Sometimes A Little Crazy Helps ... And Sometimes Not

Light reading week so far this week, but that’s OK as I’ve only got a little time for posting right now, too. So, here’s a few quick lightning reviews and a bit of a rant and then I’ll let you get back to your day.

52 Week Thirteen (DC Comics) — I’ve complained the last couple times about recent issues of this title focusing on some stories to the exclusion of others. I still maintain that there has to be something going on with the heroes we aren’t seeing each time, but I will agree with the recent online comments I have read where others cite this as a good thing, allowing the writers to give the readers a solid chunk of whatever story they follow this week.

And Week 13 is no exception to good storytelling. Ralph has been invited to the attempt to resurrect Sue by the Cult of Conner. He covertly brings along Green Lantern, Green Arrow, Metamorpho and Zauriel to help him determine if the ritual is a fraud. They convince him it must be and chaos ensues until the proxy Sue shows some small signs of life. I’m not sure if that little bit of drama was all in Ralph’s head or not, but he believes it was real, and seems to be so much the worse for that belief. Hasn’t this man suffered enough?

The All New Atom 2 (DC Comics) — Not much to say on this one. Maybe it’s just taking its time setting things up, but this one is moving slowly. That’s OK if the story and characters are building my interest, but this book hasn’t grabbed my interest like I thought it would. I’m not giving up yet, but this title is becoming iffy.

OMAC 2 (DC Comics) — I feel much the same way about OMAC, but since it’s a limited series with a definite ending, I have more patience in letting it grow. If this book lets me down, I may have to just face the facts that I don’t care for Bruce Jones’ writing. Note, I didn’t say he’s a bad writer; just that his writing isn’t in tune with what I like. That’s a distinction most fanboys miss when ranting about creators they don’t like.

Outsiders 39 (DC Comics) — I’m not sure what was worse, psychologically: the image of Monsieur Mallah and The Brain in bed together discussing philosophy or the fact that they seem to have collected enough superhero DNA from such a variety of sources that they’ve built a veritable super army (yet they still can’t clone Brain a new body?!?). This issue was just disturbing.

Fallen Angel 7 (IDW Publishing) — This was the best of this bunch of books. We are seeing Lee’s first adventure after her fall. Lee being the titular angel who has been cast out of Heaven for disobeying God. The previous arc showed us what her transgression was, confirming it was an act we could all relate to.

This book is both funny and tragic. I think writer Peter David has a bit more freedom since the title moved to IDW from DC, even though the events of the first run were not set in the DC Universe proper. But the publisher switch has only made the title better. If you aren’t reading this book, you should give it a try.

And finally, no Marvel Comics in this batch of reviews and very few of them in this most recent month’s shipment of comics. I usually order more DCs anyway, but most of the Marvel Comics I ordered for this month are tied up in the Civil War event, which Marvel recently announced was running late.

First let me say that the Civil War storyline has been pretty good so far and I’m willing to wait for it rather than have it be rushed and suffer in quality. I’m paying good money for these books, and I want that quality. Let me also say that I’m familiar with publishing, and there are a lot of things that can, and sometimes do, go wrong which are out of the creators’ control. But increasingly, we are seeing late books because creators can’t make a deadline, and that I have little sympathy for.

I work in an industry with a daily publishing deadline; most jobs have some form of deadlines; work has to be done by a specific point or problems result. Are the creators involved taking on too many projects? Are they missing deadlines because of commitments to other industries? I imagine there are many reasons in each and every instance. But whenever a creator misses a deadline consistently, it is a slap in the face to those who make their assigned deadlines month in and month out.

It was just announced that Wonder Woman is becoming a bi-monthly title — one issue every other month — because writer Allan Heinberg needs the extra time. The book he wrote before this, Young Avengers, was consistently late and is now on hiatus because of deadline problems. Not low sales, Heinberg just can’t meet the monthly deadline with all of his other comic and television commitments. He’s a great writer, and I will buy his wok when he can do it, but if he can’t meet a monthly deadline, find someone else who can for the monthly books. Or, if he wants to write a monthly book, commit to doing that, on-time, for a fixed timeframe and then go back to the other projects.

This is similar to Brad Meltzer’s arrangement on Justice League. He will be the writer for 12 issues — one year — then, no matter how popular his run, he will leave the title to write his next novel. That’s his next commitment, and he is doing what needs to be done to meet both. He can always come back after the novel and write more comics if he, the industry and the fans are agreeable. Most likely they will be.

I guess my point is this: Don’t agree to do what you are unable to do, and when you have agreed to do something, you had better be doing everything in your power to get it done as promised. Unfortunately, that ideal doesn’t seem to be quite so universal anymore.

Closing Out July On The Heels Of August

Today we have reviews for the last of the comics which came out in July, as well as a few older comics I managed to read before the August shipment arrived at my door this weekend. I’ll get those books ready to read so the next batch of reviews should be of August books, which is good since August is almost over.

Daredevil 87 (Marvel Comics) — So DD is out of prison now. He managed to escape while salvaging his secret identity thanks to some help from others, and he can start getting to the bottom of who’s setting him up. So really, this entire last arc didn’t really advance the overall plot at all, but damn, it was sure some good reading.

Birds of Prey 96 (DC Comics) — This title seems to be floundering somewhat since Infinite Crisis. Don’t get me wrong; Gail Simone has a great writer’s voice for these characters, but I just don’t care so much for some of the storylines, particularly this one about Black Alice. I just don’t care about her much, I guess.

Civil War: Front Line 4 (Marvel Comics) — More of the same from this title: I really enjoy the insights offered in the Embedded storyline about the reporters covering the events in the Marvel Universe, and I am loving reading about Speedball’s persecution in The Accused, but I’m not so sure about the Sleeper Cell storyline, and don’t much care for the pretensious parallel story that always ends the book. I get the similarities between the Civil War storyline and real world events such as the Patriot Act and the internment of Japanese-Americans during World War II, etc. I don’t need to be beat over the head with it or made to feel like these stories are more emotional than they are.

Action Comics 841 (DC Comics) — Not sure about this arc yet, but decided to give it a try since it seems to guest-star Nightwing and the Titans. Seems people outside of Metropolis are concerned about whether or not the newly-returned Superman is the real deal or just another pretender. Nice tie-in to previous events. After what happened when Superman died, I can see why people might be suspicious.

New Avengers 22 (Marvel Comics) — Another good Civil War tie-in. Last issue showed us Captain America’s views on the registration act. This issue focuses on Power Man Luke Cage, Jessica Jones and their newborn daughter. Nicely done.

Batman 655 (DC Comics) — This is the opening arc of Batman and Son, the follow-up to an earlier Batman graphic novel in which Bruce and Talia have a son, a boy whom Bruce believes was stillborn. This story has a great deal of potential for emotional conflict considering Bruce’s feelings on family responsibilities. Not too many impressions so far, although this version of Talia seems somewhat darker and colder than usual.

JLA Classified 22-25 (DC Comics) — I’ve never been a big fan of the Detroit-era Justice League, surprising in that I have always liked Aquaman, and he was in charge of that incarnation of the team. But I didn’t know the other main new characters. However, I have always been rather fond of the various incarnations of the Royal Flush Gang. I don’t know why, they always seem kind of lame, power-wise. But I’ve just always liked them. This story ties together a couple different incarnations of the Gang, retroactively adding some sense and cohesion to the two teams, while also making me care a little bit about the Detroit Leaguers. It was a fun read, and is making me look forward to the sorta sequel in JSA Classified 14-16.

Jack of Fables 1 (DC Vertigo) — I’ve said it before and I’ll say it again. I don’t much care for Bill Willingham writing superhero comics. His run on Robin was mostly bizarre and seemed to take the character back to being a novice, ignoring about 10 years’ worth of stories in the process, not to mention current continuity. But the man can write these Fables characters. I have been hooked on the original title since it began, and decided to give this new spin-off a try. I wasn’t sure if I’d like it or not, but I WANT to see issue #2 right away after reading #1. That doesn’t happen very often anymore. I’ve read enough comic books that good stories leaving me wanting to read the rest and see what happens, but not really anxious about it. I’m anxious to read this book next month.
Retro-Reviews

Crisis On Infinite Earths 5-7 (DC Comics 1985) — These books comprise the heart of the series. The first four issues are a lot of set-up. Issue 5 comes along with the revelation of the Anti-Monitor as the villain. Issue 6 brings the final five remaining earths together and introduces the coming villains coup. And issue 7 gives us origin and back story details for the new characters created for this series as well as the intensely dramatic death of Supergirl. Heroes and villains have died before this point, but Supergirl’s death lets everyone know that anyone could be next. For those still not convinced, check out issue 8 for the death of ... but we’re not there yet. (Like somebody out there hasn’t read this series yet.)

DC Comics Presents 87 (DC Comics 1985) — This story is one of the better Crisis tie-ins taking place right after Supergirl’s death. Superman is mysteriously taken to Earth-Prime, the earth that is supposed to be the one we readers live on. While there, he witnesses the dawning of powers on Superboy Prime, a character who will play a role in this Crisis, as well as in the later Infinite Crisis. A good book to have if for no other reason than that.

Well, that’s it for today. See ya next time.

Here's My Mea Culpa

To those who have posted comments to my blog as far back as March, I apologize. I'm an idiot.

I just thought I didn't have any comments posted. But apparently, I had the settings adjusted so that I had to "approve" any comments offered, then received no alerts or notifications to that effect. So I had a few waiting for me when I happened to check today.

