Truly Very Pretty To Look At And Fun To Read, Too

Fairest In All The Land hardcover
DC Vertigo
Bill Willingham, writer
Many, too many artists to list them all

If I didn't already know Bill Willingham was winding down his Fables universe of titles, this beautiful volume might make me suspect. It presents an engaging mystery story, just like the very first volume of Fables did way back in 2002. It also takes readers on a quick tour through the various Fables realms and touches on a number of the characters from the series, especially ones who have appeared in this spin-off title, tying up some loose ends along the way.

The point of a stand-alone story such as this one is to be accessible to new readers unfamiliar with the long history Willingham has crafted for these characters, hopefully enticing them to buy other volumes in the series. Willingham does a good job of telling any new readers the significant background on characters, enough so at least that I suspect someone new to the franchise certainly could follow the story. But there is so much a reader unfamiliar with the Fables universe would miss, it almost seems sad for a new reader to pick up this volume.

This story is set firmly among the current events in the Fables and Fairest shared universe, and is narrated by the Magic Mirror. The Mirror and the other various inhabitants of Fabletown's former business office have been cut off since the destruction of the building that linked them in time and space to the rest of the Fables characters. They are trapped physically, confined to their single expansive room, but through the Mirror, the inhabitants of the business office can peek in on happenings elsewhere.

In doing so, they witness the murders of a number of prominent Fables citizens back home in New York and watch as the survivors try to solve the mystery before anyone else dies. Cinderella, Fabletown's super spy, is enlisted by his honor, King Cole, to lead the investigation, much to her consternation. And the business office denizens try to assist using their own magical abilities where possible.

The hardcover includes an introductory and a concluding chapter, both illustrated prose. In between are more traditional comic panels, each scene being illustrated by a different highly talented artist, 31 of them in all. With that many artists, any comics fan should be able to find something visual to appreciate within these covers, and as stated above, the narrative is a delight to read.

Again, It's More About The Living

The Walking Dead tpb Vol. 19 "March To War"
Image Comics
Robert Kirkman, writer
Charlie Adlard, artist

More bad stuff happening for Rick Grimes and crew. As usual, not everyone in Rick's latest blended group is satisfied with the former policeman's leadership. Despite the internal challenges, Rick, Jesus from the Hilltop community and King Ezekiel have agreed to join forces to eliminate the threat posed by Negan and his band of Saviors. The three make their plans for an attack and begin to train those among their ranks less used to fighting. But it is key to their plans to keep the attack a secret until they are ready to move.

That all goes out the window when Negan makes his regular visit to Rick's community for supplies and tribute several days early. A conflict breaks out before Rick's, Jesus' and Ezekiel's forces are ready, and things do not go well for our heroes in this latest volume.

There are a few scenes in this trade where a group is traveling from one place to another when they encounter a few zombies that have to be dispatched. Each instance is dealt with matter-of-factly while unrelated conversations continue. Most all of the real action of these issues, as is typical of this series, concerns the living and how they act and react to each other.

That is what keeps me coming back to this series trade after trade: a zombie apocalypse might have kick-started the events, but it is no longer the primary motivation or driving force of the series. Living, breathing humans are. Cruel, compassionate, helpful, savage humans. And Kirkman just keeps ramping up the tension and drama, book after book.

The Curious Case Of The Charlatan

Detective Comics Nos. 777-782 (2003)
DC Comics
Ed Brubaker, writer
Tommy Castillo and Wade Von Grawbadger, artists

This is an excellent Batman story for a number of reasons: it introduces a brand new villain; the plot of the story allows the creators and the readers to visit a number of familiar rogues along the way; it focuses on the detective nature of the hero, a facet of his personality and procedures that can easily be overlooked; and it grabs your interest and holds your attention throughout.

Ed Brubaker spent most of his time in Gotham City writing Batman, but he did do a brief stint writing Detective Comics in 2003. At the time, DC was trying to differentiate the two books by emphasizing superheroics in Batman and deductive reasoning in Detective Comics. Hence, this mystery titled "Dead Reckoning."

The plot stems from a tragedy eight years in the past, yet still during Batman's career. It's rare for writers to pin down past events so concretely in comic stories where the passage of time is so elastic, but this tale does just that. It's not impossible to still fit that timeline into the typical 10-year span of Batman's career, but it does seem a little tight to me. Eight years ago would put it pretty early in Batman's career, yet portions of the story dictate that these events can not have happened too early in the criminal career of Two-Face. That distinction serves to narrow the window of occurrence for these events, because Two-Face first worked with Batman as crusading Gotham district attorney Harvey Dent. They had a great working relationship -- one depicted at times as almost closer than that between Batman and police commissioner Jim Gordon -- until Harvey was assaulted by a criminal in court and transformed into the two-obsessed Two-Face. Two-Face must have pulled at least a few criminal capers pitting him against his former ally, Batman, for the Dark Knight to become familiar with Two-Face's habits, and that familiarity is important to this modern story.

