Showing posts with label Paul Dini. Show all posts
Showing posts with label Paul Dini. Show all posts

Thursday, May 06, 2010

Reviewing 'Em Old School

One of the duties I have at the newspaper for which I work out in the real world is to generate the opinion pages, a portion of which is devoted to various columnists. In my capacity as a page designer/copy editor, I absolutely hate columns that have no central theme, but are instead just a collection of random thoughts and musings on a variety of topics. For one thing, such columns make it very hard to write a concise, all-inclusive headline. But as a writer, I have to concede that not only do they serve an occasional purpose, such columns can be downright useful sometimes.

As I've stated previously, I don't intend to discuss absolutely every comic I've read in this forum — let's face it, with the amount of comics I buy, just one comic each week would be way too slow a reading pace; I'd be buried under unread books in no time — waitaminnit! I already AM buried under unread books!!

Anyway, I have no intention of discussing every single comic I read. There are also some books I might wish to comment on, but for which I really don't have enough to say to fill up an entire post. So today, we have a collection of short thoughts on several recent reads, kind of like some of the older posts where I just did a collection of bullet-style reviews.

But enough intro, let's get to the comics; after all, that's why we're all here, right?

The Brave and the Bold No. 28 (DC Comics) — I really liked the relaunch of this book by Mark Waid and George Perez. After their initial run, the book became a bit more hit-and-miss, as anthologies often are. But J. Michael Straczynski has breathed new life into this book once again. This issue uses a Flash-Facts-type science experiment to drop Barry Allen with a broken leg into the past, specifically, a battle between Nazi soldiers and the Blackhawks. The World War II fighter pilots and contemporary speedster are far from an obvious pairing, but Straczynski manages to make the tale both done-in-one and great fun. The book combines all of the fun of a shared universe and a shared continuity, but without getting bogged down in all of the minutia that can often entail. I hope his run is long and prosperous on this book.

Warren Ellis: Wolfskin (Avatar) — This hardcover collection is not actually numbered, but it is the first collection of the first three/four issues of this gritty lone warrior tale. I believe there are very few actual bad comics; just because I don't care for a story or character doesn't mean that no one does. Some of what I like might not be your exact cup of tea, and just because I didn't care for this collection doesn't mean it will have no audience. It's not so much that this warrior's tale is so gritty or that the art is so graphic and bloody. That also describes Kick-Ass, which I did like. Rather, I just didn't care much for the central character or the dilemma he is faced with after wandering upon a village and slaying several armed attackers. Seems they attacked because they are at war with their neighbors and mistook the wanderer for one of their enemy's agents. By slaying so many warriors, our hero has now left this village at a severe disadvantage in their war, so he must decide if he will ignore their pleas or fight for them. Ellis is a good enough writer, I'm sure there is much more character development to come, but there's just not enough early on to make me care for this guy or wonder about him much. Without that initial interest, I don't care to continue buying to read more.

Gotham City Sirens No. 5 (DC Comics) — No surprises here. This title is just good comics, as I expected it would be. Paul Dini first proved his Batman chops on Batman: The Animated Series in the mid-90s. He not only GOT the Dark Knight Detective, but he seemed to have an affinity for some of the related-female characters. (He's much of the reason I'm looking forward to DC's upcoming Zatanna series.) This book features Catwoman, Poison Ivy and Dini's creation from BTAS, Harley Quinn, as the three femme fatales get an apartment together and enjoy Gotham City living. The book, like many of Dini's works, mixes drama, action and humor in just the right quantities to make a truly fun read.

Wonder Woman (third series) No. 37 (DC Comics) — I was really looking forward to Gail Simone taking over this book, but I've been kinda underwhelmed since I got that wish fulfilled. I like Simone as a writer. She was just as excellent as series creator Chuck Dixon on Birds of Prey when she took over writing that book. Her work on the Secret Six ongoing series is disturbingly brilliant, surpassing the excellent first mini and the somewhat lackluster second mini. Something just seems to be off with her portrayal of Princess Diana for me, though, and I can't put my finger on what it is. I haven't hated any of the story arcs, but I haven't been anxious for each new issue, either. Here's hoping Diana is returned to prominence in my collection when J. Michael Straczynski takes over with issue No. 600.

Heroes tpbs 1 and 2 (DC Comics) — These collections suffered in spite of themselves for me. I bought the first trade when it came out, sometime around the middle of Season 2 of the television show which inspired these web comics, but it went on the stack of trades that needed to be read sometime. A few months ago, the second collection was released, and I decided to go ahead and read both even though the third season of the TV show has lost me completely. There are some truly solid stories here, some featuring characters from the show, but many of the best tales in these collections have little to do with the actual characters seen on-screen each week. They exist in the same shared universe, but operate independently from the show, having little or nothing to do with actual episodes. But overall, these collections fell a little flat for me as the TV show has done.