Thanks to all of you for your interest, and please drop by again. I'll try to be more attentive.

Short Weekend Of Solid Reading

I read some good comics over the weekend, so let’s just jump right in to today’s batch of reviews.

52 Weeks 11 and 12 (DC Comics) — The first of these books features the costumed debut of Batwoman; the issue also focuses mainly on Montoya and the Question and their investigation into Intergang’s move on Gotham with just a few side bits on Ralph Dibny’s investigation of the Cult of Conner. The second issue continues this narrow focus on just a few characters, leaving other storylines unadvanced for entire weeks. If anything, I think that is this title’s biggest failing. It’s an anthology of unrelated stories taking place during a common year. This time, we spend the bulk of our time with Black Adam, witness the creation of the new Isis, see that Captain Marvel is not fairing too well, and see Ralph finally catch up to Wonder Girl. But when was the last time we checked in on the trio of heroes lost in space or the unfolding time weirdness with Booster Gold. I know it’s been at least three weeks since we saw anything with Steel and Luthor. Are we to believe absolutely nothing happened with these characters in this time? But hey, I love the glimpses we are getting.

Flash, The Fastest Man Alive 2 (DC Comics) — I’m just not feeling it with this series. I understand the writers, Danny Bilson and Paul Demeo were involved in the Flash TV series. It was OK, but I’m just left not caring much about this suddenly-adult Impulse. Look for these first issues to show up on my Web site in the coming weeks.

Checkmate 4 (DC Comics) — I like this book a little more with each issue, although I’m still not sure if I like it overall. Is Alan Scott really leaving? Will that take away why I like the title? I don’t know, but I’m still along for more of the ride.

Aquaman 43 (DC Comics) — I’m torn by this book. I like Kurt Busiek. I’ve never cared that much for Butch Guice. I love Aquaman and I love this young Arthur Curry currently dominating the book, but I miss getting to read about the Aquaman I know. I also wonder with the introduction of this new, younger “Aquaman,” how much of this storyline was motivated by the Aquaman TV pilot. (I haven’t seen it yet, but I’ve heard it is available on YouTube.) But think about it: If the pilot had been picked up, the comic would more closely mirror the series. Hmmmmm

Manhunter 24 (DC Comics) — Since the announced cancelation and reprieve on this book, the quality seems to have dropped just a bit. I dunno if they had to rush to get the next few issues done once the reprieve was announced or what, but I hope it returns to it’s accustomed level soon.

Civil War 3 (Marvel Comics) — Wow! Is this book going to make it all the way to the final issue before everyone in the Marvel Universe is forced to kill everyone else? I didn’t expect a major clash of the big guns like this so soon. And for the record, I can see Iron Man’s belief in registration, but some of the other characters who have sided with him baffle me. Thing, She-Hulk and Ms. Marvel seem more naturally to fit with Cap’s rebels, the correct side in this war of liberties versus security.

Supergirl and the Legion of Super-Heroes 20 (DC Comics) — I said this book was suffering from the addition of Supergirl. I’d now like to amend that statement. The first few issues after Supergirl’s arrival spent a lot of time focusing on her. Now she’s just another one of the characters in this team book, and she seems to fit somewhat better. So it wasn’t her presence that threw things off, but the imbalance of her role. That seems to be corrected now.

Crisis Aftermath: The Battle of Bludhaven 1-6 and Uncle Sam and the Freedom Fighters 1 (DC Comics) — I haven’t much cared for Battle at all. The Titans seem out of character and out of continuity in this title. All of the other characters in this rambling, disjointed tale are modern re-inventions of old characters, and they’re done poorly. Every team’s origins and motivations are kept cryptic in hopes of later revelations in their own titles, but without any kind of payoff in this title, who cares about hanging around long enough to find out. I am curious about the new Doll Man and the new Phantom Lady a bit. That’s why I signed on for Uncle Sam. But where’s the payoff?

Justice League of America (2006) 0 (DC Comics) — This book is just the opposite; it’s all payoff. If you follow DC Comics at all, you already know what is presented in this book. All of the history will be well-known to you, the present-day stuff is just the big three agreeing to reform the League (no surprise since the title is relaunching) and the future teasers may never come to pass because of the impossibility of predicting exactly what will become of these characters through the infinity of publishing history. But damn, this was fun to read.

And that makes a perfect place to bring this post to an end.

Posting While The Posting Is Good

Despite some complications both at work and at home already this week, I’ve managed to do a little bit of reading and I have a little time with the computer, so here’s some more reviews of recent comics:

Superman 654 (DC Comics) — This was a fun stand-alone issue. It continues to show just as much of the life of Clark Kent as it does Superman, which is nice. And the Daily Planet newsroom is a little more like what I expect from real newsrooms. The anniversary Clark and Lois are trying to celebrate is a nice one. And the ending is a nice little gift from Lois to her husband that rings true of her character and of the partnership these two share in modern comics. I was afraid some of the storyline quality would suffer after the initial arc. I like Superman as part of the group, but tend to get bored with him solo. This issue gives me hope for the Man of Steel’s future.

Squadron Supreme (2006) 5 (Marvel Comics) — This book is a guilty pleasure. It is much darker than the original 1986 series, playing as it does off real world prejudices and events, but Straczynski and Frank do a wonderful job making these characters real and consistent, both in action and appearance.

Fables 51 (DC Vertigo) — Another great charcter-driven title. I don’t so much like what Willingham does as a writer on superhero comics. I particularly did not care for his run as Robin scribe. But his attention to detail and characterization in this title is superb. This issue focuses on superspy Cinderella providing a wonderful little solo story, nicely advancing the overall Adversary War plotline and creating some new threads for future stories, all of it in a pretty package by guest penciller Shawn McManus. If you aren’t already, read this title.

Civil War Front Line 3 (Marvel Comics) — This issue was somewhat of a letdown. I haven’t been following She-Hulk’s adventures in the Dan Slott title, so I am not exactly sure how she comes down in the whole registration debate, but she seems in support of registration and quite out of character in “The Accused” as the former Speedball is further railroaded by the government. The main “Embedded” story is still the best, but this issue left me scratching my head more than anything else.

Dorothy 6 (Illusive Arts) — This is an intriguing quarterly title. I grew up watching “The Wizard of Oz” on television even though I’ve never read Frank Baum’s original books. I'm curious whenever a book visits Oz. This independent comic updates Dorothy Gale to a modern, rebellious teen with spikes, studs and dyed hair. An attempt to run away from the restrictive home of her Uncle Henry and Aunt Em is interrupted by a tornado and Dorothy is deposited in a strange land. Rather than strictly drawn panels, however, this title uses Photoshopped photography and computer enhanced images to depict Dorothy’s adventures.

Dorothy is not the only character to get a makeover, however. Oz is a place ruled by a dark witch and full of political machinations. So far, Dorothy has been befriended by a small robotic canine ToTo unit, an unfortunate political dissident who has been mind-wiped and left an adle-brained Scarecrow, and a Tin Man with the soul of a poet and the mind of a tortured genius trapped in a mechanical body.

OK, I’m getting tired, so I think I’ll call that a post right there, and grab some Zs. Later, kiddie-cops.

A Week Of The Unusual

Only a few reviews again today. Haven’t had as much time to read again this week, partially because of some recent back issue purchases. I think I mentioned previously (but I’m too lazy to check) about trading for a complete run of DC Comics’ original Checkmate series from the late ’80s. I didn’t know it until they arrived, but smack in the middle of this 33-issue run is a crossover story with Suicide Squad and a couple other books. The crossover is called “The Janus Directive.” Well, I went on a hunt for the other chapters in this crossover so that when I read the arc, I can assess it based on the whole. That led to a number of other finds and impulse buys which have recently arrived.

I was also able to snag copies of the three-issue miniseries , The P.I.s: Michael Mauser and Ms. Tree, by First Comics. Trade ads for this series looked good in the mid-1980s issues of Jon Sable, Freelance. I don’t know Michael Mauser, but I’ve read some Ms. Tree before. She’s a classic, hard-boiled private investigator from the old school except she’s a dame, not a guy. I was also able to pick up the complete 24-issue run of DNAgents from Eclipse Comics at a nice price. Don’t know much about this series either, except it was supposed to be good, was written by Mark Evanier and was compared to Marv Wolfman’s New Teen Titans, which I love. And I also picked up Incredible Hulk #s 210-222 from the late ’70s. I remember reading these issues at a friend's house at the time and liking them, but that’s about it. I dunno if this is a complete arc or several arcs; I don’t remember. But I’ve checked on buying them in the last few years and always found them a little pricey. A few weeks ago, when I found them on sale, I snagged them.

It may be a while before I get a chance to read some of these finds. Back issue buys like the Checkmate series, which started in 1988, can be read and filed when I come to the appropriate dates as I go back through my collection. Older stuff, though, like DNAgents and the Hulk issues, I’ve already passed those respective dates. So they get added to a stack of out-of-continuity trades and such that I have vowed not to touch and read through until I finish the massive undertaking that is making it back through all of those chronological back issues. The stack is getting kinda big.
Enough of that. On to some quick reviews:

Outsiders 38 (DC Comics) — More questions than answers in this book. I want to like it, but it’s teetering on the edge of being dropped right now. How does the grim and brooding Nightwing in this book justify with the more laid-back personality he has in his own book now? DC online has said they will address that, but when? How do the Brain and Monsieur Mallah’s actions in this title jibe with their appearances in Teen Titans? On the fence with this one.

