Tuesday, May 06, 2014

They're Making Me Do It Again

Superman: Lois Lane one shot
DC Comics

Marguerite Bennett, writer
Emanuela Lupacchino, Meghan Hetrick, Ig Guara and Diogenes Neves, artists



I wasn't going to talk about this book. Like I said last time, I want to spread the word about books I enjoy, not bash the ones that don't measure up to my expectations. But the more I thought about it, the more I wanted to weigh in on this book because I believe it could have been so much more than it was.

I wanted to be fair. I sat down and read the issue through a second time after leaving it sit a few days. And on the second read, the story isn't a bad one. It's still not what I'd hoped for, not what I think a book featuring Lois Lane could be, but it's not bad.

The headshot of Lois on the cover by artist Kenneth Rocafort is what I hope for in a Lois Lane book. That headshot is of a woman who is beautiful and confident, smart and resourceful, a working girl who's not afraid to get her hands dirty in pursuit of her goals. Yes, all of that is conveyed in this simple head and shoulders shot.

But many of the things I didn't care for in this book are also right there on the cover, if I'd only paid attention. There's a fearsome-looking alien creature indicating an otherworldly slant to this tale. And there's also the name Superman, right there in the title. He gets top billing on a book starring her, but why? I'd be willing to bet that she carries just as much name recognition as he does. And since he's hardly in this issue at all, his name on the cover is almost false advertising. But the powers that be felt they needed to include him to the extent that they did and that they had to slap his name on the cover so the book would sell. But I disagree with that premise; tell a good Lois Lane solo story and there's an audience for that book.

Before we talk too many specifics about this book, full disclosure: I haven't been following the monthly Superman titles, so I'm not up on the current status quo of Lois Lane in those titles. But then, I shouldn't have to be following some other book to understand what is going on in a one-shot. References are made to a Jonathan, and Lois seems to be wearing an engagement ring. There's also mention early on of a coma that someone, presumably Lois, suffered not long ago. No idea what any of that is about.

This story is about a current mystery involving Lois' sister, Lucy. Interspersed with the current plot are flashbacks to Lois and Lucy's childhood. Both the current events and the flashbacks seem to drastically change Lois' family history from her pre-New 52 origins. But the big constant is that Lois is a reporter and is called upon to use her investigative skills to help her little sister. Except all of the parts of the story that would show Lois using those skills to dig for answers — what I want to read in a Lois Lane comic — those parts are glossed over, unimportant. Worse, constant references are made to Lois being unable to spell. And what words is she having trouble spelling correctly? Words like "nostalgia" and "emergency" — not too terribly difficult. So, gloss over her skills, and worse, imply she's not very smart to begin with.

What that leaves us with is this: Lucy shows up at Lois' apartment in the middle of the night. She's just escaped from a group of military-style kidnappers who succeeded in taking Lucy's roommate, Amanda. Drugs are likely involved, so Lucy forbids Lois from going to the police or contacting Superman, but wants her sister's help tracking down and rescuing Amanda. In the process, Lois stumbles onto something involving an alien life form; strange, unpredictable mutations; and said quasi-military group who may or may not be responsible.

At the end of the tale, many answers and connections are provided, but the masked leader of the quasi-military group, "the Agent," is never given another name or other purpose or explanation. Maybe he'll show up again, but just as likely he won't. Will Lois expose the dark secrets she has uncovered? Who knows. There is no information at the end of the issue to indicate the one-shot is continued somewhere else. And the issue ends with "the Agent" and Lucy both urging Lois not to as no good will come of the expose.

Give me a Lois Lane title that features what we know best about the character: her being a no-nonsense, never back down, get to the truth however possible investigative reporter. Sure, she lives in the same city as Superman, an alien being with fantastic powers and abilities. But keep Lois' solo stories more grounded, at least at first, to re-establish her own character and let that stand on its own. Then later, Superman and other-worldly, more fantastic elements can be slowly, occasionally introduced to the title. But definitely don't gloss over what makes the character unique and special.

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