Tuesday, October 19, 2021

These hardcovers cover the spectrum of the television series

Irwin Allen’s Lost in Space: The Lost Adventures
American Gothic Press
Creators:
Carey Wilber, Holly Interlandi, Kostas Pantoulas, Patrick McEvoy, Marshall Dillon, Steve Stanley, RC Aradio and Jenn Pham
Release date: September 2016 and February 2017


Irwin Allen’s Lost in Space: The Lost Adventures was a six-issue limited series based on two unproduced scripts for the television show’s never-realized fourth season. Both scripts were written by veteran television script writer Carey Wilber, who had penned previous episodes of “Lost in Space,” “Star Trek,” “The Time Tunnel,” “Bonanza,” “Maverick” and other television programs.

I missed out on watching “Lost in Space” during the program’s initial three-season run, but I watched it and enjoyed it as a child in reruns. In fact, there was a period in my childhood when my younger brother and I would watch television most Sunday afternoons and catch syndicated reruns of “Voyage to the Bottom of the Sea,” “Land of the Giants,” “Lost in Space,” “Star Trek,” “Maverick” and then “The Wonderful World of Disney” one right after the other into the early evening.

Each of the two Wilber “Lost in Space” scripts were adapted into comics format by Holly Interlandi and published as three issues of this six-issue series. Then each three-issue script adaptation was collected into a nice hardcover format, which is how the books came to my attention. As a fan of the show, I decided to give the two hardcovers a try and bought them when they were solicited. When each hardcover was released, in a move familiar to frequent readers of this blog, I tossed them onto a pile of books to read when I had time.

For reasons I’ll go into more next time, the time to read these hardcovers has finally arrived. And I enjoyed them, although I enjoyed the second volume a little more than the first. Both stories feel like authentic “Lost in Space” episodes, and the dialogue sounds true to the various characters, but that is to be expected since the author of the original screenplays had written for the show previously. The artist of the first story, Kostas Pantoulas, didn’t quite capture the likenesses of the different actors of the show as well as the artist of the second story, Patrick McEvoy, but the art in both was very good.

The tone of the first story felt most like a first season episode to me. “The Curious Galactics” focuses mainly on John and Will Robinson, Don West and the Robot off on a mission away from the Jupiter 2. A pair of aliens conducting experiments on lower lifeforms stumble onto the mission and decide to put the Robinsons and West to the test next. The story was interesting, but it lacked some of the humor the show was known for in later seasons.

The second story, “Malice in Wonderland,” felt more like a second- or third-season episode of the television program. As one might guess from the title, it is a take on “Alice in Wonderland,” making use primarily of Will and Penny Robinson, Dr. Smith and the Robot. While the adventure often puts the characters in peril, the writing is full of laughs and mischief along the way.

One additional element of this second story further intrigued me. At the outset of the story, the two youngest Robinson children, Dr. Smith and the Robot are joined by a purple llama named Willoughby, who wears glasses, can speak and seems to be quite familiar with the members of the Jupiter 2 crew and they with him. I didn’t recall a purple llama in any of the episodes of the show, so I was curious about this element of the story.

Each of these hardcovers contains bonus material such as copies of the original Wilber scripts and other production notes about the making of the comics and the television program. One such note cleared up the Willoughby mystery for me. Willoughby appeared in the next to last episode of the series titled “The Great Vegetable Rebellion.” In that episode, however, Willoughby was portrayed as a slight man with purple hair and glasses, not a llama. According to the notes in the hardcover, the original “Vegetable Rebellion” script called for Willoughby to be a llama, not a man, and says the change was made because Jonathan Harris, the actor who portrayed Dr. Smith, refused to work with a llama. But this being a comic, the creators involved decided to revert to the original llama form for the character.

Each of these hardcovers was a fun trip down memory lane and worthwhile additions to my collection. Come back in two weeks, and I’ll share some more Lost in Space comics memories.

Tuesday, October 05, 2021

My history with Captain Marvel

SHAZAM! The World’s Mightiest Mortal Volume 3 hardcover
DC Comics
Creators:
E. Nelson Bridwell, Don Newton, Gil Kane, Kurt Schaffenberger, Dave Hunt, Joe Giella, Bob Smith, Steve Mitchell, Frank Chiaramonte, Dan Adkins, Larry Manlstedt, John Calnan, Adrienne Roy, Cory Adams, Milt Snapinn, Ben Oda, Gaspar Saladino, John Costanza, Todd Klein, Shelly Leferman, Philip Felix, Albert DeGuzman, Jean Simek, Peter Iro, Pierre Bernard Jr. and Michael Cho
Release date: May 18, 2021


Like many children around the same age, my first exposure to Billy Batson and his alter ego, Captain Marvel (That’s right, his name is Captain Marvel; Shazam is the wizard’s name.), came in the form of the live action Saturday morning television show “Shazam!” which began airing in 1974 and starred Michael Gray, Les Tremayne and Jackson Bostwick. I was 7 when the show premiered. These simple stories entertained me and my younger brother, but Cap never quite broke into my personal top-tier level of favorite superhero characters.