The All New Atom 1 (DC Comics) — This story started out slower than we were promised in Brave New World. I thought that book was the intro and that the new series would pick up from there. Apparently not. If that’s the case, since Brave New World did nothing to change my already-conceived notions aboiut these new titles, was it a waste of my money?

OMAC 1 (DC Comics) — Same thing here. The issue starts out before what we saw in Brave New World. It doesn’t even catch up to BNW by the end of the issue.

Marvel Westerns featuring Kid Colt and the Arizona Girl 1 (Marvel Comics) — I don’t remember these characters, but I like them. I just wish Gray and Palmiotti hadn’t made the villains of the piece aliens. Am I the only person who thinks cowboys and aliens just shouldn’t mix, even in the Marvel Universe? Still a fun read, though.

Fantastic Four Presents: Franklin Richards, Son of a Genius Super Summer Spectacular (Marvel Comics) — Whew, what a name! Typical cartoon fun. These books are fun for what they are, but then, after reading three of them, the humor is starting to grow a tad stale. A Calvin-espue Franklin shares misadventures with his robot nanny, H.E.R.B.I.E. (Why does that name sound familiar?)

Justice League Unlimited 23 (DC Comics) — The Royal Flush Gang is always fun, even this overly-serious grouping from the Cartoon Network series. This story also has Martian Manhunter insights to boot.

52 Week 10 (DC Comics) — Some nice character bits with Clark Kent and a whole lot of time spent with Black Adam, a truly fascinating character in the DC Universe the last couple years. I’m guessing the young lady, Adrianna Tomaz, will become the new Isis soon. But y’know, we really only spend time with Clark and Adam. Did none of the other players in this little drama do anything this week, or are we seeing some of the working of having multiple writers on this title: each one takes one story and we don’t get development on a particular storyline if that writer didn’t get his stuff done that week? Hmmmmm.

That’s it for today. See ya next time, kiddie cops.

Why I Hate Supergirl

OK, kiddie-cops, I’m back for another lightning round of comics reviews looking back over mags that I’ve recently read. And starting us off is

Supergirl (2005) 7-8 (DC Comics) — OK, I cheated a little bit here in reading order since #8 didn’t come out until almost the end of July, but I didn’t expect to like either of these books much, so I read ‘em both together. Why buy them if I didn’t expect to like them, you ask. It’s the problem with advance ordering your comics. I didn’t expect to like them after reading #6 a couple months ago, but by that time, I’d already ordered these two. I have NOT ordered #9.

I like the original Supergirl. And I’m not necessarily opposed to updating and reintroducing old characters as new ones. I like the new Supergirl, Matrix, introduced after Superman’s revamp. I just don’t like this latest ultra-teen, sorority-chick, stereotype that DC is parading around as the Maid of Steel.

I could handle her introduction in the pages of Superman/Batman. I’m not altogether certain if she truly had an evil personality to begin with or if Darkseid “created” one when he kidnapped her, but that tale was passable, and even had some memorable moments. Her next adventure, kicking off her own title, wasn’t too bad either, tying in with the events of Infinite Crisis and Luthor and such, and the use of her evil side was a nice touch. But the story was so drawn out what with all of the delayed issues, it was a little hard to follow. But now, the midriff-baring whiner moves into One Year Later, dragging Power Girl along with her, into a twisted vision of the bottle city of Kandor. Making this story, even more lame, in my opinion, is the use of Ultraman and the evil Saturn Girl from another Superman/Batman arc. I’m just not buying it, literally.

Detective Comics 821 (DC Comics) — New writer Paul Dini is not the first scribe to return this title to one that lives up to its name, but as a creator on Batman, The Animated Series, he’s proven he gets Batman, isn’t afraid to use Bruce Wayne in a story as more than a fool, and above all, shows us why Batman is known as the World’s Greatest Detective. He doesn’t just punch his way to a resolution in this done-in-one tale, he searches out clues, follows leads and uncovers a new villain with good, old-fashioned detective work.

Teen Titans 37 (DC Comics) — I’ve been reading a lot of people bashing this title of late online. I’m starting to agree that maybe it's lost its focus a little bit with the jump One Year Later. I’m not opposed to having new characters in the group, but its almost like Johns is bored with keeping Cyborg, Robin and Wonder Girl around but feels he has to to keep his audience. Or maybe he’s stretched a little thin right now with all he’s doing. It’s the Titans; I have high hopes, so I’m not dropping it yet, but I’m disappointed in this most recent arc.

Secret Six 2 (DC Comics) — Just not quite sure about this one either. Gail Simone is such a great writer and Villains United such a great read, I’m willing to give her the benefit of the doubt so far. But this follow-up miniseries seems even more violent, and with somewhat less focus, so far.

The Thing (2005) 8 (Marvel Comics) — Now this is good comics, people!!!! Naturally, it’s the last issue. I don’t like everything Dan Slott writes. I just don’t get the appeal behind his latest reimagining of She-Hulk. It’s just not that funny to me. But he did right by bashful Benjy, the ever-lovin’ blue-eyed Thing. And in true style for a fun comic, Slott takes this book out on a high note. Just about evertbody who’s anybody in the Marvel Universe shows up in this blowout final issue for a rollicking Superhero Championship poker match.

Slott went out on such a high note, how can I do any less? That’s it for today. Happy collecting.

Getting Back Into The Groove

Still a somewhat slower than normal week, reading-wise, but I managed to read a couple more back issues before getting the most recent month’s stash in the computer, then begin checking them out. So, let’s get right to those reviews.

Crisis On Infinite Earths 4 (DC Comics) — The cover tells it all on this issue: Death of the Monitor! Harbinger’s “betrayal” in killing her mentor while under the control of the as-yet unrevealed villain of the epic is what sets most of the rest of the action in motion for this series.

Legends of the DC Universe Special: Crisis On Infinite Earths 1 (DC Comics) — This 1999 comic came almost 15 years after the original maxiseries. Billed as “The Untold Story,” this tale by Marv Wolfman, Paul Ryan and Bob McLeod doesn’t really hinge on any major reveals. It focuses on Barry “The Flash” Allen as he learns what the Anti-Monitor and the anti-matter cloud are all about. The story loosely takes place between the events of the original series’ issues 4 and 5. What really sets this issue off, though, is Earth-D, as far as I know, a previously unvisited alternate Earth within the multiverse. Flash accidentally ends up on this earth and meets the members of the Justice Alliance of America — a Japanese-American Flash, yellow-skinned Hawks, a much nicer Batman and his son, Robin, husband and wife Superman and Supergirl, a Native American Green Arrow and husband and wife Wonder Woman and Atom. These heroes, later joined by several more familiar faces struggle — ultimately in vain, remember, we already know how this is going to turn out — to save Earth-D from the anti-matter cloud.The characters introduced in this tale show what makes our more familiar heroes great by their differences and similarities, and they passed away from the scene much too quickly. If you liked the Crisis, if you just like good alternate reality tales, or if you just love superheroes, go get this book and read it.

Powers 19 (Marvel Icon) — I like what is going on with this book right now, just not how slowly events are unfolding. Deena has powers now. Walker has gotten powers again. Calista has grown up to be the new Retro Girl. Now if they could just get the book out on a regular basis, that’d be great. And I love the letter column in this book. Especially how Bendis has to constantly remind people not to send him unsolicited work for both his and their protection. It sucks if you’re trying to break into the business, yes, but that’s the reality of things, people.

52 Week Nine (DC Comics) — OK, going by the little caption boxes, we only see two days worth of events in this issue. Not only is that not a whole week, but the story doesn’t feel like it moved forward much in those two days. I like the series, but it can get a tad slow at times.

That’s it for this time. Short and sweet, but unlike 52, it’s progress.

Real Life Interlude

Been kind of a busy few days filled with real-life concerns and little leftover time for comic book concerns. My most recent batch of new comics arrived over the weekend, but I still haven’t had time to add them to my inventory list. I also received two packages of older comics. One was a recent trade of books from the Web site for all 33 issues of the original DC Checkmate series. I’ve always been curious about that series; now I can try it out and parted with some of my excess to boot. The other package was a bunch of back issues I’ve been looking for recently. Purchased them during a sale at Mile High Comics. That gets me several series I have been recently looking for except for one. In the mid 1990s, Mike Grell did a spin-off series from Jon Sable, Freelance about Maggie the Cat, a cat burglar. I have the first two issues and thought the series ended there unexpectedly. I recently learned issues 3 and 4 do exist. If anybody knows where I can find copies of those last two issues, I’m searching. Anyway, I just mailed out another package today of comics from the site, so it’s just been updated too. And that’s about all of the comics stuff I have time for now, except ...

I did manage to read through Crisis on Infinite Earths #1-3. The story still holds up although there’s a lot of exposition in these first few issues. Next time.

Oops! Call In the Time Repair Specialists

I’m back with a few more reviews, but first, this little jaunt down comic book memory lane has paid off as it was intended to do. Recently, I talked about how I store my comics chronologically, as if the characters lives were real, linear spans, so not all of the books are in numerical order. For more on that discussion, see the March 2, 2006, post "Meanwhile, back in the Comics Den ..."