That's it for this week, kiddie cops; more next time.

Tuesday, October 17, 2006

Return With Us Now To Those Thrilling Days Of Yesteryear ...

Those words are most likely familiar to fans of the Lone Ranger radio program, as well as to those of a more recent animated incarnation of “the masked rider of the plains.” And they seemed a fitting header for today’s post which leads off with a discussion of the most recent beginning for John Reid and his “faithful Indian companion, Tonto,” the newly-launched Dynamite Entertainment comic book.

Dynamite seems to be making a name for itself with the comebacks of a number of licensed properties from Red Sonja, Xena, Battlestar Galactica, Army of Darkness and others. Now, the Lone Ranger joins those ranks.

The Lone Ranger 1 (Dynamite Entertainment) — Overall, I’d have to say that this first issue, by Brett Matthews, Sergio Carriello and Dean White, is a solid start to what I hope will be a lengthy and spectacular run. I’ve always liked the Lone Ranger and Tonto, and while this isn’t a letter-perfect depiction of the character’s beginnings, it is a solid interpretation that is well worth a look.

Let me stress that I don’t profess to be an expert on the character or his history, but I have been a fan of the Lone Ranger for many years. I’ve heard recordings of some of the original radio broadcasts, I’ve seen most of the television incarnations, and many of the film adaptations. While the character’s brother, Dan Reid, has almost always been a part of the original story, I don’t remember any other incarnation making use of the boys’ father, also a fellow ranger here. But then, other characters have come and gone from time to time, including a nephew, Dan, on the radio shows and in some comic book versions. While new to the mythos, the boys’ father is a fine addition in this incarnation as he is used to show where young John Reid learns some of the early lessons that will later shape the ethics of the Lone Ranger.

Bryant’s Gap, the canyon where the six Texas Rangers are ambushed and left for dead, is not named in this tale, but again, that is nothing new, and an omission is not necessarily a mistake. Collins, the man who leads the rangers into the ambush, is also changed somewhat in this issue, but not in a way that changes the outcome. In most other versions of the tale, Collins was a tracker or a witness to crimes and escapes who leads, offers or is hired to lead the rangers to outlaws. Here, he is a thief himself being tracked by the rangers. But the essential part of the tale, that he leads the lawmen into a trap, remains intact.

And lastly, I have heard or read a very few re-tellings of this origin tale wherein the gang of outlaws, specifically their leader, remains unnamed, but in most all renditions, the outlaw gang is named for and led by Butch Cavendish. In this tale, the man seems to be named Julius Bartholomew, aka Black Bart. I’m not sure why this change, or if maybe their is precedent for the name, but for me, both these names are merely aliases for Cavendish.

Otherwise, as far as I can tell, this first issue is a solid re-telling of the tale of six Texas Rangers led into an ambush, all slaughtered except for one man, a man with an East Coast education as well as his Texas sense of justice, who manages to survive the attack through the timely intervention of a lone Indian who nurses him back to health. It’s a good story, well worth a look.

Another header considered for today’s post was “Everything Old Is New Again” as we have a number of first issue relaunches besides the Lone Ranger. So, moving along ...

Mystery In Space 1 (DC Comics) — I’ve never really followed the adventures of Captain Comet, the main star of this series. I remember seeing his cameos in the original Crisis, and he played a role in Infinite Crisis, as well, so I was curious. Still am after reading this first issue, which is what I assume Jim Starlin, Shane Davis, Matt Banning and Al Milgrom — the creators — had in mind. In the first of this eight-issue series, we see Captain Comet die and be reborn, along the way, rebooting another character, the Weird, from a previous DC event. I’m intrigued enough to stick with this series to see what is going on.

The Trials of Shazam! 1 (DC Comics) — This is another relaunch following Infinite Crisis and the Spectre’s destruction of all magic. Apparently magic still exists in the DC Universe, something we’re also learning about in the pages of 52, but the rules have changed. One such change is that Billy Batson is now the resident at the Rock of Eternity and the wizard, Shazam, is dead. I’m curious enough, and this issue was good enough to bring me back for more, but I don’t know much at all yet.

Agents of Atlas 2 (Marvel Comics) — Still liking the combination of superheroics and spy elements in this story bringing back a number of old Atlas characters by Jeff Parker, Leonard Kirk and Kris Justice. If the quality on this book keeps up, I’d like to see this as an ongoing.

