Showing posts with label Garth Ennis. Show all posts
Showing posts with label Garth Ennis. Show all posts

Tuesday, July 20, 2021

They were right; this IS a worthwhile read

Preacher Vol. 1: Gone to Texas (collecting issue Nos. 1-7 of the original series)
DC/Vertigo
Creators:
Garth Ennis and Steve Dillon
Release date: March 14, 1996


Strap in, folks; it’s a lengthy post today.

I wasn’t much into Vertigo titles in 1996 when Preacher made its debut on comic store shelves. I was in the thick of buying mostly super-hero titles at the time. I was still holding onto buying New Titans in hopes the title would return to its former glory, and I was, of course, picking up Aquaman and Green Arrow at the time. Nightwing’s solo series had not come along quite yet, but most of the other Bat-books were on my pull list, including Robin. I was a regular buyer of the Superman titles at the time. Other DC titles I was grabbing included Damage, Darkstars, Deathstroke, Flash, Green Lantern, Guy Gardner, Legionnaires, Showcase and Wonder Woman. I was also picking up occasional issues of the Spider-Man titles with some regularity, as well as Dark Horse’s Ghost.

That’s not to say I was ignorant of the Vertigo titles. I bought and enjoyed the first several issues of Grant Morrison’s Animal Man before the magazine was even considered a Vertigo title. I was also vaguely aware of Swamp Thing, Sandman and Hellblazer, several other Vertigo greats. Likewise, shortly after the debut of Preacher, when the title really started to generate some buzz, I’d heard of it and had a simple awareness of the title’s existence. It just wasn’t something I had much interest in.

So why am I reading the title now? Because it came highly recommended. Those of you who have been reading this blog for a while know that I also listen to and enjoy a number of fine comics-themed podcasts. I like a number of shows out there and have gotten to know some of the various podcasters through their respective shows and through friending a number of them on Facebook.

I was recently listening to an episode of “Views from the Longbox” by Michael Bailey that featured guest hosts Andrew and Micheal Leyland of “Hey Kids, Comics!” The specific episode was No. 166 from October 15, 2013, and was titled “TC and the Chicken.” On this episode, the three co-hosts discussed the Preacher series in general, and focused specifically on the third story arc, “All In the Family.” All three gentlemen talked about the series in glowing terms.

For instance, Andrew Leyland, while describing the series as “depraved” also said that he followed Ennis and Dillon from Hellblazer to Preacher and considered the pair of creators “one of the best comic book teams ever.”

Leyland continued: “I can see how it wouldn’t be to everybody’s taste, but I think it’s genius. It is the single best piece of work in Vertigo’s history, and one of the best finite comic series ever.”

That’s pretty high praise indeed. And Leyland wasn’t alone in his opinion of the series.

Michael Bailey said, “The strength of the series is Garth Ennis’ ability to have you care about these characters and how he engages you as a reader. Even as messed up as this story can get, at heart, you still like these people and root for them.”

After hearing that kind of praise, I throw the question back: How could I not give it a try?

Again, while these guys talked a lot about the series as a whole in the episode, they focused on the third story arc of the series, specifically issue Nos. 8-12. But I can’t give something a genuine try starting in the middle of the series, so I started with this first trade, collecting the first two story arcs.

I’ve said before that I try to focus this blog on comics that I have enjoyed and can feel good about recommending to someone else. So it should come as no shock to regular readers that I enjoyed this first bit of Preacher very much, otherwise I wouldn’t be writing about it, and you wouldn’t be reading about it here.

Everybody has to decide for themselves about the level of gore, sex and language they want to accept in the comics they read, but I was expecting something a little more graphic from what I’d heard about the series before reading it. Maybe the series will get worse later on, and maybe my expectations were at a level where what I got in this first trade was not as bad as I feared. But I had no problem with what was shown and what happened “off panel.”

For anyone like myself who had not read Preacher before, the title character is Jesse Custer, a small-town Texas preacher who is suffering a bit of a crisis of faith when something miraculous/disastrous happens to him. Jesse’s transformation leaves him merged with Genesis, an angelic/demonic entity recently escaped from captivity in Heaven. The merger leaves Jesse with the Word of God, the ability to command others to do whatever he says, and they have no ability to resist. The merger of Jesse and Genesis leaves the rest of the town dead.

The death of everyone in a small Texas town brings Jesse to the attention of the police, as well as the Saint of Killers, another supernatural entity sent by Heaven to recapture Genesis. By chance, Jesse is first found by Tulip, a former girlfriend Jesse abandoned five years earlier, and Cassidy, an Irish vampire. Tulip and Cassidy first met the day before when Tulip failed at her initial attempt to pay off some debts by becoming a hitperson. Fleeing the ensuing gunfight, Tulip happens on Cassidy and begs for his help getting away.

The first story arc in the first Preacher trade introduces these three major players and the situation they find themselves in. The three fugitives must first deal with their initial pursuers, the Texas authorities and the Saint of Killers. In the course of doing this, they learn that God has left Heaven, and the three decide to seek out God to have a word with him about his behavior. This leads into the second story arc in the trade: Cassidy leads the trio to New York City, where they meet up with an old friend of his and try to gather intel on God’s possible whereabouts. Instead, they end up running afoul of a serial killer.