Well, in 2000, Ben Raab and Michael Lark did a three-issue, prestige format Legend of the Hawkman miniseries. Now, the events in this story clearly deal with the pre-Crisis Katar and Shayera Hol from the planet Thanagar. So, sometime after reading the story for the first time, I filed the story just before the events of the Crisis, along with other books from 1985. I don’t remember exactly why I chose to place the series so close to the Crisis, maybe it was just easier to find at the time.

Now, in 2006, I’m re-visiting this portion of my collection, and I come across this series, still quite good, dealing with not only heroics, but also issues of faith and bonding. It’s really quite good. But, as I re-read the story, it has the feel of something that should have come earlier. The Hawks still seem somewhat new and unfamiliar to the earth in this tale. The clincher is a cameo by Superman in the second issue. It is clear from the brief exchange between the Hawks and the Man of Steel that this meeting takes place before most of the members of the Justice League have decided to trust one another with their respective secret identities. Superman seems to have no idea that the Hols are also museum curators Carter and Shayera Hall (why is it that only the male had to change his name?). Obviously, this series needs to “occur” much earlier in the history of the DC Universe. Finding and correcting little continuity errors such as this one is one of the reasons I’m revisiting these older tales.

Other books I’ve read in the last few days:

Jon Sable, Freelance 28-30 (First Comics) — These three issues revolve around a charity auction of Hollywood memorabilia and the disappearance of the famous statue from “The Maltese Falcon.” Sable’s friend, Sonny Pratt, gets the mercenary involved in the case, which nicely adds character bits to the relationship between Sable and Police Capt. Josh Winters.

Red Tornado 1-4 (DC Comics) — This was a four-issue series from mid-1985 by Kurt Busiek and Carmine Infantino which explores the android hero’s desire to be more human. I’m not a big fan of Infantino’s artwork, especially during the mid-1980s when everything he drew was so angular (see his work on The Flash during this time), but this book isn’t so bad. Busiek chooses to pit the Tornado against an old JLA foe, The Construct, another mechanical entity. The story has some nice character development for Reddy, as well as his surrogate family, Kathy Sutton and Traya.

Nightcrawler 1-4 (Marvel Comics) — This is another four-issue series, this time both written and illustrated by Nightcrawler creator, Dave Cockrum. A mishap in the Danger Room sends the swashbuckling X-Man to a series of ever-increasingly bizarre alternate universes, finally ending up in one based on a fairy tale imagined by Kitty Pryde and inhabited by cartoonish versions of the X-Men. This series doesn’t do much to change Kurt Wagner’s character or bring about any major changes in his continuity; it’s just a fun romp through some strange adventures, a tale befitting the devilish mutant.

The Thing 27 (Marvel Comics) — Ben Grimm is still on the road, this time running across the Fabulous Thunderiders, a motorcycle group. I don’t know much about the Thunderiders, but from the dialogue within the story, this group has apparently either starred in a title of their own or at least shown up in other titles. They obviously have some history, including some kind of mystical link which can manifest as the Black Marauder, a daredevil cyclist hero, or is he?

The New Teen Titans (second series) annual 1 (DC Comics) — The main story in this book features Tara Markov (Terra) as member of the Titans, which places it before the events told in the Judas Contract storyline from a couple years earlier. But there is a modern framing sequence which shows new Titans Joe Wilson (Jericho) reading through files of the team’s past cases that keeps the story placed with other 1985 tales. In this adventure, the Titans meet a group of representatives from yet another intergalactic police force, The Vanguard, and is obviously an attempt to launch an off-shoot title which never came to be. This is one of the weaker Titans annuals during the Marv Wolfman era (George Perez had left the title by this point), but since I have everything else in this run of the group, I keep this book as well.

And lastly, The New Teen Titans (second series) 12 (DC Comics) — This story wraps up some loose ends from the group’s recent past in a rollicking “Ghost Story.” An occasional recurring foil for the team since it’s 1980 relaunch was a crime family headed by Donna Omicidio. Among other storylines, she played an important part in The New Teen Titans (first series) annual 2, the first comic of this series I ever purchased, and the book responsible for getting me interested in comics again. (For more on this annual, see the February 2, 2006, post "What the hell are 'kiddie cops'?") With the help of an eight-year-old apparition, the Titans are able to solve a 50-year-old murder mystery. A very good read.

And that brings us to the doorstep of the Crisis on Infinite Earths. If you recall from last time, Warlord #97 showed some early effects of the anti-matter wave on Skartaris. The New Teen Titans #13 and #14 both take place in the midst of the Crisis. That’s the next thing in the chronology to read through. I may not offer reviews of every single one of those issues. I think, for a time, I will try offering reviews only of select books for which I have something significant to say instead of saying something about each and every one. Plus, it may be just a bit before I get to the Crisis books. My July shipment of new comics has been sent and should arrive in a few days, so we’ll be back to reading current comics within a week.

See ya next time.

Still Playing Catch-Up

Civil War Front Line 2 (Marvel Comics) — The second issue of this Civil War spin-off was good. I’m enjoying following these reporters as they watch and react to events unfolding — must be the journalist in me. But in this second issue, the backup story following Speedball is overshadowing the main one. I’ve never really followed Speedball or much cared one way or the other for the character before, but in light of the registration act, he is the perfect focus character for this story.

Daredevil 86 (Marvel Comics) — I haven’t made up my mind for sure on this title. I’ve followed Daredevil from time to time in the past. Brubaker is a great writer. But this whole Daredevil in prison thing needs to start moving to some kind of resolution as I am starting to loose interest. This issue seems to be moving DD toward an escape, so maybe change is coming.

New Avengers 21 (Marvel Comics) — This Civil War tie-in issue felt like a fill-in. It was nice to see Captain America between his dramatic escape from S.H.I.E.L.D. agents in Civil War #1 and leading the group of resistance fighters in Civil War #2, but there really isn’t much going on in this issue besides filling in those gaps, which most readers probably assumed happened anyway. The only information revealed in this issue — which side the Falcon and Ant-Man/Giant-Man Hank Pym are on — could be deduced from the pages of Civil War itself.

Supergirl and the Legion of Super-Heroes 19 (DC Comics) — This latest incarnation of the Legion is my third attempt at following the group’s adventures. I always seem to loose interest after a while. This latest approach by Mark Waid and Barry Kitson seem to be quite novel, but with the introduction of Supergirl and her ascent to the lead spot in the title seems to have thrown the rest of the book off its focus. This particular issue doesn’t even have much to do with Supergirl, per se. It is more a solo spotlight for Chameleon. And it’s not a bad story, it just didn’t grab my interest like earlier issues did. This book is also in danger of being dropped like a few others discussed last time.

Crisis Aftermath: The Spectre 2 (DC Comics) — I have high hopes for this series, and so far it hasn’t let me down, unlike its companion title, Crisis Aftermath: The Battle for Bludhaven. I really liked Gotham City police detective Crispus Allen when he was alive. I like what writer Will Pfeifer is doing by offering Allen the chance to join with the Spectre and using Allen’s perspective to help us explore the astral avenger. I hope this pairing moves beyond the scheduled miniseries.

Brave New World (DC Comics) — This preview comic offers advance glimpses of several upcoming series and miniseries — at least in theory. The problem is, when a person has to order his comic books several months in advance, he (or she) has to decide which of these books to follow before ever reading the preview. I’ve never cared much for the Creeper so I opted to pass on that series, and nothing in this book changed my mind. Other advanced online information convinced me to give the Shazam, Martian Manhunter and Atom series a try; this book leaves me hopeful that they will be worth the trial. I was curious about Uncle Sam and the Freedom Fighters, and still am after reading this comic. And I wasn’t sure about the OMAC series, but figured I’d give it a try based on their role in Infinite Crisis. This preview story looks promising.

Solo 11 Sergio Aragones (DC Comics) — This has been an uneven title as most anthologies are. That’s probably why it has been canceled. I think the concept is sound, the company sponsoring such a project just has to accept and expect uneven sales. Aragones is a funny guy. This issue shows why. I especially liked his true tale of Marty Feldman and the Batman story. The rest was so-so.

Marvel Milestones: Rawhide Kid and Two-Gun Kid (Marvel Comics) — This book is exactly what I expected the Outlaw Files to be: reprints of the first stories to feature Johnny “Rawhide Kid” Bart and Matt “Two-Gun Kid” Hawk. Great classic western fun.

And that was the last of my June new comic purchases. Moving on, we resume reading from the mid-1980s:

The Thing 26 (Marvel Comics) — Recapping, in the aftermath of the Marvel Super-Heroes Secret War, Ben Grimm opted to stay on the Beyonder’s world for a while. When he returned to earth, he found his one-time girlfriend Alicia masters had become involved with the Human Torch. Feeling betrayed, Grimm left Manhattan and the Fantastic Four. This issue finds him wandering the country and stumbling across a sinister circus run by — no, not the Ringmaster, but the Taskmaster. “runaways” isn’t a bad story, but it’s not a remarkable story, either.

Superman annual (1985) 11 (DC Comics) — This is one of the greats. “For the Man Who Has Everything” was written by Alan Moore and illustrated by Dave Gibbons. It’s Superman’s birthday. Batman, new Robin Jason Todd and Wonder Woman arrive at the arctic Fortress of Solitude to give Superman birthday gifts and discover the Man of Steel under the thrall of a parasitic organism given to him by the alien conqueror Mongul. This story is so iconic it was adapted into an episode of Justice League Unlimited on Cartoon Network. If you’ve never read it, I highly recommend it. If you can’t find the original issue, it was recently reprinted in trade paperback form by DC in a collection of Alan Moore DC Universe stories.

