday/Brainiac tale that is severely truncated here to very ill effect. Otherwise, they seem to be telling readers who bought the trade, “You’re lost? Sorry. Guess you should have bought all the various issues of the crossover instead.” Not cool.
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