Action Comics 842 (DC Comics) — Continuing the tale of intergalactic traders discovering several bit of merchandise on earth, attempting to acquire them, coming across superheroes for their trouble, and deciding to take possession of said heroes, too. Not a bad Superman tale by Kurt Busiek, Fabian Nicieza and Pete Woods, and the addition of several other heroes only adds to the appeal.

52 Week Eighteen (DC Comics) — I mentioned this series in the Shazam blurb. In this issue, the Croatoans (who the hell are they?!?) gather, as they do every so often, apparently, and discover that one of their number has been liquified after finding the helmet of Dr. Fate. Elongated Man, one of the Croatoans, believes the helmet is speaking to him, but the others don’t hear it. Is he still not quite right in the head, or is this more magic rebooted? And if the helmet IS talking to him about the reordering of magic, is this when and why Aquaman was changed? (That sure looks like him on page 16 sprouting tentacles.) Oh, and Montoya and the Question decide to join forces with Black Adam?!?

Nightwing 124 (DC Comics) — This was an odd tale, but then this whole arc by Bruce Jones has been odd. I can’t quite make up my mind about it as there were things that I hated (so many transitions seemed disjointed and jarring) and things I liked (the inclusion of Jason Todd — the idea if not the execution). I may have to let these issues sit a while, then re-read them to decide. The best thing I can say about this issue now is, next issue starts the Marv Wolfman/Dan Jurgens run. Yay!

The All-New Atom 3 (DC Comics) — I am hemorrhaging interest in this book fast. Not sure quite why. I love Gail Simone’s work on other titles. Just not really caring about these people or this town at all.

OMAC 3 (DC Comics) — Not too sure about this title right now. It’s a limited series, so I may stick with it since I started, but I’m not sure I care anymore about this one.

Detective Comics 823 (DC Comics) — Paul Dini does it again. The animated series proved that he “gets” the character of Batman. And there are subtle similarities between his writing on this series and the show. But these books are exploring themes a little darker than even the show did. With Poison Ivy’s portrayal over the years, it is clear she cares little for or about people. This issue takes that to the next level, and goes to town with the resulting concept. Wow!

Wednesday, September 06, 2006

Spending My Time Among Fantasy Worlds

Just reviews today. Not much time to post. So, here we go:

Detective Comics 822 (DC Comics) — This is the second issue penned by Paul Dini, one of the geniuses behind the animated DCU. As with that continuity and the first issue of his run here, this man “gets” Batman. This was a good solid read with some fun at the Riddler's expense along the way. Now it just remains to be seen if anyone else runs with the “Edward Nigma, Detective” thread started here.

Justice League Unlimited 24 (DC Comics) — This book is, of course, based on that same animated DCU. The stories are simple and easily enjoyed by youngsters, while containing depth for adults that really satisfies. In short, these are quality, fun comics to read. This taps into the Martian Manhunter’s greatest fear, something very different from his greatest weakness, fire.

Agents of Atlas 1 (Marvel Comics) — Another good read. This is exactly what you want from the first issue of any series, limited or not: A solid introduction to the main characters without giving everything away; a set-up which lets you know more is to come and leaves you wanting to know what that more is.

52 Week 14 (DC Comics) — This wasn’t a bad comic, but it WAS more of a fill-in issue than anything else. We check back in on Steel briefly and see that he is still very upset over his niece’s defection to Luthor. We learn a bit more about what Doc Magnus has been up to besides visiting his friend and mentor T.O. Morrow and see that Morrow has escaped his holding facility. And we follow Montoya and the Question to Khandaq on the trail of Intergang, where they immediately get into trouble. With the exception of the Khandaq trip, most of the action of this issue takes place off-panel and we only see the results.

Superman 655 (DC Comics) — I like the idea of Superman as a character, and I like him as part of a team dynamic, but I usually get bored with his monthly adventures pretty quickly. That’s what I expected to happen here, too, especially after the first One Year Later arc ended so weakly for me. When this issue started out with a less-than-flattering glimpse of the 1600s life of Arion, it did little to quell my fears. But I must say, after reading the entire issue, I am curious to know where this tale is going and what happens next. Keep it up, Kurt Busiek.