The Warlord 97 (DC Comics) — Travis Morgan is leading his band of rebels in an attack to retake the besieged city of Shamballah. But the bad guys know about the “secret” attack plan in advance. Not only is the attack repelled, but the oppressors follow the rebels back to their camp and counter-attack there. All this disaster and the beginnings of the Crisis on Infinite Earths begins to be felt in the inner world of Skartaris.

Wow, if that’s not enough comics for you, come back next time for more.

Comic Book Revew Whirlwind

OK, I’m back again today, and as promised, we have a lot of comic book ground to cover, so let’s get started.

Manhunter 23 (DC Comics) — I really like this series. Apparently sales weren’t too good, as DC announced the title would be canceled after issue #25. Well, this issue promises a reprieve through #30 because so many fans protested the cancellation. This issue continues to explore Kate Spencer’s family history. The previous arc, just before One Year Later began, revealed Kate’s super-hero grandfather and the villainous madman her father was. This issue reunites Kate with her equally heroic grandmother. I won’t reveal who the heroine is for anyone who hasn’t yet read this book, but I must say one of the reasons I love DC Comics so much is their acknowledgment of the heroes who have gone before, familial ties to the heroes of today and the sense of legacy this creates within their line of books.

The New Avengers 20 (Marvel Comics) — This is the final installment of The Collective story arc, which picks up plot threads from the House of M event from last summer. I didn’t follow that series, and I don’t follow most of Marvel’s ‘X’ books on any kind of regular basis. I like some of the mutant characters, but X-Men just doesn’t hold my interest on a monthly basis. Maybe that’s why, but this story just didn’t hold my interest very well.

Captain America 19 (Marvel Comics) — I’ve always liked Cap, but these stories by Ed Brubaker are truly dynamic. It’s a little hard to place these issues in time along with the events of Civil War also running through most Marvel titles right now; Cap’s opposition to the hero registration act has led to S.H.I.E.L.D. declaring him a criminal, yet in his own title, he is clearly working with the spy organization, particularly Agent 13, Sharon Carter. But the whole Winter Soldier storyline and the events that have led directly from that arc are some incredible storytelling, keeping me coming back each issue to see what happens next.

Birds of Prey 95 (DC Comics) — I’m not sure how I feel about the most recent arc of this title. Chuck Dixon did an excellent job when he created this book. His departure meant the book floundered a bit until Gail Simone took over the writing chores. I don’t agree that only a woman can write the book since the main characters are all heroines — obviously, Dixon did it — but Simone was a great fit nonetheless. Most of the changes introduced as part of One Year Later, however, have also been undone as of the conclusion of this arc, or at least seem to be. So is everything just back to status quo? That seems to be somewhat of a letdown from such a good writer.

Fallen Angel 6 (IDW Publishing) — The relaunch of this title continues to explore the origins of the title character. The first arc moved the overall storyline ahead almost 20 years, but also gave us a glimpse of why Lee was cast out of Heaven. This arc continues to explore the origins of the character by picking up immediately after Lee was stripped of her divine abilities and landed on earth. It also reveals a bit more about her relationship and attitudes about God as her first “good deed” among humans does not go “unpunished.”

Marvel Westerns: Outlaw Files (Marvel Comics) — I was disappointed in this book, but I think that has more to do with my misunderstanding of what it was intended to be. Essentially, this is a Marvel Handbook edition featuring the Western characters from Marvel’s past and present. I would much rather read some of the classic stories featuring these western characters than just text pieces, and somewhere along the way, I thought that was what this book was going to be. I was wrong.

Flash (2006) 1 (DC Comics) — This wasn’t a bad story. I bought it mainly to satisfy my curiosity about who would be the Flash in the wake of Infinite Crisis. I don’t know that I will continue with the title beyond knowing this detail. It’s not that I don’t care about the character; I’ve followed some of his solo adventures and some of the team books on which he was a member and enjoyed them quite a bit. I’m just not sure I care that much about the direction this book seems to be headed, and I’ve been needing to make some cuts in the number of titles I buy each month. This one may be cut, again, not because it isn’t good, but just because I don’t care as much about it.

Superman/Batman 27 (DC Comics) — This was a fun comic. I’m pretty sure it was a stand-alone issue. I simply can’t talk about this one without some spoilers; it’s been out long enough, I assume that’s OK; if not, you’ve been warned. OK, taking Superman and Batman and putting them into women’s bodies has a certain adolescent charm. The male heroes having to function as women isn’t a new concept, but it’s not what sets this issue off so nicely. It’s the fact that the Superman and Batman team in this issue are the heroes from Earth 2 and the Huntress in this issue is Batman’s daughter, not Helena Bertinelli. It’s nice to see these Golden Age heroes in action again, probably for the last time as the Earth 2 Superman was killed in Infinite Crisis.

Young Avengers 12 (Marvel Comics) — This is another title that may be going bye-bye from my buying list. Writer Allan Heinberg has made me care about these young heroes and their adventures over the past year, but again, something’s gotta give and this is an easy target that doesn’t affect other books I collect. This issue is also a good jumping off point as it wraps up the Family Matters arc and the first year’s worth of formative stories.

52 Week Eight (DC Comics) — I’m still along for the ride, but this series is raising way more questions than answers right now. Biggest question right now is: What’s up with Green Arrow? This is only eight weeks; how is Ollie not in a hospital or dead from the multiple stab/arrow wounds he received in the last issue of his own book before One Year Later? Next biggest question: Who is this new hero they haven’t revealed to us yet? Third biggest question: I don’t care how mad she is, what is Natasha irons thinking going to Lex Luthor for help?

Batman 654 (DC Comics) — The conclusion of Face the Face, the first Bat story One Year Later. James Robinson did a solid job on this tale re-introducing not only Batman and Robin to the DC Universe after their one year away, but also nailed the characterization on returning supporting cast members Two-Face and Gotham City Police Commissioner James Gordon. This arc is well worth the bucks.

Action Comics 840 (DC Comics) — As great as Face the Face was, that’s how great this storyline started out. Up, Up and Away! reintroduced Superman to the DCU One Year Later. It started wonderfully, showing us a non-powered Clark Kent confident and at the top of his game following Infinite Crisis. But as the story progressed and Clark’s powers began to slowly return, the story seemed to lose focus. Luthor’s plan seemed desperate and not well-thought out. Superman managed to defeat him, but mostly through luck and brute force, not the clever cunning he displayed when Clark kent was all he was. This story started well but ended leaving me feeling cheated somehow.

That’s enough for today. I’ve got more books in the stack that have been read but not reviewed, but I don’t want this post to grow too large. So, more to come.

Something Just a Little Different

Been way busy of late and had little time to post. Since my last batch of comic reviews, I've finished the rest of last month's group of new comics and moved back into the mid-80s comics, but more on that next time.


Instead, this time I'd like to review a few movies. Kinda binged at the theater over this past weekend and was a little disappointed. Don't get me wrong, all three movies were fun, but two of them were far from perfect.


First up was Pirates of the Caribbean 2: Dead Man's Chest. The special effects in this one were good, and like the first PotC, it was a fun movie filled with laugh-out-loud funny moments. But the plot just didn't live up to the success of the first movie. Maybe it's just been too long since I last saw the first film, but Elizabeth (Keira Knightley) seemed somewhat out of character near the end of the film, an obvious set-up for a third installment. If you liked Johnny Depp's antics as Captain Jack Sparrow in Curse of the Black Pearl, go see this movie. Depp is once again at his best. Just don't expect spectacular cinema.


Next up was Adam Sandler in Click. This is the movie where Sandler's everyman character is given a "universal" remote control which allows him to fast forward, slow down and pause more than just his viewing habits. The message in this movie is no surprise, except in the level of seriousness to which it goes in making its point, but Sandler and crew do a great job of making the formula seem fresh and fun to watch. You know where this movie is going to end before it starts, but you still enjoy the ride getting there.


And finally, we also saw Superman Returns. I've heard a lot of mixed reviews of this film from comic book fans and non-fans alike. Most of the good stuff revolves around the special effects in the movie which are very good. Routh does an excellent job of evoking the spirit of the late Christopher Reeve from Superman and Superman II. And the storyline Brian Singer and company have come up with isn't bad. As a direct sequel to those two earlier movies, it makes sense that Luthor would exploit his knowledge of Superman's arctic fortress. But from there .... Gene Hackman's portrayal of Lex Luthor was somewhat over the top, campy. Kevin Spacey continues expertly in that vein, but that just doesn't ring true as Luthor for me. And Routh and Bosworth as Superman and Lois Lane look too young for their roles. A lot was made of Routh being the same age as Reeve when he played the Man of Steel. OK, but this movie takes place five years later, so shouldn't he look five years older? And Bosworth doesn't look old enough to have been a great, award-winning journalist before she had her son five years ago. Those things strained my suspension of disbelief enough that the kryptonite fight at the climax of the movie rang hollow for me. Superman was weakened very quickly on his first exposure to Luthor's island, but when he returns later, the kryptonite hardly seems to bother him at all.

Those are the movies we saw this past weekend. Dunno if we'll make it this weekend or not, but my wife is eyeing Lady in the Water, so maybe we'll have something on that one before long. And check back next time for some more comic reviews.