As for the villain, Charlatan, he's a master of disguise and a truly tragic figure, at least at the beginning. His obsessions lead him down a rather dark path, and ultimately, his poor decisions lead to his own downfall, but a great deal happens to this man that leaves readers feeling some sympathy for him. I don't believe he has ever appeared in another Batman comic since this initial appearance, although he would make an excellent addition to the Gotham City rogues gallery.

It's no secret I enjoy Ed Brubaker's writing, and he is a large part of why I like this story so much. There are a few bits of this six-issue arc that could have been shortened a tad; maybe four issues could have been enough to tell this tale without it bogging down in a few scenes.

The art is great for this type of story. I'm not familiar with Tommy Castillo's other art credits, but here, his illustrations recall the look and feel of "Batman: The Animated Series." Not identical, but still quite similar. That makes for a nice touch as Batman and Charlatan make their way through various familiar Gotham faces such as Commissioner Gordon, Renee Montoya, Penguin, Scarecrow, Killer Moth, Catwoman, the Joker and Two-Face.

This story is good comics!

This Ain't Your Daddy's Bionic Showdown

The Bionic Man Vs. The Bionic Woman: Artificial tpb
Dynamite Entertainment
Keith Champagne
Jose Luis, artist

I decided to pass when Dynamite first announced a new ongoing title updating the concepts and characters from the 1970s television show "The Six Million Dollar Man." Licensed properties in comics are a hit-and-miss bag of chance with me, but the ones I feel hit their mark and that I enjoy are usually the exception, not the rule. That ongoing series launch was also being written and updated based on ideas by Kevin Smith, also a hit-and-miss variable for my personal tastes.

But I admit I was a bit curious about The Bionic Man. That curiosity increased when the companion title, The Bionic Woman, was announced as another new ongoing. And finally, with both series having several issues under their respective belts, a miniseries was solicited pairing the two title characters together. Or rather, against each other. I figured to wait for the trade on the mini and sample both updated characters for a smaller investment.

I once sought out and read "Cyborg," the 1972 novel written by Martin Caidin upon which "The Six Million Dollar Man" and "The Bionic Woman" television programs were based. That novel's Col. Steve Austin was not exactly the character as played each week on television by actor Lee Majors, but Majors' Austin is the one I am most familiar with and enjoyed as a kid. Same goes for Lindsay Wagner's Jamie Sommers. I enjoyed these characters so much, I own copies of all three made-for-TV reunion movies from the late 80s and mid 90s; they're still fun to watch.

When I cracked open this trade, I had high hopes but pretty low expectations. What I found was an equally mixed bag. It is assumed that if you are reading this miniseries, you are already familiar with these characters and their world from the new, ongoing titles; very little setup or exposition is offered. But I was pleasantly surprised to find that both Austin and Sommers work separately as agents of the OSI (Office of Scientific Intelligence) under Oscar Goldman, just like in the shows. A past relationship between Austin and Sommers is hinted at but not detailed; they work together rarely but well and seem to have a mutual attraction but also something that has forced distance between them. All of that matches up pretty well to what was established in both television series.

Most of the updating seems to have taken the form of de-aging the two leads considerably and modernizing their language and mannerisms. That was a tad off-putting, but not at all unexpected. It was something I could live with.

The depictions of both Austin's and Sommers' bionic abilities, however, was all over the map. They are depicted in this miniseries as performing feats far beyond what they ever did during the runs of their respective television and movie histories. Nothing in this series seems to contradict the established extent of the pair's bionic enhancements: Austin has two bionic legs, a bionic arm and a bionic eye, while Sommers has two bionic legs, an arm and an ear. In this series, both make jumps and other uses of their bionic legs which seemingly would damage their spines unless they, too, were bionically enhanced. Both routinely use both arms to crush things when only one arm is bionic, but then this was an error made on the television programs, too. For example, using a normal arm as leverage while bending something with a bionic arm; that normal arm wouldn't be strong enough to provide sufficient leverage against the force exerted by the bionic limb.

But beyond this, several times Sommers' and Austin's bionics are said to have self-repairing capabilities, and the cyborgs seem to be able to control each individual bionic component independently of the others, almost like a Transformer or something. That's definitely an upgrade from what they used to be able to accomplish. The two OSI operatives are even described at various points as being off-line and even re-booted remotely in the field by techs back at the office. Are they cyborgs or flat-out robots?

Overall, this isn't a bad story -- a foreign power has created its own bionic juggernaut but not perfected the process, and this failing cyborg attempts to lure, kidnap and reverse-engineer Austin and Sommers for his own benefit. I was pleasantly surprised by how much from the bionic heroes I knew from TV had been incorporated into this updated version. But these are still different people, harder people, more cynical than the heroes I knew from my youth. Realistically, this miniseries has made me curious to try a collection or two of the regular Bionic Man and Bionic Woman series to learn more. But it hasn't inspired me to spend money on them. Instead, I may try to seek out more from my local library to see how the regular monthly series stack up against the TV shows and this series. Or I might just try to newly announced Six Million Dollar Man Season 6 series from Dunamite; maybe it will be more my style based on the name.