Green Arrow 65 (DC Comics) — Good to see Speedy back in this issue, but she is part of the problem I have with this book right now. Judd Winick weaves such intricate and interweaving storylines that it can be hard to establish continuity. And he doesn’t seem to care. The final issue of GA leading into Infinite Crisis shows Oliver stabbed twice through the chest by arrows. Now, One Year Later, we are hearing that he went away to an island for a year to recuperate and re-train. Same with Conner and Mia who were nearly killed in the explosions which leveled much of Star City. Except it’s already been said in Teen Titans that Mia was active as Speedy with the team during the missing year, and we’ve already seen Oliver up and around in the pages of 52. Normally you could write this off as poor communications between writers, but Winick is supposed to be one of the writers on 52 and involved in the whole “charting a new course” plans. That makes the discontinuity seem just plain sloppy. Hopefully future issue will prove me wrong.

Secret Six 3 (DC Comics) — This series is not quite as good as its predecessor, Villains United, in my mind. The storyline seems a bit more disjointed and meandering. Almost like a decision was made at the last minute to do a sequel because the first series was so popular, and this is what could be thrown together last minute. I don’t know any insider stuff on how this series came about, but that is my suspicion. If anyone knows more or something different, feel free to chime in.

And lastly, Fables 52 (DC Vertigo) — Sons of Empire part 1. As usual, just Wow! I love this book.

Monday, August 07, 2006

Why I Hate Supergirl

OK, kiddie-cops, I’m back for another lightning round of comics reviews looking back over mags that I’ve recently read. And starting us off is

Supergirl (2005) 7-8 (DC Comics) — OK, I cheated a little bit here in reading order since #8 didn’t come out until almost the end of July, but I didn’t expect to like either of these books much, so I read ‘em both together. Why buy them if I didn’t expect to like them, you ask. It’s the problem with advance ordering your comics. I didn’t expect to like them after reading #6 a couple months ago, but by that time, I’d already ordered these two. I have NOT ordered #9.

I like the original Supergirl. And I’m not necessarily opposed to updating and reintroducing old characters as new ones. I like the new Supergirl, Matrix, introduced after Superman’s revamp. I just don’t like this latest ultra-teen, sorority-chick, stereotype that DC is parading around as the Maid of Steel.

I could handle her introduction in the pages of Superman/Batman. I’m not altogether certain if she truly had an evil personality to begin with or if Darkseid “created” one when he kidnapped her, but that tale was passable, and even had some memorable moments. Her next adventure, kicking off her own title, wasn’t too bad either, tying in with the events of Infinite Crisis and Luthor and such, and the use of her evil side was a nice touch. But the story was so drawn out what with all of the delayed issues, it was a little hard to follow. But now, the midriff-baring whiner moves into One Year Later, dragging Power Girl along with her, into a twisted vision of the bottle city of Kandor. Making this story, even more lame, in my opinion, is the use of Ultraman and the evil Saturn Girl from another Superman/Batman arc. I’m just not buying it, literally.

Detective Comics 821 (DC Comics) — New writer Paul Dini is not the first scribe to return this title to one that lives up to its name, but as a creator on Batman, The Animated Series, he’s proven he gets Batman, isn’t afraid to use Bruce Wayne in a story as more than a fool, and above all, shows us why Batman is known as the World’s Greatest Detective. He doesn’t just punch his way to a resolution in this done-in-one tale, he searches out clues, follows leads and uncovers a new villain with good, old-fashioned detective work.

Teen Titans 37 (DC Comics) — I’ve been reading a lot of people bashing this title of late online. I’m starting to agree that maybe it's lost its focus a little bit with the jump One Year Later. I’m not opposed to having new characters in the group, but its almost like Johns is bored with keeping Cyborg, Robin and Wonder Girl around but feels he has to to keep his audience. Or maybe he’s stretched a little thin right now with all he’s doing. It’s the Titans; I have high hopes, so I’m not dropping it yet, but I’m disappointed in this most recent arc.

Secret Six 2 (DC Comics) — Just not quite sure about this one either. Gail Simone is such a great writer and Villains United such a great read, I’m willing to give her the benefit of the doubt so far. But this follow-up miniseries seems even more violent, and with somewhat less focus, so far.

The Thing (2005) 8 (Marvel Comics) — Now this is good comics, people!!!! Naturally, it’s the last issue. I don’t like everything Dan Slott writes. I just don’t get the appeal behind his latest reimagining of She-Hulk. It’s just not that funny to me. But he did right by bashful Benjy, the ever-lovin’ blue-eyed Thing. And in true style for a fun comic, Slott takes this book out on a high note. Just about evertbody who’s anybody in the Marvel Universe shows up in this blowout final issue for a rollicking Superhero Championship poker match.

Slott went out on such a high note, how can I do any less? That’s it for today. Happy collecting.