Busy Weekend of Reading

HHere’s some more thoughts on comics I read this weekend, and there’s a lot of them so here we go:

Civil War Front Line 1 (Marvel Comics) — OK, I don’t know who this Sally journalist is but I’m guessing she’s been in some previous stories from the conversation she has here with Spider-Man, but I do know who Ben Urich is; this comic holds promise. This first issue doesn’t start out slow either.

Wonder Woman (2006) 1 (DC Comics) — The Amazing Amazon is re-launched with Founding Teen Titan Donna Troy in the title role, or is she? Steve Trevor certainly wasn’t who he appeared to be. And Diana does show up in the final scene, so there’s more to this title than meets the eye in the first issue.

52 Week Six (DC Comics) — This was a good issue. It was especially nice to see Ralph go off on somebody, venting his grief, and I can’t think of anybody more deserving of some anger directed their way than Booster Gold.

The Battle for Bludhaven 5 (DC Comics) — Again, I’m not real sure about this miniseries. It seems a little disjointed and some of the more familiar characters don’t necessarily act like themselves. Green Lantern Hal Jordan shows up in this issue; he can’t save it.

Superman 653 (DC Comics) — “Up, Up and Away!” continues; it started so promisingly, but now that Superman’s powers are back, I dunno. Maybe I’m just losing interest, but I’m just not feeling the excitement I was in the first few chapters.

Checkmate 3 (DC Comics) — Still not sure about this title, but I’m warming up to it. Alan Scott, Sasha Bordeaux and Fire seem more in character to me. I’ve also decided to give the first Checkmate series a try. Worked out a trade over the weekend swapping some of the comics from the Web site for all 33 issues from that series. Hopefully they’ll be arriving soon.

Green Arrow 63 (DC Comics) — Ollie is one of my favorite characters, but I’m just not sure what writer Judd Winick is up to. I’m losing interest in what is going on, and while I’ve liked his art in the past, Scott McDaniel’s art in this title is just rubbing me wrong.

Fables 50 (DC Comics) — WOW! I love Bigby and I’m happy to see he and Snow finally together. I just hope their seeming bliss at the end of this fantastic anniversary tale doesn’t mean we won’t be seeing them again. Great espionage tale winding up several plot threads from the first 50 issues.

Civil War 2 (Marvel Comics) — Obviously this is the main series Front Line spins out of. It’s getting a lot of great buzz online, and Cap’s great escape from S.H.I.E.L.D. in the first issue was great. This one, not so much except for the big shocker on the last page, which, of course, was ruined for me online since I get my books after everyone else. Oh, and I’m a little shocked at the side of the CW Ben Grimm is on. I figured he’d be more on Cap’s side.

Squadron Supreme (2006) 4 (Marvel Comics) — I still like this title, but it seems to have lost some of its kick with the move from Marvel max to the mainstream Marvel U titles.

Nightwing 121 (DC Comics) — This Bruce Jones guy is just writing my absolute favorite hero stranger and stranger.

Donald Duck and Friends 341 (Gemstone) — Love me some Donald Duck. Not much to say about this specific issue, but these are fun to read.

52 Week Seven (DC Comics) — Oops! Read so many comics this weekend, I forgot. This is the issue where Ralph goes off on Booster. We also get our first glimpse of the new Kathy Kane, the soon-to-be all-new Batwoman.

JSA Classified 13 (DC Comics) — The final installment of this travesty. I’m not the biggest fan of Vandal Savage anyway, but I just didn’t care for this arc.

Toldja it was a lotta readin'.

More Reviews From Early June

Hey, had a chance to read a few more books this week, so let’s jump right in with my thoughts on ’em. Not sure if I’ve said it before or not, but some spoilers will be included from time to time.

The Thing 7 (Marvel Comics) — This is a fun book. I didn’t care so much for writer Dan Slott’s humor in his revamp of She-Hulk a couple years ago, but as I’ve said in discussing the 1983 Thing series, I’ve always had a soft spot for the Fantastic Four’s monstrous quarter. Well, Slott succeeds quite nicely with bashful Benjy’s adventures in this series, at least as far as I’m concerned. Naturally, next issue is the final as this title has been canceled waaaaaaay before its time. This issue has Ben trying to surprise one-time girlfriend Alicia, a blind sculptress, by taking her back in time to witness the creation of the Venus de Milo, her favorite sculpture. Naturally, things don’t work out quite like Ben intended, and maybe even a little history is re-written.

Superman/Batman 26 (DC Comics) — I can’t quite make up my mind about this issue. The Superman/Batman book can be fun, but I really didn’t like issue #7, the first to focus on Robin and Superboy instead. The characterization just seemed off to me. Not so much Superboy and Robin’s personalities, but Batman and Superman’s. The elder heroes seemed to not even like their younger counterparts, let alone trust them. Issue #26 is a continuation of that earlier story in more ways than one. It’s a fun little tale, and the true-story behind its origins tugs at the heart, but again, the adult heroes seem overly judgmental concerning the teen titans.

JLA Classified 16-21 (DC Comics) — First, a side note: Whenever I’m buying a multi-part story that doesn’t fit into continuity, I wait and read the whole thing when I have all of the issues — kinda like “waiting for the trade” without really waiting all that time for the actual trade. Most of the tales in Classified happened sometime in the undefined past, so they fit this bill. That means I just read all six of these issues for the first time this week. Conclusion: This is the Justice league done right!!!!! They work together as a team. They don’t always agree, but they like each other. Even Batman. He’s unquestionably their strategist. He’s coordinating the moves of the others in the final battle in spite of the fact he’s the only one of them without some fantastic power. But he’s not ordering them about like his own personal pawns. He tells them the plan ahead of time so they can better play their respective roles. Gail Simone turns in great plots each month on Birds of Prey. This arc proves she gets more than just the girl heroes.

52 Week Five (DC Comics) — We learn more about the messed up condition of the returning space heroes. And sure enough, Alan Scott is missing an eye (actually two of them as he points out in the story). That was one of the most significant things for me in this issue because it messed up my system of ordering these books. Scott has two good eyes in current issues of JSA, or seems to at least. That means I have to place the current story arc from JSA somewhere before the events of Infinite Crisis when he went out into space since he returns without the eye. Since the beginning of the story arc involves the golden-age Superman, placing this arc before Infinite Crisis can’t be done. I’ll have to wait and see when each arc wraps up, but maybe the solution will have to be that GL went out into space, lost an eye, came back, and has ring-created sight in the JSA arc in question. The fact that Alan lost his eye in space also blows my theory that he was going to lose it in the current JSA Classified arc with Vandal Savage.

Anyway, back to 52, they’ve delayed telling us about what happened to John Henry Irons in the last issue. He’s too busy trying to help the injured now to bring it up to anybody, but it looked like his armor took him over. Whatupwidat? It’s nice to see that Adam Strange, Starfire and Animal Man aren’t dead, but where the heck are they? Why did DC turn Renee Montoya into such a butt-head when they made her gay? I don’t care that she’s gay although that turn of events seemed to come outta left field, but since she came out she’s been angry and bitter and self-destructive. I’d almost say they are moving her into position to be the new gay Batwoman, but that character is supposed to be a re-vamped Kathy Kane. Oh, and one more 52 question, why is the backup History of the DCU so un-interesting so far? I like this series but I don’t like parts of it a lot.

Detective Comics 820 (DC Comics) — I’m enjoying this Face the Face story bringing Bats back after his year away, and I’m really liking the Jason Bard backup feature. I hope it doesn’t go away when Robinson ends his run as writer, but I imagine it will. This is a competent Batman who likes and works together with Robin and Commissioner Gordon. Finally.

JSA 86 (DC Comics) — I’ve heard some grumbling about the incoherency of this final JSA story arc before the book ends. I don’t see it. The sequence of events isn’t that hard to follow to me, and since I’ve never followed Hawkman to any large degree, I have only a passing knowledge of the Gentleman Ghost, so there’s less history to contradict for me, if this story does indeed contradict what has gone before. I’m liking this ghost story by DC president and publisher Paul Levitz and golden-age artist extraordinaire Jerry Ordway.

Outsiders 37 (DC Comics) — Since One Year Later began, this title has taken a decidely darker turn. I’m not opposed to that on principle. Darker stories can be good stories. But each issue recently has made me worry about reconciling Nightwing’s behavior here and in his own book. I don’t want to drop this book. I like the concept and I like what Winick did before the Crisis. But this issue’s confrontation between Nightwing and Superman, I mean, this issue’s Nightwing threatening Superman, I just don’t know ...

Justice League Unlimited 22 (DC Comics) — This book is just plain fun. It follows the characters as they were envisioned in the Timm-verse of the recent departed Justice League cartoon. The stories aren’t simplistic, but they can be equally enjoyed by youngsters and older fans alike. They are filled with nostalgia, wonder and awe. Bravo to Adam Beechen and Rick Burchett for their outstanding work month in and month out.

Whew! That’s a bunch, but that’s what I read since the last post.

Back to the Future

OK, short post this time. Got my current month’s worth of comics over the weekend, got ’em added to the database and read just a couple over the weekend. Since I get the bulk of my books once a month when so many folks get theirs on a weekly basis when they’re released, I’m always behind when I get a shipment. But I keep track of which books arrive in the stores each week, and that’s the order I read my new ones in, oldest first. Since I’ve been talking about some of the storylines I’m reading or re-reading as I go back through my older comics, I figured I’d just continue that motiff with the new ones, too. So, here’s some mini-reviews/thoughts on the first three books I read from this latest shipment.