To be sure, this is some violent content, and there is plenty of swearing in the dialogue. Many people are killed and/or tortured in the course of these two story arcs, and there is a lot of graphic content some may find more disturbing than others. But again, from all I’d heard, I’d expected much worse than I got. I’ve also read Ennis’ later series, The Boys, which is also very violent and graphic. So Preacher didn’t bother me as much as I expected it might. Your tolerance may vary.

One thing that counters the graphic violence is the series’ sense of humor. Ennis can have a biting, nasty edge to his humor at times, too, to be sure, but there are some genuinely touching and simply humorous moments between the characters in this series, especially between the three leads. Ennis writes them as three-dimensional characters, not cookie-cutter caricatures of real people. The writing is often filled with subtle moments that counter the more over-the-top ones. Michael Bailey and the Leylands also mentioned the subtlety in Ennis’ writing for this series in their review, and I very much agree with that assessment after reading this first trade.

I’d never read Preacher before as it never seemed like a good match for my tastes, but after hearing this podcast enthusiastically recommending people give it a try, I decided to do just that. I enjoyed the first trade as I got to meet these three characters on their initial adventures together, and I’m looking forward to reading the next story arc, which Bailey and the Leylands covered so well in their podcast review, and beyond. If you’ve never read the series either, maybe this post will inspire you, too, to try Preacher.

Friday, June 14, 2013

I'm Left Scratching My Head A Bit

The Boys
Wildstorm/Dynamite Entertainment
Garth Ennis, writer
Russ Braun, Darick Robertson, John McCrea, Keith Burns and Richard P. Clark, artists
*** mature content warning ***




I don't read only superheroes in comics, but I'm also not one of those people who is embarrassed about enjoying superhero comics. I enjoy the escapism and the adventure in older comics where the heroes are always right and the villains are always beaten and everything exists in a black-or-white, yes-or-no reality. I also enjoy some of the moral gray areas that tend to crop up in more modern comics. And when done right, I occasionally enjoy a tale where the "heroes" are not necessarily that heroic.

Garth Ennis takes that idea to the extreme in his epic The Boys. In the world Ennis and his illustrators create for us, all superheroes are "manufactured" by a single company and treated as a commodity. In the interests of profit, the company churns out as many heroes as they can with the resources available to them, and as a result, most of these heroes aren't really all that heroic. They are more accurately described as self-centered, sex-obsessed idiots with god-like abilities and little or no impulse control. The general public isn't aware of this, of course, but that is the reality.

The Boys in this world are a small off-the-books government entity created to keep an eye on the superheroes of this world, slapping them down if they get too far out of line with their various antics and depravities. The team is made up of five individuals, all of whom have their own reasons to hate the "heroes" of their world. Billy Butcher is the leader of The Boys, and obviously the most sadistic of the bunch. Mother's Milk, The Frenchman and The Female round out the rest of the group as the series opens, but they quickly add Hughie to their number after his girlfriend is killed in an "accident" involving superheroes.

This series started out at Wildstorm but was canceled quickly by that publisher; it seems the property was just a little too extreme for them. It soon found a new home at Dynamite and resumed publishing with only a short break. I didn't pick up the series from the start; it wasn't even on my radar at first. But the title got a LOT of publicity when it was canceled by Wildstorm and later picked up by Dynamite. I was curious after that point, so I bought and read the first five trades to try out the series. I was intrigued in spite of myself. Parts of the story and illustrations repulsed me, but I was very caught up in the story of Hughie as he becomes a part of the world of The Boys. I didn't buy them, but I did borrow the next three trades from my local library to continue on with the story.

After those eight trades, I was current with the series and had to wait for another to be released. In the meantime, I kind of lost interest with the series and might have never finished it, but I learned that the series was coming to an end shortly. The series as a whole consisted of 72 regular series issues and three limited companion series, all of which are collected in 12 sequentially numbered trades. (I mention that the trades are sequentially numbered because the three limited series have a particular place in the overall narrative, and are numbered as such in this series, but that isn't normally the case.) Anyway, with a definite ending in sight, I returned to the series and read those final four trades once they were all released.

Overall, I'm glad I read this series. It was very well written and illustrated by these talented creators. Hughie's story and wanting to find out what would happen to him and his new girlfriend, Annie, kept me coming back. I cared about the characters, and wanted good outcomes for them. Despite some of the simply horrendous things they do for their jobs, I also enjoyed reading about Mother's Milk, The Frenchman and The Female. These were also characters I came to care about through these issues.

Butcher is another matter. His character seems easily as depraved as the super-powered maniacs who also populate this universe. His life could have turned out much differently, but it didn't. Whether that is his own fault or the fault of the circumstances around him is open for debate, but ultimately, Butcher is not a very nice man. Having said that, this team of creators is so talented, that once we finally get Butcher's back story in the 10th trade -- which collects the final limited series, "Butcher, Baker, Candlestickmaker" -- I began to feel some empathy for even this character.

This series did not end in the way that I expected it to. Likely that is a point of credit for Ennis; despite all his clues, I did not see coming the specific ending to the series that I received. In fact, truth be told, I'm not entirely sure I completely "get" the ending. I understand all of the points that are spelled out, what happened and why. But I feel there is maybe something deeper than those surface details I should be getting from this book that I'm just not quite grasping. If you don't mind, or can look past, the graphic violence of the series, it is a good one.