I knew nothing at this point about Captain Marvel’s publishing history — how he debuted in the Whiz Comics title published by Fawcett Comics in 1940; the legal battles that followed the character into the 1950s; the acquisition of the character by DC Comics and the demise of Fawcett; or the launch of a new Shazam! title by DC in 1973.

Fast forward to the early 1980s and Captain Marvel — and the extended Marvel family — began appearing again on Saturday morning television in animated shorts as part of “The Kid Super Power Hour with Shazam!” These shorts were my first introduction to Mary Marvel, Captain Marvel Jr., Uncle Dudley and Mr. Tawky Tawny. The cartoons were a much more fantastical version of Cap than I’d known from the live-action “Shazam!” or its follow-up 1970s series “The Shazam!/Isis Hour.”

Over in the comics, that DC Shazam! title was not doing well, and the feature had become much shorter back-up stories in Worlds Finest Comics. That move happened in 1978 and continued into the early 1980s.

At this point in my life, my access to comics was very limited. My brother and I would accompany our mother on weekend shopping trips to the grocery store or department stores once or twice a month, and we would occasionally be allowed to pick out a comic or two from the meager selection offered by those venues. One such trip resulted in my getting a copy of World's Finest Comics #270, which contained the Shazam! story “Our Son, the Monster!,” one of the many great tales reprinted in this volume.  

Fast forward again to me being an adult collector. I don’t recall exactly when, but at some point, I purchased the first two volumes of The Shazam! Archives from DC Comics, which reprinted the earliest Captain Marvel adventures from the 1940s. I found I really enjoyed those early adventures of the Big Red Cheese, as Captain Marvel was often called. Likely, this purchase was spurred on by the 1995 reboot of Captain Marvel by the extraordinary Jerry Ordway in 1995, The Power of Shazam!, a series I tried and enjoyed and need to someday track down again.

Over the years, I’ve developed a fondness for Captain Marvel, and while he still isn’t numbered among my top three heroes, I do enjoy reading many of his adventures from throughout his history. So I tend to consider buying each new relaunch attempt or collected edition.

I decided to skip the first two hardcover volumes of this Shazam! The World’s Mightiest Mortal series when they were first announced. Partially that decision was motivated by the knowledge that many consider those early- to mid-1970s stories less than great. But mostly, I decided not to buy the fancy new hardcover collections because I already had most of those stories in the cheaper Showcase Presents Shazam! paperback collection from several years prior. I hadn’t read that Showcase collection yet. Best to wait and see how much I enjoyed the Captain Marvel tales from this period first.

But then I heard that this third volume would collect all of the later Worlds Finest Marvel family stories, AND that they almost all featured Don Newton artwork. Like Captain Marvel, Don Newton isn’t really in my top two or three as far as artists go, but he is definitely in my top 10 favorites, possibly even in my top five. Newton isn’t as prolific or as known for being a Batman artist as someone like Neal Adams or Jim Aparo or Norm Breyfogle, for instance. Newton isn’t as well known as an Aquaman artist as Aparo or Nick Cardy or Ramona Fradon. But I love Newton’s interpretation of both those characters.

And Don Newton is known as a very dynamic Captain Marvel family artist. He did the artwork on nearly every story reprinted in this volume. That made me curious to go ahead and spring for the full-color, hardcover treatment. And I was NOT disappointed. These tales are quirky and certainly they feel a bit dated now. But they are truly fun stories showcasing not only Cap, Mary and Junior, but the Lieutenant Marvels also make an appearance in one of the multi-part stories, playing a vital role in helping the main trio defeat the Monster Society of Evil. This collection also includes the origin of Mr. Tawky Tawny and reveals a connection between the Marvels and Kid Eternity, of which I was previously unaware.

All in all, this was a very wise purchase, and I enjoyed it very much!

Come back in two weeks, and we'll look at a pair of books that is not only a few years older even that this collection but they also come from a completely different publisher. I know I've been on a bit of a DC kick for the last several posts. That is about to change as I cover a couple related series from some non-Big Two publishers. See ya then!