52: Week Four (DC Comics) - This series is starting kind of slow, but I’m intrigued by a number of the storylines. For instance, I’m not sure where the whole thing with the Question and Renee Montoya is going but I’m definitely willing to come along for the ride and find out. I also like the emotional ploy of using Ralph “Elongated Man” Dibny as a central character. And speaking of Ralph’s story, what the hell’s going on with Wonder Girl and this cult of Superboy? I’m not as interested in the Booster storyline right now; I don’t hate it, but I don’t love it. Same with the Steel storyline as I haven’t followed the charcter much of late. And holy crap, what’s up with the return of the space heroes? Especially the enormous Hawkgirl and the apparently now one-eyed Alan Scott? I know Scott is shown in Checkmate as wearing an eyepatch, but he doesn’t have it in current issues of JSA so I figured maybe something happened between those two stories, maybe something in the current JSA Classified storyline with Vandal Savage. Now, I’m not so sure.

Action Comics 839 (DC Comics) - The Up, Up and Away story reintroducing Superman has been pretty good so far. Writers Geoff Johns and Kurt Busiek brought me to this storyline but I don’t normally stay with the Super titles very long. I like Superman, but his stories just aren’t my cup o’ chocolate milk most of the time. Maybe this round will be different.

Crisis Aftermath: The Spectre 1 (DC Comics) - I was looking forward to this one. I’ve always like the occasional appearances of Det. Crispus Allen in the Bat-titles. He’s one of the reasons I first gave Gotham Central a try when that title debuted. I was shocked when he was gunned down in the final issue of that series just before Infinite Crisis. His death made more sense when the Crisis aluded to his reincarnation as the new Spectre. I’m looking forward to this journey, and this first issue seems to hold a lot of promise.

And that’s all I’ve had a chance to read so far. Look for more soon.

A Crisis Is Brewing

Just some brief thoughts today on the comics I’ve read over the last few days moving into the year 1985.

For one thing, several of the comics, regardless of publisher, have been running an advertisement listing the results from Amazing Heroes Best 10 Books of 1984 poll, per R.A. Jones in Amazing Heroes #63. The list is first, Swamp Thing; second, Jon Sable; third, American Flagg; fourth, Teen Titans; fifth, Fantastic Four; sixth, X-Men; seventh, Blue Devil; eighth, Atari Force; ninth, Dr. Strange; and tenth, Power Pack. Two out of those top ten are complete runs in my collection.

I’ve also been paying more attention to the letters columns, editorial features and First Notes and such as I read over some of these comics than I used to when I was younger. I still don’t read every letter or comment, but I notice writer’s names and editorial opinions and such a tad more than I used to. I am seeing a lot of letters by “T.M. Maple,” a pseudonym not unfamiliar to a large number of comics collectors. T.M. was a very prolific and insightful writer to many letter cols. I don’t know the entire story of this individual, but I’ve read some things. It is interesting to see the number of books in which his missives appear.

For specific storylines, the Thing has finished up his adventures on the Beyonder’s planet and returned to Earth. I knew there was a point when his long-time girlfriend, the blind Alicia Masters, started dating the Human Torch instead. Now I know more about how and when that event came about in the life of Ben Grimm. One of the reasons Thing stayed behind on the Beyonder’s world was to sort out his feelings for Alicia. He was thinking he should break up with her because he was too dangerous for her to have a relationship with. Ben resolved to go through with the break-up and returned to Earth to find that Alicia had suspected what was coming, and when he didn’t return right away from space, she took the hint and moved on with her life. Johnny Storm was there to help out, and their relationship grew while Ben was away.

In the New Teen Titans, the team recovered from their emotional and psychological battles with Trigon. Then they discover something of the true origin of Lilith, a longtime, on-again-off-again member from the old days. It seems that Lilith is the daughter of Thia, one of the Titans of Myth, parents to the gods of Olympus. The goddess Thia kidnapped Lilith claiming to have been searching for her since she was stolen away as a baby and commenced to usurp control of Mount Olympus with designs on Earth next. Before defeating this menace with some mythical help, the Titans meet Kole, a young crystal-powered teenager whose parents the Titans attempt to track down in their next story arc.

Jon Sable’s title included a three-part story taking him to the Middle East titled, The Contract. A special back-up feature in those three issues was a real-life prose account of Sable creator Mike Grell’s first safari in Africa, complete with photos and sketches to illustrate the tale. Next begins a two-part story about Jon Sable’s mother before her death.

In addition to these regular books, I also have Sword of the Atom Special #2. In late 1983 or early 1984, artist Gil Kane and writer Jan Strnad turned the shrinking hero's world upside-down. In a four-issue miniseries, they took physicist Ray Palmer from his Ivy Town university job, ended his marriage to Jean Loring-Palmer, and plopped him down in the middle of the Amazon rainforest among a hidden civilization of six-inch tall yellow aliens stranded and living in the jungles. It sounds hard to believe, and the Atom probably wouldn’t have been most people’s first choice as the next big sword and sorcery hero, but the story and art in the series were incredible and the characters likable. The series was popular enough to generate two sequels, a 1984 Special and the second one in early 1985, but never an ongoing series of its own.

And then there’s the Warlord. For quite some time in that title, Travis Morgan and his Skartaran mate, Queen Tara of Shamballah, have been in hiding, building their forces and preparing to re-take their kingdom from the New Atlantean usurpers who have been little more than a subplot since they took over the land. But what is most interesting to me about the recent Warlord stories is how often the Monitor has been depicted watching the exploits of the characters. The Monitor is a mysterious figure, always shown in shadow at this point, who appeared in several DC books over the course of 1983 and 1984, usually as just an observer watching events transpire, but sometimes acting as a type of referral agent, connecting bosses with super-powered muscle for a fee. Readers wouldn’t learn who the Monitor was or what his motivations and goals were until the maxiseries Crisis on Infinite Earths. This is my first time reading Warlord stories from this period, so I am curious just how much of a role the Crisis plays in the life of the Warlord and vice-versa. I know Travis Morgan is pictured in the Crisis series in several group shots of heroes, but the number of appearances of the Monitor in the the pages of the Warlord, makes me wonder if the Crisis will play a large role in Skartaris.

Moving forward from here, in addition to Titans, Warlord, Sable and Thing, I also have a four-issue Red Tornado series and a four-issue Nightcrawler series from early 1985 and a three-issue Legend of the Hawkman prestige series from 2000 which I have placed here chronologically because it obviously deals with the pre-Crisis Hawkman from Thanagar. Then, of course, Crisis on Infinite Earths, after which the dates in my collection get really muddy. But more on that when the time comes.

Comics So Vivid They're Scary

It's been a light reading week so far this week, and we've already covered the overviews for all of the series I have in complete runs through 1984. Still at least a week — most likely two — before my next shipment of new comics come in. But I have ventured far enough into 1985 that I have just re-read the first story arc of the 1984 Baxter New Teen Titans series.

The first five issues of the series detail the re-match between the current Titans line-up and the demonic Trigon the Terrible, other-dimensional father of Titan Raven. Issue #6 is also part of that story arc, at least in my opinion, because it deals with the aftermath of the battle and the repercussions for the Titans themselves.

These books also mark the last before the departure of New Teen Titans co-creator and collaborator George Perez. Marv Wolfman would stay with the book for another six or so years, and Perez continued to provide the cover art and story contributions, but Jose Luis Garcia Lopez took over the regular art chores with #6.

For anybody not familiar with the Baxter term, no, it doesn't mean that the comic was printed in the headquarters for the Fantastic Four. Baxter refers to the higher paper quality and the greater range of color inks used in the printing of the comic. In 1984, DC opted to experiment with the process on a re-vamped Legion of Super-Heroes title and their new Infinity Inc. offering. The New Teen Titans re-launch was the third title to get the upgrade. The brief mention of the different printing process is because I believe that very process is at least part of why this story arc is remembered by so many as so dramatic.

Of course, it was a pretty compelling story beyond the visuals, too. In the earliest adventures of the New Teen Titans, Raven is depicted as gathering this group of teenage heroes together so they could help combat her other-dimensional demon-father. That initial confrontation took place in New Teen Titans (first series) #s 6 and 7. At the end of that tale, the Titans had managed to "trap" Trigon in his own dimension, and Raven's human mother, Arella, stood "guard" over the portal between the dimensions.

In the 1985 story, it is revealed that over time Raven's appearance has been changing, growing to resemble that of her demonic father, mirroring the changes within her soul. Apparently, each time Raven has used her empathic powers over the course of the group's adventures, Trigon has captured a little piece of her, until she can no longer resist his influence. With the corrupted Raven's help, Trigon escapes his imprisonment, travels to Earth, and very quickly subjugates the entire planet. Superman, the Justice League and other heroes are shown to never have had a chance to even register the attack, let alone managed to organize counter-measures. The Titans are left whole only because they were elsewhere when the initial attack began, and because Trigon has special plans for them.

Over the course of the story, Trigon and the corrupted Raven use the darkest fears and insecurities of each Titan against that specific hero. Wonder Girl has recently married, so her "dark self" mocks the relationship of an Amazon to a mortal by killing Donna's husband. Changeling has lost his natural parents and his adoptive family the Doom Patrol. He naturally feels responsible for the tragedies which took his loved ones, so "Dark Changeling" accuses him of killing them. Nightwing has recently given up being Robin, so "Dark Nightwing" shows him that the new ineffective Robin has failed to watch Batman's back, resulting in the death of the Dark Knight Detective. Cyborg, Kid Flash and Starfire suffer similar nightmares, being taunted by their darkest fears to the breaking point.

These are dark fears and deal with some pretty dark concepts: slavery, failure, loss of humanity, death and murder. On top of that, the "dark" Titans are illustrated as "negative" figures, mostly black (as opposed to white) with blood-red outlines. The concepts and the visual depictions make for some very disturbing nightmare sequences, but they allow the reader to "feel" the Titans' torment all the more for their richness. I remember feeling a chill reading these stories for the first time, and even though the story and outcome are familiar now, a portion of that same chill returns each time I re-read these comics. Now that's not only good story-telling, but that's damn good graphic story-telling — and isn't that what comic books are all about?

Thing Has Changed

Hello, again. We’ve been talking about the ongoing series I am currently reading or re-reading as I work my way through the back issues of my own comic book collection. So, far, we’ve discussed The New Teen Titans, The Warlord and Jon Sable, Freelance. The fourth book that fits into that time frame is the first Marvel Comics title devoted to the solo adventures of the ever-lovin’ blue-eyed Thing.

Now, Ben Grimm has always been my favorite member of the Fantastic Four. I tend to gravitate toward some of the more monstrous-in-appearance heroes from the Marvel Universe. I like Thing, I like Hulk, I like Beast, I like Nightcrawler and I like werewolves, so, since we’re talking about Marvel, I like Werewolf By Night.

Currently, Ben has his own solo title again. It’s already been canceled, but Dan Slott’s take on the character was spot-on. And during the Silver Age of comics, Thing starred as the recurring character in Marvel team-up title Two-In-One. But, today we are discussing the early ’80s series The Thing by John Byrne (writer) and Ron Wilson (drawing). A few of the issues in early 1984 were written by Mike Carlin, too.

This series started out pretty good. Ben battled a collection of strange villains and had some unusual adventures in his first several issues. It was the Thing we all know and love - a grounded everyman who just happens to be incredibly strong, has a big heart and muddles his way through whatever life throws at him.

And that’s why this series is only so-so for me. Those first issues were great. But then the Marvel Powers-That-Were came along and screwed things up. 1984 was when Marvel Comics produced its first Secret Wars miniseries (certainly not the last to bear that name) in which a god-like being called the Beyonder whisked several heroes and villains off to an artificial planetoid and pitted them against each other. At the conclusion of the 12-issue extravaganza, Ben decided to stay on the artificial world, a place where he could inexplicably transform back and forth from human to the Thing, and sort out some of the relationships in his life.

So, naturally, in his own title, Ben ceases to be Ben. It doesn’t so much bother me that for the next 10 to 12 issues, he can transform; that doesn’t change the core character. But many of the storylines during this “Rocky Grimm (where the hell did that name come from), Space Ranger” arc were just too fantastical for my tastes. Sure Thing has been put into some fantastic situations as a member of the FF, but again, what makes the character great is his everyman groundedness. Take that away from him, as in these stories, and I just don’t care much for this “new guy.”

OK, so I’m bashing several of these issues. You guessed it; you will find a number of them that I didn’t care for on my Web site for sale. See, that’s one of the beautiful things about comics. These stories weren’t my personal cup o’ tea. That doesn’t mean noone will want them. Somebody out there might think I’m crazy for my “narrow” opinion, love these issues, and snatch them right up. The stories aren’t bad, they just aren’t Ben Grimm to me.

Next time, we’ll move on to something else. In the week it’s taken me to post about these titles from 1984, I’ve almost worked my way on in to 1985.

Enter The Hunter

Mike Grell has done a lot of comic books work over the years. I haven’t researched him enough to provide a detailed listing of all his credits, but several people’s first exposure to him as an artist seems to be his early work illustrating the adventures of DC Comics’ Legion of Super-Heroes, the teenage titans from the far-flung future.

I never much got into the Legion back then, so its no surprise that my first exposure to Grell’s talents came much later during his work on the ground-breaking miniseries The Longbow Hunters, which updated Green Arrow for DC and served as the launch point for the emerald archer’s first self-titled ongoing series. Before that time, however, “Iron Mike” gained a following not only for illustrating, but also creating and writing the adventures of The Warlord, a series we discussed last time. In that earlier discussion, I also mentioned Grell leaving Warlord after a time.

At that time, he also left DC to join editor Mike Gold in creating First Comics. American Flagg and E-Man are some of the more popular titles released monthly by First Comics when they started. The character and title Grell created, wrote and illustrated was Jon Sable, Freelance, an adventurer-for-hire grounded in the real world, without any superpowers of any kind, who relied on his wits and skills to survive political intrigue “ripped from the headlines.” The main character was a combination of James Bond and Indiana Jones, a real-life “Batman” operating without a Halloween costume. And he was a hit in 1984.

My first exposure to this character was in a later relaunch of the title simply called Sable and written by Marv Wolfman. I enjoyed that incarnation for several months, occasionally picking up back issues of the re-launched series. I learned that Mike Grell had created the character when I happened across a trade paperback collecting the first six issues of the original series.

For a long time, that was all my collection included of Jon Sable. This is one of the titles for which I have recently filled in the holes, having purchased a copy of all issues of the original series, as well as the missing issues of the relaunch, initially title Sable, Return of the Hunter, and finally dropping to just Sable.

Through 1984, readers have been treated to an epic-length “origin” tale telling of Jon’s life and family in Africa, how he came to be a writer of children’s books in his alter ego of B.B. Flemm, how he came to know each of the small circle of people who know him, and followed him from the jungles of Vietnam in search of MIA/POWs to the Olympic games, opposing petty criminals, beautiful jewel thieves and corrupt officials in foreign countries.

Jon Sable, Freelance also gets a “thumbs up” recommendation as a series worth checking out.

And as a side note, through the house ads in the early First Comics, I learned about yet another Grell creator-owned series, Starslayer, a sci-fi tale originally launched for another company, but picked up by First Comics. I haven’t read any of this series yet, but I like The Warlord and Sable enough to purchase all of the issues from a mail-order back issue company a few months ago. That’s the “drawback” of this hobby -- each new discovery often leads to finding and wanting other new titles.

Happy collecting.

1984 Was More Than Just Big Brother

Ain’t technology wonderful? I’m not going to lie and blame the length of my most recent absence entirely on the computer not being available, but that is a valid excuse for a least a portion of the time. But I believe we are back in business now. Keep your fingers crossed.

In previous posts, I’ve talked about how I file my comic books as opposed to the more typical alpha-numeric system. I’ve also mentioned my Web site previously, which lists a number of comic books I’ve cut from my personal collection because of taste and/or duplication. Both of those topics came up in a recent discussion with a friend about what I do with my spare time.

A large portion of my spare time is devoted to my comic book collection. Currently I purchase the bulk of my new comics from a mail-order company which ships me my stash once a month. But, because of money and interest limitations, the new comics I get each month only take me a couple weeks to read and file away. Once that’s done each month, I move back to the beginnings of my collection.

I am currently using that time to go back through my collection from the beginning for a number of reasons. It’s a good way to doublecheck that there are no errors in the way I have the books ordered. I’m also pulling some additional books out for placement on the Web site. And over the last several months, I have purchased a number of back issues which complete runs of some titles or give me a chance to sample series I missed the first time around. So far, I’ve made it to fall 1984. At this point, not counting miscellaneous issues of titles I collected sporadically, there are four main titles I own complete runs of from that time. We’ve already covered my enjoyment of Marv Wolfman’s and George Perez’s revival of the New Teen Titans. Another of those titles is DC’s The Warlord.

The Warlord was created, written and illustrated by Mike Grell beginning with First Issue Special #8 in November 1975. The story centers on Air Force pilot Travis Morgan and the hidden world of Skartaris he accidentally finds inside Earth. The one-shot was popular enough that The Warlord was given his own book almost immediately -- February 1976. Grell stayed with the book until the early 1980s. Cary Burkett took over the writing and the art chores were handled by Dan Jurgens and Rich Buckler.

The title is basically a sword and sorcery tale with elements from science fiction and fantasy thrown in. I first heard of Mike Grell during his work in the 1990s on DC’s revival of Green Arrow. From there, I also followed his work in the late 90s for Image Comics with his creator-owned titles Shaman’s Tears and Bar Sinister, both short-lived but popular series, from my understanding.

The gritty-realism in these later titles -- stories that could almost happen in the real-world, not just ultra-violent as that term has come to mean today -- impressed me enough to seek out other Grell titles. While The Warlord is conciderably more fantastical than realistic, I still enjoyed the story presented in a trade paperback I picked up which collected the first year’s worth of Warlord tales. Other commentators I have read online dismiss Grell as doing work, especially on The Warlord, that others did first and better, most notably Edgar Rice Burroughs in his Martian tales. I will agree that the title isn’t exactly ground-breaking in its use of a man taken out of his usual environment and forced to excell in alien surroundings, but Grell does weave a riveting tale as Morgan explores the hidden world, battles wizrds and monsters, uncovers lost secrets and more.

When Grell left the title and new creators came onboard, the tone of the series changed, emphasizing the science fiction aspects more than others, but the stories were still quite good. The Warlord is a series I highly recommend, at least through 1984. Next time, we’ll look at another title I am discovering from that timeframe.